In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
The Moche civilization flourished in northern Peru with its capital near present-day Moche, Trujillo, Peru from about 100 to 700 AD during the Regional Development Epoch. While this issue is the subject of some debate, many scholars contend that the Moche were not politically organized as a monolithic empire or state. Rather, they were likely a group of autonomous polities that shared a common culture, as seen in the rich iconography and monumental architecture that survives today.
The Wari were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
Chimor was the political grouping of the Chimú culture. The culture arose about 900 AD, succeeding the Moche culture, and was later conquered by the Inca emperor Topa Inca Yupanqui around 1470, fifty years before the arrival of the Spanish in the region. Chimor was the largest kingdom in the Late Intermediate Period, encompassing 1,000 kilometres of coastline.
Native American pottery is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The Pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Unfortunately, many types of perishable artifacts that were no doubt once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Huaca de la Luna is a large adobe brick structure built mainly by the Moche people of northern Peru. Along with the Huaca del Sol, the Huaca de la Luna is part of Huacas de Moche, which is the remains of an ancient Moche capital city called Cerro Blanco, by the volcanic peak of the same name.
The Sican culture is the name that archaeologist Izumi Shimada gave to the culture that inhabited what is now the north coast of Peru between about 750 and 1375. According to Shimada, Sican means "temple of the Moon". The Sican culture is also referred to as Lambayeque culture, after the name of the region in Peru. It succeeded the Moche culture. There is still controversy among archeologists and anthropologists over whether the two are separate cultures. The Sican culture is divided into three major periods based on cultural changes as evidenced in archeological artifacts.
The Larco Museum is a privately owned museum of pre-Columbian art, located in the Pueblo Libre District of Lima, Peru. The museum is housed in an 18th-century vice-royal building. It showcases chronological galleries that provide a thorough overview of 5,000 years of Peruvian pre-Columbian history. It is well known for its gallery of pre-Columbian erotic pottery.
The Quimbaya (/kɪmbaɪa/) were a small indigenous group in present day Colombia noted for their gold work characterized by technical accuracy and detailed designs. The majority of the gold work is made in tumbaga alloy, with 30% copper, which imparts meaningful color tonalities to the pieces.
Some evidence for homosexual behavior in pre-Columbian Peru has survived since the Spanish conquest of Peru in the form of erotic ceramics. Such pottery originated from several ancient civilizations of Peru, the most famous of these being the Moche and Chimu cultures.
A stirrup spout vessel is a type of ceramic vessel common among several Pre-Columbian cultures of South America beginning in the early 2nd millennium BCE.
Moche portrait vessels are ceramic vessels featuring highly individualized and naturalistic representations of human faces that are unique to the Moche culture of Peru.
The Andean civilizations were complex societies of many cultures and peoples mainly developed in the river valleys of the coastal deserts of Peru. They stretched from the Andes of southern Colombia southward down the Andes to Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of Peru is the oldest known civilization in the Americas, dating back to 3200 BCE.
Ceramics in Mexico date back thousands of years before the Pre-Columbian period, when ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips. The potter's wheel was unknown as well; pieces were shaped by molding, coiling and other methods,
San José de Moro is a Moche archaeological site in the Pacanga District, Chepén Province, La Libertad Region, of Northwestern Peru. The site served as a ceremonial funerary complex between the years 400 and 1000 AD.
Pampa Grande is an archaeological site located in the Lambayeque Valley, in northern Peru, situated on the south shore of the Chancay River. It is located to the east of the city of Chiclayo.
The Pacatnamu site is located at the mouth of the Jequetepeque Valley on the northern coast of Peru. Rocky cliffs protect two of its sides and a manmade wall protects the third. This area of Peru does not have a tropical environment; it gets very little precipitation and has a mild climate, which sometime can become very humid.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
The cuchimilco figures are unglazed terracotta figurines, created between 1200 and 1450 AD by the Chancay culture, which developed in the latter part of the Inca Empire. Ceramic guardian figures were important in Chancay culture. They normally come in pairs of male and female figures, with stocky, almost triangular shaped bodies and upraised arms. The figures are similar but have different painted decoration to indicate gender differences in dress. The exact function of these figures is unknown, but it is thought that they may have acted as guardians to the tombs of the Chancay people, or as companions in the afterlife.
