| House of the Rising Sun | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 14, 1976 | |||
| Recorded | June 18–27, 1975, September 23–October 8, 1975 | |||
| Studio | Van Gelder Studio in Englewood Cliffs, NJ | |||
| Genre | Jazz-funk [1] | |||
| Length | 35:05 | |||
| Label | Kudu Records KU-27 (LP) KICJ-836 (CD) | |||
| Producer | Creed Taylor | |||
| Idris Muhammad chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
House of the Rising Sun is a 1976 album by American jazz musician Idris Muhammad.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "House Of The Rising Sun" (featuring David Sanborn) | Traditional | 4:42 |
| 2. | "Baia (Boogie Bump)" | Ary Barroso, Ray Gilbert | 4:39 |
| 3. | "Hard To Face The Music" | Ashford & Simpson | 4:49 |
| 4. | "Theme For New York City (Based On Prelude No. 4)" | Frédéric Chopin | 3:26 |
| 5. | "Sudan" | Idris Muhammad, Tom Harrell | 10:52 |
| 6. | "Hey Pock A-Way" | A. Neville, G. Porter, J. Modelliste, L. Nocentelli | 6:06 |
| Total length: | 34:34 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 7. | "Pipe Stem" | Idris Muhammad, Tom Harrell | 5:27 |
| 8. | "I Know You Don't Want Me No More" | Barbara George | 4:41 |
Tom Harrell is an American jazz trumpeter, flugelhornist, composer, and arranger. Voted Trumpeter of the Year of 2018 by Jazz Journalists Association, Harrell has won awards and grants throughout his career, including multiple Trumpeter of the Year awards from DownBeat magazine, SESAC Jazz Award, BMI Composers Award, and Prix Oscar du Jazz. He received a Grammy Award nomination for his big band album, Time's Mirror.
Don't Mess With Mister T. is a Stanley Turrentine album produced by Creed Taylor on his label, CTI. It was arranged by Bob James and recorded at Van Gelder Studio in June 1973.
Dream Keeper is an album by bassist Charlie Haden that was recorded in 1990 and released by Blue Note Records. The album was nominated for a Grammy Award for Best Large Jazz Ensemble Performance and was voted "Jazz album of the year" in Down Beat magazine's 1991 critics' poll. Haden, Carla Bley and Ray Anderson also placed first in that year's Acoustic Bass, Composer and Trombone poll categories, respectively.
Turn This Mutha Out is a 1977 album by Idris Muhammad. Produced and arranged by CTI/Kudu staff arranger David Matthews, it was aimed more at the R&B/disco market than the jazz market. One of only a few Kudu albums not produced by label owner Creed Taylor, Turn This Mutha Out spawned two pop and R&B hits, the title track and "Could Heaven Ever Be Like This".
Touchdown is the sixth album by Bob James, released in 1978 on his Tappan Zee label thru Columbia.
Catching the Sun is the third album by the American jazz group Spyro Gyra, released in 1980 on MCA Records. The album was given gold status by the RIAA on June 5, 1985.
Tender Togetherness is a studio album by tenor saxophonist Stanley Turrentine, released in April 1981 on Elektra Records. The album reached No. 13 on the Billboard Jazz Albums chart.
The Other Side of Abbey Road is a 1970 studio album by American guitarist George Benson of songs from the Beatles' 1969 album Abbey Road. It was his last album for A&M Records. The front cover is a photograph of Benson by Eric Meola in E 53rd Street, Midtown East, New York City.
New York, N.Y. is an album by George Russell, originally released on Decca in either July or August 1959.
Live in an American Time Spiral is a live album by George Russell released on the Italian Soul Note label in 1983, featuring performances by Russell with his New York Band recorded in 1982.
Time's Mirror is a 1999 big band album by jazz trumpeter, composer and arranger, Tom Harrell. In 2000 Harrell received a Grammy nomination for this album in category Best Large Jazz Ensemble Performance. Several of the tracks were originally composed by Harrell in the 1960s and are arranged for big band, recorded and released for the first time on this album. According to All About Jazz, this album is Harrell's "first full-fledged recording as a big-band impresario". AllMusic highly recommended the album, stating that several tracks are candidates to become jazz standards. The album charted at #16 on the Billboard Top Jazz Albums Chart.
Ethiopian Knights is an album by American trumpeter Donald Byrd featuring performances by Byrd with Thurman Green, Harold Land, Bobby Hutcherson, Joe Sample and others, recorded for the Blue Note label in 1971.
Shape of Things to Come is the fifth studio album by the American guitarist George Benson, recorded in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976.
Macho is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1975 and released on the Salvation label.
Peace and Rhythm is the second album led by jazz drummer Idris Muhammad which was recorded for the Prestige label in 1971.
Where I'm Coming From is the fourth and last album by jazz organist Leon Spencer recorded for the Prestige label in 1973.
Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
Keep the Dream Alive is an album by American jazz saxophonist David "Fathead" Newman recorded in 1977 and released on the Prestige label.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Concrete Jungle is an album by American jazz saxophonist David "Fathead" Newman recorded in 1977 and released on the Prestige label.
