Spirit of the Boogie is the sixth studio album by Kool & the Gang, released in 1975. It can be seen as a follow-up to Wild and Peaceful (1973); the instrumental "Jungle Jazz" uses the same basic rhythm track heard in "Jungle Boogie", but lets the players improvise on their instruments. References to earlier works can be noticed. "Spirit of the Boogie" features Donald Boyce, who was rapping on "Jungle Boogie". Some African influence can be felt, and the band even play in a West-Indian style on "Caribbean Festival", another instrumental track, with once more much room for improvisation.
3:47 EST is the debut album by the Canadian progressive rock group Klaatu, released in August 1976. The album was renamed Klaatu when released in the United States by Capitol Records. The album is notable for its Beatlesque psychedelia. The Juno-nominated album cover was painted by a friend of Klaatu's members, a Canadian graphic artist, Ted Jones.
Don't Mind If I Do is the fifth album by the British new wave band Culture Club, released in 1999 by Virgin Records. The album was released only in Europe and Japan, though some promo copies also circulated in Australia.
Revolutions is the ninth studio album by electronic musician and composer Jean-Michel Jarre, first released in September 1988. The album reached number 2 in the UK charts, Jarre's best chart position since Oxygène. The Destination Docklands concert in London coincided with the release of the album.
Ricochet is the seventh major release and first live album by the German electronic music group Tangerine Dream. It was released, on the Virgin label, in 1975. It consists of two side-long compositions mixed from studio recordings and the UK portion of their August–October 1975 European Tour. The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works. Ricochet uses more percussion and electric guitar than its predecessors Phaedra and Rubycon, and borders on electronic rock. The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music.
Cyclone is the eighth studio album by Tangerine Dream and the first in their canon to feature proper vocals and lyrics. The cover is a painting by band leader Edgar Froese.
Earthstar is an electronic music group from Utica, New York. Earthstar was encouraged by Krautrock/Kosmische Musik/electronic music artist, composer, and producer Klaus Schulze to relocate to Germany where they contracted with Sky Records. Schulze inspired and produced their second album, French Skyline. Earthstar is notable as the only American band who participated in Germany's Kosmische Musik/electronic music scene while still at its height.
Atomkraft? Nein, Danke! is the third full-length album by the American electronic band Earthstar. It was their second release for the Hamburg, Germany-based Sky Records on February 1, 1981. Atomkraft? Nein, Danke! was recorded during 1979 and 1980 at Deponté la Rue Studio in Paris, France, and IC Studios and Emch Studio in West Germany. Additional tracks were recorded at Aura Sound Studio in New York. All tracks were written by Craig Wuest except "Golden Rendezvous", which was written by Wuest and Daniel Zongrone, and "Forest Floor, Part II: Aras", a tape-loop improvisation with guitarist Dennis Rea.
French Skyline is the second full-length album by the American electronic band Earthstar. It was their first release for Hamburg, Germany–based Sky Records.
Craig Wuest is an American keyboardist currently based in Atlanta, Georgia. He is best known as the founder and leader of the electronic music group Earthstar during the 1970s and 1980s. Earthstar was the only American band who participated in Germany's Kosmische Musik/electronic music scene while still at its height.
Dennis Rea is an American guitarist, author, and music event organizer. He was a member of the electronic music group Earthstar in the late 1970s and early 1980s. He leads the progressive rock quintet Moraine and worked with Jeff Greinke in Land. Other significant involvements have included Flame Tree, Identity Crisis, Iron Kim Style, Savant, Stackpole, Tempered Steel, and Zhongyu.
Salterbarty Tales is the debut album by the American electronic band Earthstar. It was recorded in 1977 and 1978 and released by Moontower Records in 1978. The album is the only release to feature significant grand piano sections performed by Craig Wuest with relatively basic synthesizer work and far less multitracking when compared to later Earthstar albums. It is also the only album not to feature tape loop instruments: the mellotron and the Birotron.
LadyLuck is the third album by Maria Taylor, originally released on March 31, 2009. The album features the song "Cartoons and Forever Plans," co-written by and including guest vocals from R.E.M.'s Michael Stipe. LadyLuck reached number 48 on Billboard's "Heatseakers" charts. KCRW DJ Gary Calamar ranked "Time Lapse Lifeline" as number one, in his top 10 songs of 2009. "Time Lapse Lifeline" was featured in the 24th episode of the fourth season of the FOX show Bones. The album was re-released on Taylor's own label, Flower Moon Records in 2016.
Travellers in Space and Time is the seventh studio album by The Apples in Stereo released in 2010. It was the first album by the band to feature new drummer John Dufilho, as well as the first to cite Bill Doss and John Ferguson as permanent band members. It is heavily influenced by the Electric Light Orchestra, especially their science-fiction concept album Time.
Gila was a psychedelic rock band from Stuttgart, Germany.
Live at the Orpheum is a live album by the band King Crimson, released by Discipline Global Mobile records in 2015. The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014.
Journey is the third and final studio album by British rock band Kingdom Come, known as Arthur Brown's Kingdom Come outside the UK. After the band featured drastically different styles on their first two albums, and after several line-up changes, band leader Arthur Brown worked the band towards a new direction for Journey. The album was the first album in history to use a drum machine responsible for all the percussive sounds on the album. The drum machine in question was the Bentley Rhythm Ace, manufactured by Ace Tone. Although the band had commented the album was entirely based on the drum machine, the band attempted to, in rock and electronic terms, create an album that was the closest they could get "to a string quartet". The album features other experimental techniques, including using a triangle to guide guitar playing and extensive use of Mellotron and synthesizers from new member Victor Peraino, who replaced Michael "Goodge" Harris early on production.
Culcha Vulcha is an album by American jazz fusion group Snarky Puppy that was released on April 29, 2016. The album includes performances by a number of musicians associated with the band and called "the Fam". The band's first studio album in eight years since Bring Us the Bright, it was recorded at the Sonic Ranch in Tornillo, Texas near El Paso and Atlantic Sound Studios in Brooklyn, New York, by Nic Hard.
Susto is an album by Japanese jazz pianist, composer and band leader Masabumi Kikuchi. This album was recorded in the same session with another album, One-Way Traveller, at his home studio, Sound Ideas Studios, New York, United States in November, 1980 and additionally recorded and remixed at CBS/Sony Roppongi Studio, Tokyo, Japan in December 1980 and January, 1981. This album was released in 1981 by CBS/Sony.
Ayaya Moses is a 1997 studio album by the Fred Frith Guitar Quartet, an American-based contemporary classical and experimental music guitar quartet comprising Fred Frith, René Lussier, Nick Didkovsky and Mark Stewart. It is their debut album and was recorded in Radio-Canada's Studio 12 at Maison Radio-Canada in Montreal, Quebec, Canada, seven years after the ensemble was formed in 1989. It was released by Canadian record label, Ambiances Magnétiques.
