How Music Got Free

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How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy
How Music Got Free - Book cover.jpg
AuthorStephen Richard Witt
Language English
Genre Non-fiction
Publisher Viking
Publication date
June 16, 2015
Publication placeUnited States of America
Pages296
ISBN 978-0-525-42661-5
381'.45780266-dc23
LC Class ML3790.W59 2015
Website http://stephenwittbooks.com/books/how-music-got-free-hc

How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy (Also published as How Music Got Free: What Happens When an Entire Generation Commits the Same Crime?, How Music Got Free: The Inventor, The Mogul and the Thief, and How Music Got Free: A Story of Obsession and Invention) is a non-fiction book by journalist Stephen Witt. The book chronicles the invention of the MP3 format for audio information, detailing the efforts by researchers such as Karlheinz Brandenburg, Bernhard Grill and Harald Popp to analyze human hearing and successfully compress songs in a form that can be easily transmitted. Witt also documents the rise of the warez scene and spread of copyright-infringing efforts online while detailing the campaigns by music industry executives such as Doug Morris to adapt to changing technology. [1]

Contents

The publisher Viking distributed the work on June 16, 2015. [2] The book has received praise from publications such as Kirkus Reviews and The Washington Post . [1] [2]

Background and book contents

The book notes that, at a presentation to the Fraunhofer Society, Brandenburg and his team's presentation of the technology that could re-create the fidelity of a recording on a CD at one-twelfth the size created a stir. "Do you realize what you’ve done?" asked a listener to the team. "You’ve killed the music industry!" [1]

"On websites and underground file servers across the world," Witt states, "the number of mp3 files in existence grew by several orders of magnitude. In dorm rooms everywhere incoming college freshmen found their hard drives filled to capacity with pirated mp3s". He also writes, "Music piracy became to the late ’90s what drug experimentation was to the late ’60s: a generation-wide flouting of both social norms and the existing body of law, with little thought of consequences." [1] The book recounts how many people wound up building massive archives of music for little other than the thrill created by finding and sorting the information. [2]

Witt writes about the obscure online community known as 'The Scene', particularly describing the efforts of the Rabid Neurosis (RNS) group to illegally spread copyrighted material. A North Carolina manufacturing plant employee named Dell Glover, his life described in detail by Witt, discovers that he has the ability to get his hands on albums before their official release dates and goes on to work with RNS leaking hundreds upon hundreds of discs. [3] Artists such as Mary J. Blige, Mariah Carey, Eminem, Kanye West, and Jay Z have their material distributed online due to Glover's actions. Witt states that Glover and RNS became the world’s premier music pirates, possibly costing the record industry millions of dollars. [1]

The book describes how the then CEO of Universal Music Group, Doug Morris, attempted to weather the storm created by technological changes given the evolution of social culture. Witt comments that "the uniform blandness of the corporate sound wasn’t helping" and gives a mixed picture as to how Morris and other executives dealt with falling sales. [2]

Reviews and responses

The Washington Post published an article by writer Louis Bayard praising the book, with Bayard commenting that he found the work "whip-smart, superbly reported, and indispensable". Bayard additionally stated that technology has created a period of "uneasy times, and no one should go too easy on himself", finding the recent trends troubling himself. [1] Kirkus Reviews ran a praising response to the book, with it labeled as a "propulsive and fascinating portrait of the people who helped upend an industry and challenge how music and media are consumed". [2]

Documentary

In June 2024, a two-part documentary based on Witt's book was released. Directed by Alex Stapleton, it features interviews with musical artists Eminem, Timbaland, and former record executive Jimmy Iovine. [4]

The Guardian reviewer writes: "Today, everyone knows just how bad a thing that turned out to be for the music industry, nearly destroying it by the early 2000s. What most people don't know, however, is the story behind the people who created the technology that made this revolution possible, as well as the group of kids who first figured out how to use its tools so enticingly. That’s the tale told by a thought-provoking and highly entertaining new docuseries titled How Music Got Free." [5]

See also

Related Research Articles

<span class="mw-page-title-main">MP3</span> Digital audio format

MP3 is a coding format for digital audio developed largely by the Fraunhofer Society in Germany under the lead of Karlheinz Brandenburg. It was designed to greatly reduce the amount of data required to represent audio, yet still sound like a faithful reproduction of the original uncompressed audio to most listeners; for example, compared to CD-quality digital audio, MP3 compression can commonly achieve a 75–95% reduction in size, depending on the bit rate. In popular usage, MP3 often refers to files of sound or music recordings stored in the MP3 file format (.mp3) on consumer electronic devices.

<span class="mw-page-title-main">Napster</span> Online peer-to-peer file sharing software

Napster was an American peer-to-peer (P2P) file sharing application primarily associated with digital audio file distribution. Founded by Shawn Fanning and Sean Parker, the platform originally launched on June 1, 1999. Audio shared on the service was typically encoded in the MP3 format. As the software became popular, the company encountered legal difficulties over copyright infringement. Napster ceased operations in 2001 after losing multiple lawsuits and filed for bankruptcy in June 2002.

<span class="mw-page-title-main">Warez</span> Movies, software or music distributed in violation of copyright

Warez is a common computing and broader cultural term referring to pirated software that is distributed via the Internet. Warez is used most commonly as a noun, a plural form of ware, and is intended to be pronounced like the word wares. The circumvention of copy protection (cracking) is an essential step in generating warez, and based on this common mechanism, the software-focused definition has been extended to include other copyright-protected materials, including movies and games. The global array of warez groups has been referred to as "The Scene", deriving from its earlier description as "the warez scene". Distribution and trade of copyrighted works without payment of fees or royalties generally violates national and international copyright laws and agreements. The term warez covers supported as well as unsupported (abandonware) items, and legal prohibitions governing creation and distribution of warez cover both profit-driven and "enthusiast" generators and distributors of such items.

<span class="mw-page-title-main">Free music</span> Music in the public domain or under a free license

Free music or libre music is music that, like free software, can freely be copied, distributed and modified for any purpose. Thus free music is either in the public domain or licensed under a free license by the artist or copyright holder themselves, often as a method of promotion. It does not mean that there should be no fee involved. The word free refers to freedom, not to price.

<i>The Marshall Mathers LP</i> 2000 studio album by Eminem

The Marshall Mathers LP is the third studio album by American rapper Eminem. It was released on May 23, 2000, by Aftermath Entertainment and Interscope Records. Production on the album was handled by Dr. Dre, Mel-Man, F.B.T., Eminem, and The 45 King. The album spawned three hit singles: "The Real Slim Shady", "The Way I Am" and "Stan", and features guest appearances from Dido, RBX, Sticky Fingaz, Bizarre, Dr. Dre, Snoop Dogg, Xzibit, Nate Dogg, Paul Rosenberg and D12.

<span class="mw-page-title-main">Karlheinz Brandenburg</span> German electrical engineer and mathematician

Karlheinz Brandenburg is a German electrical engineer and mathematician. Together with Ernst Eberlein, Heinz Gerhäuser, Bernhard Grill, Jürgen Herre and Harald Popp, he developed the widespread MP3 method for audio data compression. He is also known for his elementary work in the field of audio coding, the perception measurement, the wave field synthesis and psychoacoustics. Brandenburg has received numerous national and international research awards, prizes and honors for his work. Since 2000 he has been a professor of electronic media technology at the Technical University Ilmenau. Brandenburg was significantly involved in the founding of the Fraunhofer Institute for Digital Media Technology (IDMT) and currently serves as its director.

<span class="mw-page-title-main">MP3.com</span> Defunct music website

MP3.com was a website operated by Paramount Global publishing tabloid-style news items about digital music and artists, songs, services, and technologies. It is better known for its original incarnation as a legal, free music-sharing service, named after the popular music file format MP3, popular with independent musicians for promoting their work. That service was shut down on December 2, 2003, by CNET, which, after purchasing the domain name, established the current MP3.com site.

<i>Free Culture</i> (book) Book by Lawrence Lessig

Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity is a 2004 book by law professor Lawrence Lessig that was released on the Internet under the Creative Commons Attribution/Non-commercial license on March 25, 2004.

<span class="mw-page-title-main">Music download</span> Digital transfer of music via the Internet into a device capable of decoding and playing it

A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format.

PressPlay was the name of an online music store that operated from December 2001 until March 2003. It was created as a joint venture between Universal Music Group and Sony Music Entertainment in response to the popularity of Napster.

An MP3 blog is a type of blog in which the creator makes music files, normally in the MP3 format, available for download. They are also known as musicblogs, audioblogs or soundblogs. MP3 blogs have become increasingly popular since 2003. The music posted ranges from hard-to-find rarities that have not been issued in many years to more contemporary offerings, and selections are often restricted to a particular musical genre or theme. Some musicblogs offer music in Advanced Audio Coding (AAC) or Ogg formats.

<span class="mw-page-title-main">Warez scene</span> Organized network of pirate groups

The Warez scene, often referred to as The Scene, is an underground network of piracy groups specialized in obtaining and illegally releasing digital media before their official release date. The Scene distributes all forms of digital media, including computer games, movies, TV shows, music, and pornography. This network is meant to be hidden from the public, with the files shared only with members of the community. However, as files became commonly leaked outside the community and their popularity grew, some individuals from The Scene began leaking files and uploading them to file-hosts, torrents and EDonkey Networks.

<span class="mw-page-title-main">Rabid Neurosis</span> Former warez release group

Rabid Neurosis (RNS) was an MP3 warez release organization which was founded in 1996, following in the footsteps of Compress 'Da Audio (CDA), the first MP3 piracy group. In 1999, the group claimed to have released over 6,000 titles a year. RNS occasionally used the tagline "Rabid Neurosis - Spread The Epidemic." RNS were best known for releasing highly anticipated albums by hip hop, pop, rock and dance artists weeks and sometimes months before their official release date. RNS is known to have greatly contributed to the mp3 scene.

<span class="mw-page-title-main">Free-culture movement</span> Social movement promoting the freedom to distribute and modify the creative works of others

The free-culture movement is a social movement that promotes the freedom to distribute and modify the creative works of others in the form of free content or open content without compensation to, or the consent of, the work's original creators, by using the Internet and other forms of media.

The open music model is an economic and technological framework for the recording industry based on research conducted at the Massachusetts Institute of Technology. It predicts that the playback of prerecorded music will be regarded as a service rather than as individually sold products, and that the only system for the digital distribution of music that will be viable against piracy is a subscription-based system supporting file sharing and free of digital rights management. The research also indicated that US$9 per month for unlimited use would be the market clearing price at that time, but recommended $5 per month as the long-term optimal price.

<span class="mw-page-title-main">Copyright infringement</span> Illegal usage of copyrighted works

Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to produce derivative works. The copyright holder is usually the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.

MusicDNA is a music file format developed by some of the key figures involved in the development of the MP3 format.

<span class="mw-page-title-main">Music piracy</span> Copying and distribution of music without the consent of creators or copyright holders

Music piracy is the copying and distributing of recordings of a piece of music for which the rights owners did not give consent. In the contemporary legal environment, it is a form of copyright infringement, which may be either a civil wrong or a crime depending on jurisdiction. The late 20th and early 21st centuries saw much controversy over the ethics of redistributing media content, how much production and distribution companies in the media were losing, and the very scope of what ought to be considered piracy – and cases involving the piracy of music were among the most frequently discussed in the debate.

<span class="mw-page-title-main">Inkle (company)</span> English video game company

Inkle is a video game development company based in Cambridge, United Kingdom that specialises in interactive narrative, i.e. text-focused computer video games. They have created games such as 80 Days and Sorcery!, a recreation of Steve Jackson’s Sorcery! gamebook series.

Participants in an online music scene who rearrange spliced parts of musical pieces form mashup culture. The audio-files are normally in MP3 format and spliced with audio-editing software online. The new, edited song is called mashup. The expression mashup culture is also strongly connected to mashup in music. Even though it was not originally a political community, the production of mash-up music is related to the issue of copyright. Mashup Culture is even regarded as "a response to larger technological, institutional, and social contexts".

References

  1. 1 2 3 4 5 6 Bayard, Louis (June 19, 2015). "Stephen Witt's 'How Music Got Free' explains just that". The Washington Post . Retrieved August 20, 2015.
  2. 1 2 3 4 5 "How Music Got Free". Kirkus Reviews . April 18, 2015. Retrieved August 20, 2015.
  3. Walmsley, Derek Brandenburg’s Dream London Review of Books. January 27, 2016
  4. Goldberg, Lesley (May 21, 2024). "'How Music Got Free': Watch the Trailer for the Paramount+ Doc". The Hollywood Reporter.
  5. Farber, Jim (June 11, 2024). "From stealing to Spotify: the story behind how music got free". The Guardian . Retrieved June 13, 2024.