Homotopy to Marie | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | 1981–82 | |||
Genre | ||||
Length | 65:30 | |||
Label | United Dairies | |||
Producer | Steven Stapleton | |||
Nurse with Wound chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork | 8.5/10 [2] |
Homotopy to Marie is the fifth album by Nurse with Wound, released in 1982.
Although Nurse with Wound had generated considerable interest across their preceding releases, Steven Stapleton has asserted to author David Keenan that Homotopy to Marie should be considered the first "real" NWW album. In Keenan's book England's Hidden Reverse, Stapleton states that this was the first album he made without intervention, the original trio line-up having dispersed in 1980. Although J. G. Thirlwell participated in some of the sessions and is thanked on the album's sleeve, this is effectively a Steven Stapleton solo album and he would retain sole curatorship of NWW from this point onwards.
The album was the result of a block booking made by Stapleton at IPS Studios in London, reserving every Friday evening (6pm - midnight) for a whole year. It is, as Keenan notes, audibly less musically conventional than its predecessors and relies on Stapleton's improving abilities of tape-editing and construction, honed during these Friday evening sessions. The Audion Guide To Nurse With Wound states that the album is "a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques" with Allmusic using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group's early albums. The sleeve credits include a declaration that the record was inspired by Franz Kamin.
The title of the brief closing track derives from a passage from Les Chants de Maldoror , a surreal poetic novel written by the French-Uruguayan author Isidore-Lucien Ducasse, under the pseudonym Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse with Wound's debut album Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella ; both phrases appear in Lautréamont's work.
When a boarder at school is controlled for years which seem like centuries, from morning to evening and from evening to morning again by a pariah of civilization whose eyes are constantly fixed on him, he feels the tumultuous upsurge of lasting hatred rising like thick smoke to his brain, which seems about to burst.
The album was issued on Stapleton's own United Dairies label in an initial pressing of 5,000, five times as many as predecessor Insect and Individual Silenced . It was also issued on cassette. A compact disc edition was released in 1992 with alternate artwork (pictured) and an additional contemporaneous recording, "Astral Dustbin Dirge", which had been omitted from the original formats for reasons of length. All copies of the CD suffered from a mastering fault which caused the index point between tracks 2 and 3 to occur 3 minutes earlier than it should. The titles of most of the tracks were also abbreviated on this edition. The album went out of print when distributor World Serpent went out of business but was reissued on United Dairies in June 2007 in remastered form, with the correct index points and the original track titles restored. In 2018, it was reissued by Rotorelief as three different 2LP editions and a 2CD set packaged in a hardcover 26-page art book, plus a special edition of 25 copies of the original LP, each in its own unique sleeve, with an insert signed by Stapleton.
The laughter heard on "The Tumultuous Upsurge (Of Lasting Hatred)" is sampled from the King Crimson song "Easy Money" from the album Larks' Tongues in Aspic .
Pitchfork Media ranked it #61 on their list of 'Top 100 Albums of The 80s'. [4] In 2022, Treble ranked it at number 144 in their list of "The 150 Best Albums of the 1980s"; in the accompanying essay, Jeff Terich wrote that "Homotopy to Marie is a masterpiece of disorienting sound collage, the sounds of crunched bits of metal and marching soldiers, sacred vocal music and inquisitive children, blood-curdling moans and screams and ambient drones." [5]
As mentioned above, early CD pressings had the final three minutes of "Homotopy to Marie" as part of "Astral Dustbin Durge", leaving track times of 13:37 and 15:19, respectively. The 2007 reissue corrected this indexing error.
The first LP/CD is the original album. The second LP/CD contains:
1 is from Drunk with the Old Man of the Mountains; 2–4 are remixed versions of compilation tracks as released on the NWW album Automating Volume One.
Nurse with Wound is the main recording name for British musician Steven Stapleton. Nurse with Wound was originally a band, formed in 1978 by Stapleton, John Fothergill and Heman Pathak. The band's work has explored genres such as industrial, noise, dark ambient, and drone.
Current 93 are an English experimental music group, founded in 1982 by David Tibet. Much of Current 93's early work was similar to late 1970s and early 1980s industrial music: abrasive tape loops, droning synthesizer noises and Tibet's distorted, excoriating vocals. In the mid-'80s, Current 93's sound shifted to a style Tibet has called "apocalyptic folk", combining folk music with industrial elements. Tibet has been the only constant member of Current 93, with a wide variety of collaborators joining in over the years. They have released over twenty full-length albums, as well as many other recordings.
David Tibet is an English poet, artist and musician. He is best known for the musical group Current 93, which he founded and is the only consistent member of, along with his contributions to the band Death in June.
Steven Peter Stapleton is an English musician who is best known as the only constant member of experimental improv outfit Nurse with Wound. He is often seen as one of the pioneers of the British industrial music scene, alongside bands such as Throbbing Gristle, Monte Cazazza and Cabaret Voltaire, although in his music he has explored a wide range of styles, including free-form improvisation, folk, and even Latin American dance rhythms.
For the companion album by Current 93, see Thunder Perfect Mind.
Black Ships Ate the Sky is a 2006 album by the UK-based musical ensemble Current 93. The album features numerous guest vocalists, such as Anohni, Bonnie 'Prince' Billy, Marc Almond, and Shirley Collins. It features nine versions of the 1816 Appalachian tune Idumæa, with lyrics of a 1763 Methodist hymn by Charles Wesley, each featuring vocals by a different artist. The album was issued in digipak packaging, with a 56-page booklet containing liner notes, lyrics, photographs, and credits.
Simple Headphone Mind is the second collaboration between Stereolab and Nurse With Wound. As with their first release, Crumb Duck, Stereolab recorded the basic track and then handed it over to Steven Stapleton to do with as he pleased. Unlike with Crumb Duck, listeners can hear the original Stereolab recording, as it was issued under the title The Long Hair Of Death on a split single with Yo La Tengo; this version was also featured on Stereolab's Aluminum Tunes compilation album.
Crumb Duck is the first collaboration between Anglo-French indie band Stereolab and cult avant-garde unit Nurse With Wound, first released on 10" vinyl on the Clawfist label in 1993.
Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella is the debut album by British industrial music group Nurse With Wound, released on their own United Dairies label in 1979. An unusual record which blends noise and jamming, it is described by AllMusic as "one of the more glowing examples of late-70s industrial noise" and defunct UK music magazine Sounds summed up their response by abandoning their usual star rating system to award the album a full 5 question marks. FACT magazine ranked the album at #51 on their list of "The 100 best albums of the 1970s". The album's artwork includes the Nurse with Wound list, an insert which lists several dozen avant-garde, rock, krautrock and other "weird" recording artists who influenced the group. Further, the album's back cover bears the dedication: "This album is dedicated to LUIGI RUSSOLO." Russolo was himself a pioneering noise music artist of the early 20th century.
To the Quiet Men from a Tiny Girl is the second album by Nurse With Wound and the last to be made by the founding trio of Steven Stapleton, John Fothergill, and Heman Pathak. The album also features contributions from French avant-garde musician Jacques Berrocal. It was recorded by The Bombay Ducks, an alias for Nicky Rogers and Vic Ball, the former of whom had facilitated the recording of the group's first album, Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella. The album's title comes from Tolerance's album Anonymlink
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Insect and Individual Silenced was the fourth album by Nurse With Wound.
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Children of God is the fifth studio album by American experimental rock band Swans. It was released on October 19, 1987, through record label Caroline and on K.422 in the United Kingdom.
Rotorelief is an independent, self-financed French label founded in 2005. Through its catalog, the label offers a wide range of conceptual albums in the experimental and psychedelic area, new releases to discover and also numerous CD and vinyl reissues, sometimes revisited and augmented. The label has also worked hard to discover or rediscover little-known nuggets from France's post-industrial music scene around the '80s, as well as some of the international pioneers of this old-school noise and industrial scene. The catalog also includes a number of UFO nuggets from the 60s and 70s, psychedelic and krautrock projects, cold wave and post-punk pop from the 80s, and very recently, current crossover industrial hip hop artists... A few masters of free-jazz and deviant rock have also joined the catalog.
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