Confidentially Connie | |
---|---|
Directed by | Edward Buzzell |
Screenplay by | Max Shulman |
Story by | Max Shulman Herman Wouk |
Produced by | Stephen Ames |
Starring | Van Johnson Janet Leigh Louis Calhern |
Cinematography | Harold Lipstein |
Edited by | Frederick Y. Smith |
Music by | David Rose |
Production company | |
Distributed by | Loew's Inc. |
Release date |
|
Running time | 74 minutes |
Country | United States |
Language | English |
Budget | $502,000 [1] |
Box office | $733,000 [1] |
Confidentially Connie is a 1953 American romantic comedy film directed by Edward Buzzell. [2] It stars Van Johnson as a dedicated but poorly paid college professor, Janet Leigh as his pregnant wife, and Louis Calhern as Johnson's father, whose schemes to get his son to return to the family ranch in Texas widen the previously existing gulf between father and son when they deprive him of a desirable promotion and a much needed raise. [3]
Maine housewife Connie Bedloe is pregnant, but the family's limited income from her husband Joe's college teaching job means that they can't buy the meat her obstetrician recommends. Connie gives up smoking to be able to afford lamb chops. Joe does not buy her explanation that she is doing this because she is pregnant, because the obstetrician's office is “like a forest fire.” He is not providing for her: He talks about going back to his father's cattle ranch, the “second biggest in Texas,” despite his father's interfering ways. The daughter of a teacher, Connie knew what she was getting into. However, she does want the apolitical Joe to lobby for a new job opening. He makes a mess of it, and they begin an ongoing debate: Go to the ranch, or stay in the home they love and raise a child without the security money can bring.
Joe's father, Opie, comes to visit, determined to persuade Joe to move the family back to the ranch. A dedicated and inspiring teacher, Joe is wounded by his father's contempt for his work. (Teaching is fit only for women who can't find husbands.) He eloquently defends the work of American teachers, asking, rhetorically, why teachers are paid less than TV repairmen.
Opie is delighted to learn that Connie is pregnant and horrified to see her eating fish. Believing that pregnant women “gotta have meat,” he arranges for the local butcher, Spangenberg, to cut his prices in half, to 69 cents a pound, (with Opie paying the difference) so that Connie can have the meat she needs. Connie sees through Opie immediately, but gives in, using a gigantic steak to impress the Dean and others. At the party, the guests find out that the butcher sold the steak to Opie at half price. The next day, they all head to Spangenberg's: A price war ensues in town. Seeing the way the faculty react—one professor says he has not seen a rib roast since 1948–Opie starts to rethink his attitude toward teachers.
When Connie tells Opie that Joe will stay if he gets the promotion, Opie lies to the Dean, telling him his son plans to leave at end of term. The promotion goes to another man, who calls Joe to share the news. It looks as if Opie has won, but Spangenberg storms in, begging Opie to make up the losses of the other butchers. Joe is angry, but Connie defends Opie for putting meat on their table. They agree to go to the ranch, The next morning a group of students comes with a going away present. One of them, a football player, gives an eloquent speech thanking Joe, who is touched—and puzzled. They just decided. The students tell how they went to the Dean, to complain. He told them he would have given the job to Joe, but Opie said his son was leaving. Joe tells his students that he and Connie will be there until they are retired. Opie packs to leave.
At a special meeting, the Dean announces a generous anonymous endowment that will fund $1,000 a year in raises for all the teachers. Joe is furious. He knows Opie is behind it. The Dean tries to calm him, speaking seriously about the difference that $1,000 ($10,000 today) [4] can make in the life of a family: “the difference between living in dignity and living on the ragged edge…It can turn a man sour. It can make him small, and petty, and mean. I know.”
Joe arrives at the train station, ready for a fight, as Opie's train is boarding. Opie tells Joe that he set up the endowment after seeing what happened during the meat price war. He was horrified that people as important as teachers were treating meat like pure gold. Yes, he has changed. It took some time. The train leaves.
Cut to the ranch. Opie goes to welcome Joe, Connie and his grandson, Opie T. (for, T-bone.) Bedloe, here for their regular summer vacation at the ranch. “I came along just in time,” Opie says. “Your name might have been Sardine.”
According to MGM records the film made $574,000 in the US and Canada and $159,000 elsewhere, resulting in a loss of $51,000. [1]
In May 1953, The New York Times reported several times on a list created by the Schools Motion Picture Committee, “a voluntary organization composed of teachers and parents of pupils in local public and private elementary and high schools” of films suitable for children 8 to 14 years old. Confidentially Connie was on the list. [5]
The More the Merrier is a 1943 American comedy film by Columbia Pictures starring Jean Arthur, Joel McCrea and Charles Coburn, and directed by George Stevens. The film script — from "Two's a Crowd", an original screenplay by Garson Kanin (uncredited) — was written by Richard Flournoy, Lewis R. Foster, Frank Ross and Robert Russell. Set in Washington, D.C., the film presents a comic look at the housing shortage during World War II.
Carl Henry Vogt, known professionally as Louis Calhern, was an American stage and screen actor. Well known to film noir fans for his role as the pivotal villain in 1950's The Asphalt Jungle, he was nominated for the Academy Award for Best Actor for portraying Oliver Wendell Holmes in the film The Magnificent Yankee later that year.
Athena is a 1954 American romantic musical comedy film directed by Richard Thorpe and starring Jane Powell, Edmund Purdom, Debbie Reynolds, Vic Damone, Louis Calhern, Steve Reeves, and Evelyn Varden. It was released by Metro-Goldwyn-Mayer.
Kathleen Lockhart was a prolific English-American actress during the early-mid 20th century.
The Face of Fear is a suspense-horror novel by American writer Dean Koontz, first published in 1977. It was originally released under the pseudonym Brian Coffey.
The Gingerbread Man is a 1998 American legal thriller film directed by Robert Altman and based on a discarded John Grisham manuscript. The film stars Kenneth Branagh, Embeth Davidtz, Robert Downey Jr., Tom Berenger, Daryl Hannah, Famke Janssen, and Robert Duvall.
Dr. Giggles is a 1992 American slasher film directed by Manny Coto, starring Larry Drake as Evan Rendell Jr., the eponymous Dr. Giggles, and Holly Marie Combs as Jennifer Campbell. The film co-stars Cliff DeYoung and Glenn Quinn. It was released on October 23, 1992.
The Man with a Cloak is a 1951 American film noir crime-thriller-drama directed by Fletcher Markle and starring Joseph Cotten, Barbara Stanwyck, Louis Calhern, and Leslie Caron, and based on "The Gentleman from Paris", a short story by John Dickson Carr.
Rock-A-Bye Baby is a 1958 American musical comedy film starring Jerry Lewis. A loose remake of Preston Sturges' film The Miracle of Morgan's Creek (1944), the film was directed and written by Frank Tashlin, and features Marilyn Maxwell, Connie Stevens and Reginald Gardiner.
Nancy Goes to Rio is a Technicolor musical comedy film released by Metro-Goldwyn-Mayer in 1950. It was directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Ralph Block, Frederick Kohner, and Jane Hall. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth, and Stoll.
We're Not Married! is a 1952 American anthology romantic comedy film directed by Edmund Goulding. It was released by 20th Century Fox.
The Bravados is a 1958 American Western film directed by Henry King, starring Gregory Peck and Joan Collins. The CinemaScope film was based on a novel of the same name, written by Frank O'Rourke.
20,000 Years in Sing Sing is a 1932 American Pre-Code drama film set in Sing Sing Penitentiary, the maximum security prison in Ossining, New York, starring Spencer Tracy as an inmate and Bette Davis as his girlfriend. It was directed by Michael Curtiz and based upon the nonfiction book Twenty Thousand Years in Sing Sing, written by Lewis E. Lawes, the warden of Sing Sing from 1920 to 1941.
Frisco Jenny is a 1932 American pre-Code drama film starring Ruth Chatterton and Louis Calhern, and directed by William A. Wellman. Its storyline bears a resemblance to Chatterton's previous hit film, Madame X.
The Red Pony is a 1949 American rural drama film in Technicolor based on John Steinbeck's 1937 novella of the same name. Steinbeck also wrote the screenplay for this film.
Tenth Avenue Angel is a 1948 American film directed by Roy Rowland and starring Margaret O'Brien, Angela Lansbury, and George Murphy. It chronicles the life and family of Flavia Mills in the late 1930s. Filming took place 11 March–15 May 1946, with retakes in April 1947. However, the film was not released until February 20, 1948.
Heart of the Rio Grande is a 1942 American Western film directed by William Morgan and starring Gene Autry, Smiley Burnette, Fay McKenzie, and Edith Fellows. Based on a story by Newlin B. Wildes, the film is about a singing cowboy and dude ranch foreman who helps a spoiled teenager and her business tycoon father discover what is most important in life. The film features the songs "Let Me Ride Down in Rocky Canyon", "Deep in the Heart of Texas", "Dusk on the Painted Desert", and "Rainbow In the Night" performed by Edith Fellows.
Slander is a 1957 American drama film directed by Roy Rowland and starring Van Johnson and Ann Blyth.
Rebel in Town is a 1956 American Western film directed by Alfred L. Werker and starring John Payne, Ruth Roman, J. Carrol Naish and Ben Cooper.
On the Level is a lost 1917 American silent Western film directed by George Melford and written by Marion Fairfax and Charles Kenyon. The film stars Fannie Ward, Jack Dean, Harrison Ford, Lottie Pickford, James Cruze, and Jim Mason. The film was released on September 10, 1917, by Paramount Pictures.