Humoreske (Schumann)

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Humoreske in B-flat major, Op. 20, is a piano piece by Robert Schumann, composed in 1839 and dedicated to Julie von Webenau. [1] Schumann cited Jean Paul's style of humour as source of inspiration, although there are no direct programmatic links to Jean Paul's oeuvre found in the piece.

Contents

Structure

The Humoreske consists of seven sections (not originally indicated as such by the composer except for the last one, "Zum Beschluss"), to be played attacca after each other. Although the piece is nominally written in B-flat major, most of the piece is set in B-flat major's relative minor key, G minor. The musical texture and emotional tone, though, varies widely and differs greatly between the sections:

  1. "Einfach" (Simple) (B♭ major, Commontime.svg , M. M. Figure rythmique noire hampe haut.svg = 80)
    "Sehr rasch und leicht" (Very fast and light) (B♭ major, 2
    4    , M. M. Figure rythmique noire hampe haut.svg = 138)
    "Noch rascher" (Even faster) (G minor)
    "Erstes Tempo", Wie im Anfang(First tempo, as in the beginning) (B♭ major, Commontime.svg )
  2. "Hastig" (Hastily) (G minor, 2
    4    , M. M. Figure rythmique noire hampe haut.svg = 126)
    "Nach und nach immer lebhafter und stärker" (Gradually more lively and stronger) (D minor)
    "Wie vorher" (As previously) Adagio
  3. "Einfach und zart" (Simple and delicate) (G minor, Commontime.svg , M. M. Figure rythmique noire hampe haut.svg = 100)
    "Intermezzo" (B♭ major, 2
    4    , M. M. Figure rythmique noire hampe haut.svg = 100)
  4. "Innig" (Heartfelt) (B♭ major, Commontime.svg , M. M. Figure rythmique noire hampe haut.svg = 116)
    "Schneller" (Quicker) (Tempo I)
  5. "Sehr lebhaft" (Very lively) (G-minor/B♭ major, 2
    4    , M. M. Figure rythmique blanche hampe haut.svg = 76)
    "Immer lebhafter" (Increasingly lively) Stretto
  6. "Mit einigem Pomp" (With some pomp) (modulating, Commontime.svg , M. M. Figure rythmique noire hampe haut.svg = 92)
  7. "Zum Beschluss" (To the resolution) (B♭ major, Commontime.svg , M. M. Figure rythmique noire hampe haut.svg = 112 ) Allegro

A typical performance is about 27 minutes long. It is less popular with audiences than with pianists, [2] and Robert Cummings wrote that some musicologists view it as an ill-judged attempt by Schumann to "take his formula in Kreisleriana a step further." [3] However, it has been championed by critics such as Judith Chernaik and John C. Tibbetts (who consider Humoreske among Schumann's greatest pieces) [4] [5] as well as Anthony Tommasini, who referred to it as one of Schumann’s "most astonishing, and most overlooked, piano works". [6]

Sources

References

  1. ↑ "Humoreske IN B-flat, Op. 20", Los Angeles Philharmonic. Retrieved 2015-08-08. Archived 2015-09-19 at the Wayback Machine
  2. ↑ Phillips, Rick (2012-12-18). The Essential Classical Recordings: 100 CDs for Today's Listener. McClelland & Stewart. p. 94. ISBN   9781551995212.
  3. ↑ Robert Cummings. Humoreske for piano in B-flat major, Op. 20 at AllMusic
  4. ↑ Chernaik, Judith (2018-09-18). Schumann: The Faces and the Masks. Knopf Doubleday. ISBN   9780451494474.
  5. ↑ Tibbetts, John C. (2010). Schumann: A Chorus of Voices. Hal Leonard. p. 164. ISBN   9781574671858.
  6. ↑ Tommasini, Anthony (December 16, 2010). "Favorite Schumann Recordings of Times Critics". The New York Times . Retrieved September 17, 2019.
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