How to Grow a Woman from the Ground | ||||
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Studio album by | ||||
Released | September 12, 2006 | |||
Studio | Sear Sound, New York City | |||
Genre | Bluegrass, progressive bluegrass | |||
Length | 50:28 | |||
Label | Sugar Hill | |||
Producer | Chris Thile | |||
Chris Thile chronology | ||||
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How to Grow a Woman from the Ground is a 2006 album by Chris Thile and Punch Brothers. It was released on Sugar Hill on September 12, 2006. The album is named after a song on the album; a cover of the original by folk singer Tom Brosseau.
The album debuted to positive reviews from major music critics, with critics calling the album “fantastic, eclectic”, [1] and “genius”. [2] The album earned Thile a Grammy Award-nomination in 2006.
For one of his side projects, Chris Thile knew he wanted to form a string quintet composed of mandolin, violin, banjo, guitar, and bass with childhood friend and fiddler Gabe Witcher, [3] but didn’t know which direction he wanted to take the band. At the Telluride Bluegrass Festival in Telluride, Colorado, Thile met banjoist Noam Pikelny and later commented that “every note he played was something I wish I’d played”. It was then that Thile realized that he wanted to “put [his] stamp on the traditional bluegrass ensemble”. [4] Thile wanted to get five musicians together for a Nashville jam session in 2005, after he found talented bluegrass musicians that could fill the positions. The bassist Thile was searching for, Greg Garrison, was recommended to Thile by Pikelny, who had performed alongside Garrison in the Cajun jam band Leftover Salmon. The guitar position was filled by Chris Eldridge, from the bluegrass band the Infamous Stringdusters. The five musicians met up in Nashville one day in 2005 and decided that they needed to “do something musical together”. A few nights later, the group met again “just to drop a ton of money, drink too much wine, eat steaks, and commiserate about our failed relationships”. [3] That night, they came to an agreement and formed a bluegrass band.
The quintet decided to make this project serious and record an album. The album was recorded over the course of two days in 2006 at Sear Sound Recording Studios in New York. The album was not recorded digitally, but rather on tape. In an interview with the United States magazine Guitar Player , Chris Thile explained the old fashioned style in which the album was recorded:
It was recorded at Sear Sound in New York using two vintage Telefunken ELA M 251 E mics into a Forsell Technologies FetCode preamp. Most of it was recorded onto the same Studer 1" two-track that was used to mix Sgt. Pepper's Lonely Hearts Club Band! Everything was tracked live, and I’ve decided never to record wearing headphones again unless I absolutely have to. Wearing headphones is bullshit, because you’re in your own little world playing to a mix that no one will ever hear but you. What’s the point? [5]
How to Grow a Woman from the Ground was self produced by Thile, and had no guest musicians, just the quintet. Other than the band, which in promotion of the album was named the How to Grow a Band, the album had a fairly small production crew; an engineer, an assistant engineer, two mastering people, and an artist. [6]
How to Grow a Woman from the Ground takes influence from different genres, “drawing equally from traditional bluegrass, progressive acoustic, and singer/songwriter traditions”, [1] with one critic calling the majority of the album very “roots oriented”. [7] The album has a bluegrass or progressive bluegrass core; bluegrass mandolinist Ronnie McCoury became the album’s official “bluegrass guru” to ensure that there was “someone who could make sure we didn’t do anything clichéd or trite”. [8] In regard to the album’s style, Thile said that “All in all, How to Grow a Woman from the Ground is a bluegrass record. There are definitely some musical things that are out of the ordinary, but it sounds like a bluegrass record to me. It’s not all like “Brakeman’s Blues,” but “Brakeman’s Blues” doesn’t sound out of place, and neither does “The Beekeeper” sound out of place. It’s all related.” [8] Much of Thile's work on the album was influenced by his divorce, and Thile claims that he could relate to the title of the album, a Tom Brosseau song. Thile said that he "got my ass kicked by the last relationship I was in. This girl just left. It created a pretty serious complex for me. I’ve always been able to talk to girls, but I’m scared of them. I just could relate to it. Like, man if I could just grow one, that would take care of a lot of problems." [9]
Review scores | |
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Source | Rating |
AllMusic | [10] |
Arizona Republic | [11] |
Entertainment Weekly | (feature) [12] |
Harp | (positive) [13] |
JamBase | (positive) [14] |
Music Box | [15] |
Portsmouth Herald | (feature) [16] |
How to Grow a Woman from the Ground received positive reviews from country and bluegrass music critics. AllMusic called it "fantastic", [1] and JamBase described it to be "a tasteful string dinner" and stated that "this is only the beginning of great things to come". [2] However, some critics found particular tracks too pale in comparison to the rest of the material. The Arizona Republic stated that the album was "amazing", except for "Dead Leaves and the Dirty Ground" because "Thile [couldn't] quite match Jack White's musical hysteria". [17] Music Box also said that tracks like "Stay Away" and "I’m Yours If You Want Me" "completely fell flat". Regardless, the review still stated that "the bulk of How to Grow a Woman from the Ground is remarkably engaging". [7] Bullz-Eye criticized Thile's vocal quality, saying that "his voice often lacks the strength and/or character to carry the song". [18] On the contrary, the previously mentioned JamBase article complimented Thile's vocal strength, saying "it's the soul in Thile's voice and the heart and intensity of the musicianship that give the album its power." [2]
# | Title | Songwriters | Length |
---|---|---|---|
1 | "Watch 'at Breakdown" | Chris Thile | 4:14 |
2 | "Dead Leaves and the Dirty Ground" | Jack White | 4:15 |
3 | "Stay Away" | Chris Thile | 3:56 |
4 | "O Santo de Polvora" | Milladoiro | 2:37 |
5 | "Wayside (Back in Time)" | Gillian Welch, David Rawlings | 2:45 |
6 | "You're an Angel, And I'm Gonna Cry" | Chris Thile | 2:57 |
7 | "How to Grow a Woman From the Ground" | Tom Brosseau | 5:08 |
8 | "The Beekeeper" | Chris Thile | 4:06 |
9 | "Brakeman's Blues" | Jimmie Rodgers | 3:42 |
10 | "If The Sea Was Whiskey" | Willie Dixon | 2:43 |
11 | "Cazadero" | Paul Shelasky | 3:34 |
12 | "Heart in a Cage" | Julian Casablancas | 4:23 |
13 | "I'm Yours If You Want Me" | Chris Thile | 3:49 |
14 | "The Eleventh Reel" | Chris Thile | 3:28 |
Chart (2006) | Peak position |
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U.S. Billboard Top Heatseekers [19] | 28 |
U.S. Billboard Top Country Albums [19] | 46 |
U.S. Billboard Top Independent Albums [19] | 27 |
U.S. Billboard Top Bluegrass Albums [20] | 2 |
Nickel Creek is an American bluegrass band consisting of Chris Thile (mandolin), and siblings Sara Watkins (fiddle) and Sean Watkins (guitar). Formed in 1989 in Southern California, they released six albums between 1993 and 2006. The band broke out in 2000 with a platinum-selling self-titled album produced by Alison Krauss, earning a number of Grammy and CMA nominations.
Christopher Scott Thile is an American mandolinist, singer, songwriter, composer, and radio personality, best known for his work in the progressive acoustic trio Nickel Creek and the acoustic folk and progressive bluegrass quintet Punch Brothers. He is a 2012 MacArthur Fellow. From 2016 to its cancellation in 2020, he hosted the radio variety show Live from Here.
Why Should The Fire Die? is the third major album release and fifth album overall by progressive acoustic trio Nickel Creek. The album was released on Sugar Hill on August 9, 2005, in the United States, and on August 8 in the United Kingdom. Why Should the Fire Die? is the first Nickel Creek album to feature string bassist Mark Schatz. It would be their last album before their hiatus between 2007 and 2014, after which they released their album A Dotted Line.
The Del McCoury Band is a Grammy award-winning American bluegrass band.
Todd Phillips is an American double bassist. He has appeared on a number of acoustic instrumental and bluegrass recordings made since the mid-1970s. A two-time Grammy Award winner and founding member of the original David Grisman Quintet, Phillips has made a career of performing and recording with acoustic music artists.
James Bryan Sutton is an American musician. Primarily known as a flatpicking acoustic guitar player, Sutton also plays mandolin, banjo, ukulele, and electric guitar. He also sings and writes songs.
Aoife O'Donovan is an American singer and Grammy award-winning songwriter. She is best known as the lead singer for the string band Crooked Still and she also co-founded the Grammy Award-winning female folk trio I'm with Her. She has released three critically acclaimed studio albums: Fossils (2013), In the Magic Hour (2016), and Age of Apathy, as well as multiple noteworthy live recordings and EPs, including Blue Light (2010), Peachstone (2012), Man in a Neon Coat: Live From Cambridge (2016), In the Magic Hour: Solo Sessions (2019), and Bull Frog's Croon (2020). She also spent a decade contributing to the radio variety shows Live from Here and A Prairie Home Companion. Her first professional engagement was singing lead for the folk group The Wayfaring Strangers.
Punch Brothers is an American band consisting of Chris Thile (mandolin), Brittany Haas (fiddle/violin), Noam Pikelny (banjo), Chris Eldridge (guitar), and Paul Kowert (bass). Their style has been described as "bluegrass instrumentation and spontaneity in the strictures of modern classical" as well as "American country-classical chamber music".
Stuart Ian Duncan is an American bluegrass musician who plays the fiddle, mandolin, guitar, and banjo.
Noam David Pikelny is an American banjoist. He is a member of the groups Punch Brothers, Mighty Poplar and was previously in Leftover Salmon as well as the John Cowan Band. Pikelny is a nine-time Grammy Award nominee, winning once in 2019 for Best Folk Album.
Gabriel Witcher is a Grammy award-winning American multi-instrumentalist, producer, composer, and arranger, best known as a fiddle player and singer. He is a founding member of the string ensemble Punch Brothers. Witcher and his fellow Punch Brothers won the 2019 Grammy for Best Folk Album and were named Affiliate Scholars of Oberlin Conservatory in 2014.
The Infamous Stringdusters are a progressive acoustic/bluegrass band. The band first emerged in 2006 with the limited release of a five-song extended play CD The Infamous Stringdusters, followed in 2007 by their first album Fork in the Road. Both of these were on Sugar Hill Records. The band consists of Andy Hall (Dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book. The band has become known for a complex, distinctive, and groove-friendly sound along with a bluegrass theme.
Punch is the debut album by Punch Brothers. It was released by Nonesuch Records on February 26, 2008.
Antifogmatic is the second album by Punch Brothers. The album was released June 15, 2010.
Who's Feeling Young Now? is the third album by Punch Brothers, released February 14, 2012.
How To Grow A Band is a 2011 music documentary film about the early days of American progressive bluegrass band Punch Brothers. The film stars Chris Thile, Gabe Witcher, Noam Pikelny, Chris Eldridge, Paul Kowert and Greg Garrison and features interviews with a number of notable musicians including Yo-Yo Ma, John Paul Jones of Led Zeppelin, Jerry Douglas, bassist Edgar Meyer and Sara Watkins. The film's structure tracks mandolinist Chris Thile's ambitious four movement suite, "The Blind Leaving the Blind" as it follows the band on their first tour as Punch Brothers in the United Kingdom and United States in early 2008 leading up to a triumphant performance at Jazz at Lincoln Center's Allen Room in New York.
All Ashore is the fifth studio album by the American group Punch Brothers, released on July 20, 2018. The band announced the release of the album's first singles "It's All Part of the Plan" and the instrumental "Three Dots and a Dash" on June 14, 2018. The album was self-produced by the band and was released on the Nonesuch Records label. The nine songs were written and recorded in the sequence of the tracklist at the United Sound studio in Los Angeles, California. The album received generally favorable reviews from critics.
Not Our First Goat Rodeo is a 2020 collaborative album by Stuart Duncan, Yo-Yo Ma, Edgar Meyer, and Chris Thile, featuring Aoife O'Donovan. It was released on June 19, 2020.
Hell on Church Street is the sixth studio album by the American group Punch Brothers, released on January 14, 2022. The band announced the release of the album's first single "Church Street Blues" on September 28, 2021. The album was self-produced by the band and was released on the Nonesuch Records label.
Greg Garrison is an American bassist. He is best known for his work with Leftover Salmon and Mighty Poplar. He was also a founding member of the Punch Brothers.
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