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Howl at the Moon or Howling at the Moon may refer to:
Chester Arthur Burnett, better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta.
Black Rebel Motorcycle Club is an American rock band from San Francisco, California. The group originally consisted of Peter Hayes, Robert Levon Been, and Nick Jago (drums). Jago departed the band in 2008 and was replaced by Leah Shapiro.
Howl at the Moon is an American chain of live music venues, generally referred to as piano bars, established in 1990. As of 2022, the franchise had 15 locations in U.S. cities, plus locations on Norwegian Cruise Line ships. The company has also produced a traveling version of their dueling piano concept, which has been used for entertainment at charitable fundraising events.
Declan O'Rourke is a singer-songwriter from Dublin, Ireland.
"Back Door Man" is a blues song written by Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
Howlin' Wind is the debut album by English singer-songwriter Graham Parker and his band the Rumour, released in 1976. The Rumour are mainly former pub rock scene musicians, including guitarist Brinsley Schwarz and keyboardist Bob Andrews of the band Brinsley Schwarz; Parker's recent jobs included pumping gas at a filling station. The music is a blend of rock and roll, R&B, reggae and folk music, behind Parker's searingly intelligent lyrics and passionate vocals. Critics likened Parker's spirit to British punk rock, then in its early stage, and retrospectively to that of singer-songwriters Elvis Costello and Joe Jackson, who would release their debut records within a few years of Howlin' Wind.
The London Chuck Berry Sessions is the sixteenth studio album by Chuck Berry, and consists of studio recordings and live recordings released by Chess Records in October 1972 as LP record, 8 track cartridge and audio cassette. Side one of the album consists of studio recordings, engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit, engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in Coventry, England. At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers, Pink Floyd, can take the stage; the crowd begins chanting "We want Chuck!". His backing band were Onnie McIntyre (guitar), Robbie McIntosh (drums), Nic Potter (bass) and Dave Kaffinetti (piano). Both McIntosh and McIntyre would later form The Average White Band.
Howlin' Wolf is the second album from the Chicago blues singer/guitarist/harmonicist Howlin' Wolf. It is a collection of twelve singles previously released by the Chess label from 1960 through 1962. Because of the illustration on its sleeve, the album is often called The Rockin' Chair Album, a nickname even added to the cover on some reissue pressings of the LP.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
"Killing Floor" is a 1964 song by American blues singer-songwriter and guitarist Howlin' Wolf. Called "one of the defining classics of Chicago electric blues", "Killing Floor" became a blues standard with recordings by various artists. It has been acknowledged by the Blues Foundation Hall of Fame, which noted its popularity among rock as well as blues musicians. English rock group Led Zeppelin adapted the song for their "The Lemon Song", for which Howlin' Wolf is named as a co-author.
Howl most often refers to:
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
Howling is a vocal form of animal communication.
"Evil", sometimes listed as "Evil ", is a Chicago blues song written by Willie Dixon. Howlin' Wolf recorded the song in Chicago for Chess Records in 1954. It was included on the 1959 compilation album Moanin' in the Moonlight. When he re-recorded it for The Howlin' Wolf Album in 1969, "Evil" became Wolf's last charting single, reaching number 43 Billboard R&B chart.
Heartstrings is the fourth studio album of London-based Australian indie rock band Howling Bells. The album was released through Birthday Records on 2 June 2014 to generally favourable reviews. It was co-produced by Catherine J. Marks and Alan Moulder, and recorded at Assault & Battery 2, London, in November 2013.
The Howlin' Brothers are a Nashville-based old-time country blues/string band consisting of singer/songwriters Ian Craft, Jared Green, and Dan Swan. They were described by AllMusic as "an Americana string band, but a reconfigured 21st century version, incorporating rock, pop, gospel, jazz, R&B, Dixieland, country blues, and who knows what else into the mix."
"I Can't Help It " is a song written and originally recorded by Hank Williams on MGM Records. It hit number two on the Billboard country singles chart in 1951. In his autobiography, George Jones printed the first six lines of the song and stated, "Its lyrics couldn't be more simple - or profound."
Jeffrey M. Carp was an American blues harmonica player, He is best known for his work with Muddy Waters, John Lee Hooker, and Howlin' Wolf. He played harmonica on numerous charting blues albums. He was also for a period of time, a side man in Earl Hooker's band.
Howling Wolf Sings the Blues is a compilation album by blues musician Howlin' Wolf, which was released by Crown Records in 1962. The original album included eight songs recorded for Modern Records between 1951 and 1952, including those tracks that were released as singles by the RPM, and an additional two instrumentals by Joe Hill Louis. The album was re-released in 1970 by United Records with the alternative title Big City Blues.
Howling is a vocal form of animal communication seen in most canines, particularly wolves, coyotes, foxes, and dogs, as well as cats and some species of monkeys. Howls are generally lengthy sustained sounds, loud and audible over long distances, often with some variation in pitch over the length of the sound. Howling is generally used by animals that engage in this behavior to signal their positions to one another, to call the pack to assemble, or to note their territory. The behavior is occasionally copied by humans, and has been noted to have varying degrees of significance in human culture.