Honolulu | |
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Directed by | Edward Buzzell |
Written by | Herbert Fields Frank Partos Harry Ruskin George Oppenheimer |
Produced by | Jack Cummings |
Starring | Eleanor Powell Robert Young George Burns Gracie Allen |
Cinematography | Ray June |
Edited by | Conrad A. Nervig |
Music by | Harry Warren (songs) Franz Waxman (incidental music) |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
Honolulu is a 1939 American musical comedy film directed by Edward Buzzell and starring dancer Eleanor Powell, Robert Young, George Burns and Gracie Allen. The picture was produced by Metro-Goldwyn-Mayer. Also appearing in the film are Rita Johnson, Eddie "Rochester" Anderson, Sig Rumann and Ruth Hussey.
Brooks Mason, a top movie star, is tired of being in the public eye. He discovers that Hawaii-based businessman George Smith looks enough like him to be his twin. He arranges to switch places with Smith temporarily. When Mason steps into Smith's life, he finds himself in a tug-of-war between Smith's fiancée, and a dancer named Dorothy March, with whom he has fallen in love. Meanwhile, Smith discovers that being a movie star is not all that it is made out to be.
Joe Duffy, Mason's garralous manager, has not been informed of the switch. So when Smith gets fed up with the impersonation and tries to go back to Hawaii; Duffy has him put in a strait jacket for his own good. Luckily, the hotel doctor(Sig Ruman) suggests humoring him by taking him to Hawaii.
Smith arrives minutes before Duffy is to marry Cecelia, and the switch is made without the bride knowing it.
Millie De Grasse then arrives with HER lookalike sister, causing Duffy to faint dead away.
Eleanor Powell's dance routines were given a mostly Hawaiian flavor. One of her routines was performed in blackface in tribute to Powell's idol, Bill 'Bojangles' Robinson. The comedy of Burns and Allen is also featured, although the two actors work separately for much of the movie, their characters only meeting in the final minutes. Powell and Gracie Allen sing and dance together in a sequence featuring the titular song. This was George Burns' last film appearance until his Oscar-winning performance in The Sunshine Boys in 1975. The film is also notable for offering a somewhat rare cinematic look at pre-World War II Honolulu.
There is a musical sequence featuring Gracie Allen, accompanied by musicians made to look like the Marx Brothers (including two Grouchos), while several actors in the audience are costumed to look like such famous actors as Clark Gable, W.C. Fields and Oliver Hardy.
Footage of one of Powell's dance routines (done in a hula skirt to a tiki drum orchestra) would be reused in the later comedy, I Dood It , while another dance performance that was cut from the film appeared seven years later in the "hodge-podge" production The Great Morgan .
Grace Ethel Cecile Rosalie Allen was an American vaudevillian, singer, actress, and comedian who became internationally famous as the zany partner and comic foil of husband George Burns, her straight man, appearing with him on radio, television and film as the duo Burns and Allen.
George Burns was an American comedian, actor, writer, and singer, and one of the few entertainers whose career successfully spanned vaudeville, radio, film and television. His arched eyebrow and cigar-smoke punctuation became familiar trademarks for over three-quarters of a century. He and his wife Gracie Allen appeared on radio, television and film as the comedy duo Burns and Allen.
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Eleanor Torrey Powell was an American dancer and actress. Best remembered for her tap dance numbers in musical films in the 1930s and 1940s, she was one of Metro-Goldwyn-Mayer's top dancing stars during the Golden Age of Hollywood. Powell appeared in vaudeville, on Broadway, and most prominently, in a series of movie musical vehicles tailored especially to showcase her dance talents, including Born to Dance (1936), Broadway Melody of 1938 (1937), Rosalie (1937), and Broadway Melody of 1940 (1940). She retired from films in the mid-1940s but resurfaced for the occasional specialty dance scene in films such as Thousands Cheer. In the 1950s she hosted a Christian children's TV show and eventually headlined a successful nightclub act in Las Vegas. She died from cancer at 69. Powell is known as one of the most versatile and athletic female dancers of the Hollywood studio era.
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The Big Broadcast of 1936 is a 1935 American comedy film directed by Norman Taurog, and is the second in the series of Big Broadcast movies. The musical comedy starred Jack Oakie, Bing Crosby, George Burns, Gracie Allen, Ethel Merman, The Nicholas Brothers, Lyda Roberti, Wendy Barrie, Mary Boland, Charlie Ruggles, Akim Tamiroff, Amos 'n' Andy, Bill "Bojangles" Robinson, and Argentinian tango singer Carlos Gardel.
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On the Avenue is a 1937 American musical film directed by Roy Del Ruth and starring Dick Powell, Madeleine Carroll, Alice Faye, George Barbier, and The Ritz Brothers. Many of the songs were composed by Irving Berlin. Many of the plot details were used in Let's Make Love. Initially, the movie was called Out Front.
Four Sons is a 1940 war film directed by Archie Mayo. It stars Don Ameche and Eugenie Leontovich. It is a remake of the 1928 film of the same name.
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The George Burns and Gracie Allen Show, was an American situation comedy television series that ran for 291 episodes over eight seasons (1950–58) on CBS. The show did not become weekly until the third season. The first two seasons of the show were biweekly broadcasts, with the last episode of Season Two being broadcast three weeks after the one that preceded it. The show was based on the Burns and Allen radio show (1929–50), which first ran for three years on the BBC radio network, before airing in the United States on CBS and NBC. The radio show itself was based on the characters George Burns and Gracie Allen had developed in vaudeville. Many of the early television episodes were a re-working of the same episodes that had aired on radio.