Plot
 | This article needs a plot summary.(October 2025) |
| Human Resource | |
|---|---|
| Directed by | Nawapol Thamrongrattanarit |
| Written by | Nawapol Thamrongrattanarit |
| Produced by |
|
| Starring | Prapamonton Eiamchan |
| Cinematography | Natdanai Naksuwarn |
| Edited by | Manussa Vorasingha |
| Music by | Mellow Tunes |
Production companies | Happy Ending Film Jai Studios Bangkok CityCity Gallery |
| Distributed by | GDH 559 |
Release date |
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Running time | 122 minutes |
| Country | Thailand |
| Language | Thai |
Human Resource is a 2025 Thai drama film written and directed by Nawapol Thamrongrattanarit. It had its world premiere in the Orizzonti section at the 82nd Venice International Film Festival on 27 August 2025, where it won the Fondazione Fai Prize.
| | This article needs a plot summary.(October 2025) |
Thamrongrattanarit got inspiration for the script from his fascination for the human resources sector combined with his own introspective questions about parenthood. [1] The film was produced by Happy Ending Film. [1]
The film had its world premiere at the 82nd edition of the Venice Film Festival, in the Orizzonti sidebar, where it won the Fondazione Fai Prize. [1] [2] It was later screened in other festivals, including the BFI London Film Festival, the 30th Busan International Film Festival, the Taipei Golden Horse Film Festival, the Zurich Film Festival and the 36th Singapore International Film Festival. [1] [3] [4]
The film was well-received by critics. Marc van de Klashorst from International Cinephile Society gave the film 4 stars out of 5, and wrote it "has enough impact to stand tall as a portrait of modern Thailand, a side of the country we don’t often get to see in cinema. Nawapol Thamrongrattanarit guides the film with a firm hand and clear vision, letting the drama efficiently play out in subdued tones and relying on his two central actors to convey the emotions while barely showing them." [5] Screen International's film critic Jonathan Romney also praised the film, describing it as an "insightful and intimate beneath its chilly, stylised surface", and highlighting the work of cinematographer Natdanai Naksuwarn, who "draws touches of strange visual poetry from the cityscape". [6]
Mia Pflüger from Next Best Picture called the film "extraordinary" for building "existential dread not through melodrama, but through form", through a "glacial" pacing and an "unyielding rhythm that makes the experience so piercing." [7] South China Morning Post critic James Mottram described the film as a "bleak meditation on corporate culture" that "gives pause for thought". [8]
For this film, Thamrongrattanarit got a nomination for best screenplay at the 18th Asia Pacific Screen Awards. [9]
