How'd a White Boy Get the Blues? | ||||
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Studio album by | ||||
Released | 2001 | |||
Genre | Blues | |||
Label | Blind Pig | |||
Producer | Popa Chubby | |||
Popa Chubby chronology | ||||
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How'd a White Boy Get the Blues? is an album by the American musician Popa Chubby, released in 2001. [1] [2] It was his first album for Blind Pig Records. [3] Popa Chubby supported the album with a North American tour. [4] The title track was a minor hit in Europe. [5]
The album was produced by Popa Chubby. [6] He played a signature Gibson Flying V, which he chose in tribute to Albert King, as well as a 1966 Stratocaster. [7] [8] He raps on the opening track, "Daddy Played the Guitar and Mama Was a Disco Queen". [9] Popa Chubby played most of the instruments, using samples, sitar, slides, and dobro on the album. [8] He thought that most of the songs described finding sustentation in music. [10] "It's a Sad Day in New York City When There Ain't No Room for the Blues" criticizes NYC mayor Rudy Giuliani for making the city a less diverse place. [11]
Review scores | |
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Source | Rating |
AllMusic | [9] |
The Ottawa Citizen | [12] |
The Penguin Guide to Blues Recordings | [13] |
The Press of Atlantic City | [14] |
Red Deer Advocate | [15] |
Billboard called Popa Chubby "a postmodern bluesman," writing that, "with Chubby, blues is a distinctly urban, free-association groove." [6] The Philadelphia Inquirer wrote that Popa Chubby "melds pungent acoustic blues, fiery blues-rock, horn-kissed soul, rap and electronic touches into the accompaniment for semiautobiographical songs that soulfully explore his passion for the music and the hardships of being a bluesman in the Big Apple." [16]
The Ottawa Citizen said that "Chubby's a slash-and-burn guitar player of the first order." [12] The Press of Atlantic City labeled the album "part Robert Johnson, part Meat Loaf." [14] The Red Deer Advocate praised the "upbeat music and sinister themes." [15] The Buffalo News concluded that the album "erupts from the speakers with all of the visceral power of a present-day Muddy Waters." [17]
AllMusic noted that, "although he's not entirely successful, Popa Chubby hits enough stylistic bases to make this a listenable and often invigorating album which gets extra points for attempting to push past the stereotypical blues clichés and into more experimental waters." [9]
No. | Title | Length |
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1. | "Daddy Played the Guitar and Mama Was a Disco Queen" | |
2. | "Black Hearted Woman" | |
3. | "Carrying On the Torch of the Blues" | |
4. | "Time Is Killing Me" | |
5. | "Savin' My Love Up for My Lover" | |
6. | "No Comfort" | |
7. | "It's a Sad Day in New York City When There Ain't No Room for the Blues" | |
8. | "Goin' Down to Willies" | |
9. | "Since I Lost My Leg" | |
10. | "How'd a White Boy Get the Blues?" |