How'd a White Boy Get the Blues?

Last updated
How'd a White Boy Get the Blues?
How'd a White Boy Get the Blues%3F.jpg
Studio album by
Released2001
Genre Blues
Label Blind Pig
Producer Popa Chubby
Popa Chubby chronology
One Night Live in New York City
(1999)
How'd a White Boy Get the Blues?
(2001)
Flashed Back
(2001)

How'd a White Boy Get the Blues? is an album by the American musician Popa Chubby, released in 2001. [1] [2] It was his first album for Blind Pig Records. [3] Popa Chubby supported the album with a North American tour. [4] The title track was a minor hit in Europe. [5]

Contents

Production

The album was produced by Popa Chubby. [6] He played a signature Gibson Flying V, which he chose in tribute to Albert King, as well as a 1966 Stratocaster. [7] [8] He raps on the opening track, "Daddy Played the Guitar and Mama Was a Disco Queen". [9] Popa Chubby played most of the instruments, using samples, sitar, slides, and dobro on the album. [8] He thought that most of the songs described finding sustentation in music. [10] "It's a Sad Day in New York City When There Ain't No Room for the Blues" criticizes NYC mayor Rudy Giuliani for making the city a less diverse place. [11]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [9]
The Ottawa Citizen Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [12]
The Penguin Guide to Blues Recordings Star full.svgStar full.svgStar full.svgStar empty.svg [13]
The Press of Atlantic City Star full.svgStar full.svgStar full.svgStar empty.svg [14]
Red Deer Advocate Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [15]

Billboard called Popa Chubby "a postmodern bluesman," writing that, "with Chubby, blues is a distinctly urban, free-association groove." [6] The Philadelphia Inquirer wrote that Popa Chubby "melds pungent acoustic blues, fiery blues-rock, horn-kissed soul, rap and electronic touches into the accompaniment for semiautobiographical songs that soulfully explore his passion for the music and the hardships of being a bluesman in the Big Apple." [16]

The Ottawa Citizen said that "Chubby's a slash-and-burn guitar player of the first order." [12] The Press of Atlantic City labeled the album "part Robert Johnson, part Meat Loaf." [14] The Red Deer Advocate praised the "upbeat music and sinister themes." [15] The Buffalo News concluded that the album "erupts from the speakers with all of the visceral power of a present-day Muddy Waters." [17]

AllMusic noted that, "although he's not entirely successful, Popa Chubby hits enough stylistic bases to make this a listenable and often invigorating album which gets extra points for attempting to push past the stereotypical blues clichés and into more experimental waters." [9]

Track listing

No.TitleLength
1."Daddy Played the Guitar and Mama Was a Disco Queen" 
2."Black Hearted Woman" 
3."Carrying On the Torch of the Blues" 
4."Time Is Killing Me" 
5."Savin' My Love Up for My Lover" 
6."No Comfort" 
7."It's a Sad Day in New York City When There Ain't No Room for the Blues" 
8."Goin' Down to Willies" 
9."Since I Lost My Leg" 
10."How'd a White Boy Get the Blues?" 

References

  1. "Popa Chubby Biography by Richard Skelly". AllMusic. Retrieved 9 April 2024.
  2. Carter, Nick (17 Jan 2003). "Bronx bluesman". Milwaukee Journal Sentinel. p. 16E.
  3. Dickey, Josh L. (Aug 19, 2001). "Sound Bites". Morning Sentinel. AP. p. C6.
  4. Kassulke, Natasha (6 Dec 2001). "Popa Chubby will perform...". Rhythm. Wisconsin State Journal. p. 18.
  5. Breen, Tom (2 June 2006). "Beachside club hosts Popa Chubby". Florida Today. p. G18.
  6. 1 2 van Vleck, Philip (Sep 8, 2001). "How'd a White Boy Get the Blues?". Billboard. Vol. 113, no. 36. p. 34.
  7. Carter, Walter (2012). The Epiphone Guitar Book: A Complete History of Epiphone Guitars. Backbeat. p. 101.
  8. 1 2 Thompson, Art (Jan 2002). "Pickups: Popa Chubby". Guitar Player. Vol. 36, no. 1. p. 57.
  9. 1 2 3 "How'd a White Boy Get the Blues? Review by Hal Horowitz". AllMusic. Retrieved 9 April 2024.
  10. Park, Eunnie (8 Mar 2002). "Admit One". Go!. The Record. Bergen County. p. 22.
  11. Provencher, Norman (5 July 2003). "The making of a New York poet". The Ottawa Citizen. p. J3.
  12. 1 2 Provencher, Norman (Sep 1, 2001). "Blues". The Ottawa Citizen. p. I4.
  13. The Penguin Guide to Blues Recordings. Penguin Books. 2006. p. 524.
  14. 1 2 Fine, Eric (Sep 14, 2001). "Short Takes". At the Shore. The Press of Atlantic City. p. 35.
  15. 1 2 Kereiff, John (Sep 29, 2001). "How'd a White Boy Get the Blues?". Red Deer Advocate. p. C6.
  16. Cristiano, Nick (23 Nov 2001). "Big Apple blues". The Philadelphia Inquirer. p. W17.
  17. Miers, Jeff (Jan 11, 2002). "That's phat". Gusto. The Buffalo News. p. 26.