Homunculus (film)

Last updated

Homunculus
Nandor Honti Homunculus - Teil 6 (1917) Filmplakat.jpg
Directed by Otto Rippert
Screenplay by Robert Reinert
Based onHomunculus
by Robert Hamerling
Produced by Hanns Lippmann
Starring
Cinematography Carl Hoffmann
Production
companies
Release dates
June 1916 (1916-06) – January 1917 (1917-01)
September 1920 (1920-09)
Running time
approx. 6h (1916)
approx. 3 3/4 hrs (1920)
3 1/4 hrs (2014)
CountryGermany
Languages

Homunculus is a 1916 German silent science fiction serial film directed by Otto Rippert and written by Robert Reinert. [1] Other sources list Robert Neuss as a co-writer. [2] Fritz Lang was one of Rippert's assistants during filming. [3] It was originally produced by Deutsche Bioscop GmbH.

Contents

Italian print of movie

Plot

A scientist creates a living creature called a Homunculus (a Latin word which means little man) in a laboratory, and the creature strives to find love. When it discovers it is unable to feel emotions, it goes on a rampage and starts creating havoc in a nearby German village. Although it looks human, it is a soulless being. The scientist hunts down the creature in an attempt to destroy his creation.

The Reinert's script is loosely based on epic poem Homunculus written by Robert Hamerling in 1888. [4] The theme of an artificially created being turning against its creator is also similar to the Golem films of Paul Wegener and the silent film versions of Henrik Galeen's Alraune . [5] The plot is very similar to Mary Shelley's Frankenstein , wherein a living creature (called a homunculus) is created artificially in a laboratory and strives to develop emotions like a human being. (Frankenstein had previously been filmed by Thomas Edison in the United States in 1909.) [5]

Cast

Release history

One of the most successful German-made film series produced during World War I, it was theatrically released at the Marmorhaus, Berlin, between June 1916 (preview) and August 1916 (premiere) and January 1917 in six parts running approximately one hour each:

1: Die Geburt des Homunculus
2: Das geheimnisvolle Buch
3: Die Liebestragödie des Homunculus
4: Die Rache des Homunculus
5: Die Vernichtung der Menschheit
6: Das Ende des Homunculus [6]

Only part 4 and a fragment of part 5 from this series is still extant.

After Deutsche Bioscop merged in spring 1920 with Decla-Film to form Decla-Bioscop, the film was heavily edited down to three chapters and re-released with colored tints and intertitles in September 1920. [7]

1: Der künstliche Mensch
2: Die Vernichtung der Menschheit
3: Ein Titanenkampf [8]

A 76-minute tinted version with Italian language intertitles exists in the George Eastman Museum film archives. [2]

Nearly a century later the head of the Munich Film Museum, Stefan Drößler, retrieved 27 reels of the six original chapters released in 1916/1917 from a Moscow film archive. They had been heavily cut up and jumbled, with the intertitles excised, but a restored version lasting 196 minutes was shown in August 2014 at the Rheinisches Landesmuseum Bonn as part of the Bonn Silent Film Festival. [9]

Related Research Articles

<span class="mw-page-title-main">Babelsberg Studio</span> German film studio

Babelsberg Film Studio, located in Potsdam-Babelsberg outside Berlin, Germany, is the second oldest large-scale film studio in the world only preceded by the Danish Nordisk Film, producing films since 1912. With a total area of about 460,000 square metres (5,000,000 sq ft) and a studio area of about 25,000 square metres (270,000 sq ft) it is Europe's largest film studio.

<span class="mw-page-title-main">Norina Matchabelli</span> Italian actress (1880–1957)

Princess Norina Matchabelli was co-founder of the perfume company Prince Matchabelli, a stage and screen actress, publisher, and a disciple of Indian spiritual teacher Meher Baba. Her stage name was Maria Carmi.

The Curse of Man is a 1920 German film directed by Richard Eichberg and featuring Béla Lugosi, Violetta Napierska, and Lee Parry.

<span class="mw-page-title-main">Olaf Fønss</span> Danish actor

Olaf Holger Axel Fønss was a Danish actor, director, producer, film censor and one of Denmark and Germany's biggest stars of the silent film era.

<span class="mw-page-title-main">Robert Reinert</span> German film director and screenwriter.

Robert Reinert was a German film director and screenwriter.

<span class="mw-page-title-main">Harry Liedtke</span> German actor (1882–1945)

Harry Liedtke was a German film actor.

<i>The Spiders</i> (film) 1920 film

The Spiders is a silent two-part German adventure film written and directed by Fritz Lang. It was released in two parts in 1919 and 1920. Two more parts were originally planned but never made. It was believed to be a lost film, but it has been rediscovered and restored.

Emil Rameau was a German film and theatre actor, and for many years the deputy artistic director at the Schiller Theater. He appeared in nearly 100 films between 1915 and 1949.

<span class="mw-page-title-main">Friedrich Feher</span> Austrian actor and director (1889–1950)

Friedrich Feher was an Austrian actor and film director. He first entered the film business in 1913, starting out as an actor but quickly gravitated toward directing.

<span class="mw-page-title-main">Continental-Kunstfilm</span> German film production company

Continental-Kunstfilm GmbH was a short-lived German film production company based in Berlin, formed in February 1912 by Walter Schmidthässler and Max Rittberger. A large number of Continental-Kunstfilm's productions are now probably lost, although some significant films have survived into the 21st century.

The Black Panther is a 1921 German silent film directed by Johannes Guter and starring Yelena Polevitskaya, Xenia Desni and Eugen Burg. The film was produced by Russo Film, a small production outfit associated with Decla-Bioscop, which had been set up to produce films based on literature. The film was adapted from a play by Volodymyr Vynnychenko. It premiered on 14 October 1921 at a Decla cinema on the Unter den Linden.

<i>Madame de La Pommerayes Intrigues</i> 1922 film

Madame de La Pommeraye's Intrigues is a 1922 German silent film directed by Fritz Wendhausen and starring Olga Gsowskaja, Margarete Schlegel and Grete Berger. The film was produced by Russo Film, a short-lived company backed by Decla-Bioscop which aimed to adapt literary works for the screen. The film was released shortly after Decla-Bioscop had been absorbed into the larger UFA group. It was based on a story by Denis Diderot. It premiered at the Tauentzienpalast on 20 January 1922.

<i>Wandering Souls</i> 1921 film

Wandering Souls is a 1921 German silent drama film directed by Carl Froelich and starring Asta Nielsen, Alfred Abel, and Walter Janssen. It was based on Fyodor Dostoyevsky's 1869 novel The Idiot. The film was the first of three to be made by Russo Film, a small production company set up by Decla-Bioscop to make literary adaptations. The 123-minute film was shot at the Johannisthal Studios in Berlin. It premiered on 3 March 1921 at the Marmorhaus in Berlin.

<span class="mw-page-title-main">Otto Rippert</span>

Otto Rippert was a German film director during the silent film era.

<i>The Plague of Florence</i> 1919 film

The Plague in Florence is a 1919 German silent historical film directed by Otto Rippert for Eric Pommer's Deutsche Eclair (Decla) production company. The screenplay was written by Fritz Lang. It stars Marga von Kierska, Theodor Becker, Karl Bernhard and Julietta Brandt. The film is a tragic romance set in Florence in 1348, just before the first outbreaks in Italy of the Black Death, which then spread out across the entire continent.

The Blood of the Ancestors is a 1920 German silent film directed by Karl Gerhardt and starring Robert Scholz, Harald Paulsen, and Lil Dagover. It was shot at the Babelsberg Studios of Decla-Bioscop in Berlin. The film's art direction was by Hermann Warm.

The Sign of the Malay is a 1920 German silent film directed by Carl Heinz Boese. It was shot at the Babelsberg Studios in Berlin, then controlled by Decla-Bioscop.

<i>The Last Performance of the Circus Wolfson</i> 1928 film

The Last Performance of the Circus Wolfson is a 1928 German silent film directed by Domenico Gambino and starring Hermann Vallentin. The film's sets were designed by the art directors Willi Herrmann and Fritz Willi Krohn.

<span class="mw-page-title-main">Weissensee Studios</span> Film studios in Berlin

The Weissensee Studios was a collection of separate film production studios located in the Berlin suburb of Weißensee during the silent era.

Decla-Film was a German film production and distribution company of the silent era, founded by Erich Pommer and Fritz Holz in February 1915.

References

  1. Frank, Barbara (1 August 2014). "Stummfilm "Eines der aufwendigsten Projekte"". Rundschau Online . Retrieved 4 October 2020.
  2. 1 2 Bennett, Carl (28 September 2013). "Homunculus (1916)". Progressive Silent Film List. Archived from the original on 4 November 2019.
  3. Cross, Robin (1986) Science Fiction Films. Admiral Books. p. 19
  4. Bär, Gerald (2005). Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm. Amsterdam: Editions Rodopi. p. 214. ISBN   9042018747.
  5. 1 2 3 Workman & Howarth, p. 172.
  6. "Homunculus. I (1916)". The German Early Cinema Database (in German). Retrieved 28 November 2022.
  7. "Homunculus, Teil 1 - Die Geburt des Homunculus". filmportal.de (in German). Retrieved 28 November 2022.
  8. Lamprecht, Gerhard (1969). Deutsche Stummfilme 1915–1916 (in German). Berlin. p. 506
  9. "Homunculus (1916) - 2014 restoration". NitrateVille. Retrieved 28 November 2022.

Bibliography