The following is a list of compositions by Robert Schumann for piano solo and for pedal piano solo. [note 1] Schumann was a pianist himself and wrote over fifty works for the piano, numbering hundreds of constituent pieces and movements. Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen , was a set of variations for solo piano.
This list is based upon the Thematisch-Bibliographisches Werkverzeichnis, a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003. Since Schumann's death scholars have made several separate attempts to catalogue his works not published with opus numbers. The result is that one work may bear several separate tags, as designated by the various cataloguers. For works published by Schumann or prepared by him for publication and published posthumously, opus numbers are given. For works not published or prepared for publication by Schumann, McCorkle's RSW ("Robert-Schumann-Werkverzeichnis") numbers are listed first, and Hofmann-Keil (H/K) WoO ("Werke ohne Opuszahl") numbers, which are still occasionally used, given in brackets where designated.
For a full list of Schumann's compositions, see List of compositions by Robert Schumann.
Catalogue No. | Title | Year of composition | Publication details | Notes |
---|---|---|---|---|
Op. 1 | Variations on the name "Abegg" | 1830 | Kistner, Leipzig, November 1831 | |
Op. 2 | Papillons | 1829–1831 | Kistner, Leipzig, February/March 1832 | |
Op. 3 | Etudes after Paganini Caprices | 1832 | Hofmeister, Leipzig, August 1832 | |
Op. 4 | Intermezzi | 1832 | Hofmeister, Leipzig, September 1833 | |
Op. 5 | Impromptus on a theme of Clara Wieck | 1833, revised 1850 | Hofmeister, Leipzig, September 1833; [note 2] revision also published by Hofmeister | |
Op. 6 | Davidsbündlertänze | 1837, revised 1850 | Friese, Leipzig, January 1838; revision published by Schuberth, Hamburg and Leipzig | |
Op. 7 | Toccata in C major | 1830-4 | Hofmeister, Leipzig, early 1834 | |
Op. 8 | Allegro in B minor | 1831 | Friese, Leipzig, end of 1834/beginning of 1835 | |
Op. 9 | Carnaval | 1834–1835 | Breitkopf & Härtel, Leipzig, July 1837 | |
Op. 10 | 6 Concert Studies on Caprices by Paganini | 1833 | Hofmeister, Leipzig, September 1835 | |
Op. 11 | Grand Sonata No. 1 in F-sharp minor | 1835 | Kistner, Leipzig, June 1836 | |
Op. 12 | Fantasiestücke | 1837 | Breitkopf & Härtel, Leipzig, February 1838 | |
RSW:op12:Anh (H/K WoO 28) | Supplement to the Op. 12 Fantasiestücke | 1837 | Modern publication | A piece withdrawn from publication by Schumann at the final redaction of the Fantasiestücke |
Op. 13 | Études symphoniques | 1834-6, revised 1852 | Haslinger, Vienna, May 1837; revision published by Schuberth, Hamburg and Leipzig | |
RSW:op13:Anh:1-5 (H/K WoO 6) | Symphonic Etudes in Variation Form | 1837 | Modern publication | Five supplementary variations to Op.13, often performed as part of the main work |
Op. 14 | Grand Sonata No. 3 in F minor ("Concerto without Orchestra") | 1835-6, revised 1853 | First edition as Concert sans Orchestre by Haslinger, Vienna, September 1836; revision issued as Grande Sonate by Schuberth, Hamburg and Leipzig | |
RSW:op14:Anh:1 (H/K WoO 5,1) | Scherzo | 1835-36 | Modern publication | Rejected from the Op. 14 Sonata |
Op. 15 | Kinderszenen | 1838 | Breitkopf & Härtel, Leipzig, March 1839 | |
Op. 16 | Kreisleriana | 1838, revised 1850 | Haslinger, Vienna, September 1838; revision published by Whistling, Leipzig | |
Op. 17 | Fantasie in C | 1836, revised 1839 | Breitkopf & Härtel, Leipzig, April 1839 | |
Op. 18 | Arabeske in C | 1839 | Mechetti , Vienna, August 1839 | |
Op. 19 | Blumenstück in D-flat | 1839 | Mechetti , Vienna, August 1839 | |
Op. 20 | Humoreske in B-flat | 1839 | Mechetti , Vienna, August 1839 | |
Op. 21 | Novelletten | 1838 | Breitkopf & Härtel, Leipzig, June 1839 | |
Op. 22 | Sonata No. 2 in G minor | 1833–1835 | Breitkopf & Härtel, Leipzig, September 1839 | |
RSW:op22:Anh (H/K WoO 5,2) | Presto passionato | 1835 | Modern publication | Original finale for Sonata No. 2 Op. 22 |
Op. 23 | Nachtstücke | 1839 | Mechetti , Vienna, June 1840 | |
Op. 26 | Faschingsschwank aus Wien | 1839 | Mechetti , Vienna, August 1841 | |
Op. 28 | 3 Romanzen | 1839 | Breitkopf & Härtel, Leipzig, October 1840 | |
Op. 32 | 4 Klavierstücke (Scherzo, Gigue, Romance and Fughette) | 1838–1839 | Schuberth, Hamburg and Leipzig, February/March 1841 | |
Op. 56 | Etuden in kanonischer Form für Orgel oder Pedalklavier | 1845 | Whistling, Leipzig, September 1846 | |
Op. 58 | Skizzen für Orgel oder Pedalklavier | 1845 | Kistner, Leipzig, August 1846 | |
Op. 60 | 6 Fugen über den Namen Bach für Orgel oder Pedalklavier | 1845 | Whistling, Leipzig, November 1846 | |
Op. 68 | Album für die Jugend | 1848 | Schuberth, Hamburg and Leipzig, end of 1849; reissued December of the following year, unrevised but with a new text appendix | |
RSW:op68:Anh:9,10,13,14 (H/K WoO 16) | Additional pieces to Album für die Jugend Op. 68 | 1848 | Modern publication | |
RSW:op68:Anh:1,3,6,9,10,13,14,16-18,21,24,26,27 (H/K WoO 30) | Additional pieces to Album für die Jugend Op. 68 | 1848 | Modern publication | |
Op. 72 | 4 Fugues | 1845 | Whistling, Leipzig, September 1850 | |
Op. 76 | 4 Marches | 1849 | Whistling, Leipzig, August 1849 | |
Op. 82 | Waldszenen | 1848–1849 | Senff, Leipzig, November 1850 | |
Op. 99 | Bunte Blätter | 1836–1849 | Arnold, Elberfeld, December 1851 | |
Op. 111 | Three Fantasiestücke, Op. 111 | 1851 | Peters, Leipzig, July 1852 | |
Op. 118 | 3 Piano Sonatas for the Young | 1853 | Schuberth, Hamburg and Leipzig, December 1853 | |
Op. 124 | Albumblätter | 1832–1845 | Arnold, Elberfeld, December 1853 | |
Op. 126 | 7 Pieces in Fughetta Form | 1853 | Arnold, Elberfeld, May 1854 | |
Op. 133 | Gesänge der Frühe | 1853 | Arnold, Elberfeld, November 1855 | |
RSW:Anh:F2 | Romanze in F minor | 1829 | Modern publication | Fragment |
RSW:Anh:F7 | Variations in G on an original theme, "“Mit Gott”" | 1831-32 | Modern publication | Fragment |
RSW:Anh:F8 | Introduction, Theme, and Sketches for 4 variations on a theme of Paganini’s “La Campanella” in B minor | 1831-32 | Modern publication | Unfinished |
RSW:Anh:F11 | Exercise fantastique | 1832 | Lost | |
RSW:Anh:F12 | Étude fantastique | 1830-32 | Lost | |
RSW:Anh:F14 | 12 Burlesken (or Burlen und Papilloten) | 1832 | Modern publication | Fragments |
RSW:Anh:F15 | Fandango in F-sharp minor | 1832 | Modern publication | Some material from this was reused in the Op. 11 Sonata |
RSW:Anh:F18 | Fantasie satyrique, after Henri Herz | 1832 | Modern publication | Fragment |
RSW:Anh:F19 | 8 Fugen und Kanons | 1832-33 | Modern publication | |
RSW:Anh:F19,8 (H/K WoO 4) | Canon on F.H. Himmel's "An Alexis send' ich dich" in A flat major | 1832-33 | Modern publication | |
RSW:Anh:F24 | Variationen über den “Sehnsuchtswalzer” von Franz Schubert in A-flat major | 1831-34 | Modern publication | Unfinished. The opening was reused in No. 1 from Carnaval, Op. 9 |
RSW:Anh:F25 (H/K WoO 31) | 15 Studies in the Form of Free Variations on a Theme by Beethoven | 1833–1835 | Modern publication: Henle, Munich 1976 | The theme is the opening of the Allegretto from Beethoven's seventh symphony |
RSW:Anh:F26 | Variations on a nocturne by Chopin in G minor | 1835-36 | Modern publication | Incomplete. The theme is Chopin's nocturne Op. 15, No. 3) |
RSW:Anh:F28 | Sonata No.4 in F minor | 1833-37 | Modern publication | Unfinished |
RSW:Anh:F39 (H/K WoO 24) | Thema mit Variationen (Geistervariationen) | 1854 | Modern publication: Hinrichsen, London, 1939 |
Werke ohne Opuszahl (WoO), also Kinsky–Halm Catalogue, is a German musical catalogue prepared in 1955 by Georg Kinsky and Hans Halm, listing all of the compositions of Ludwig van Beethoven that were not originally published with an opus number, or survived only as fragments. The work was originally titled in German Das Werk Beethovens: Thematisch-bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositionen.
G. Henle Verlag is a German music publishing house specialising in Urtext editions of classical music. The catalogue includes works by composers from different epochs periods, in particular composers from the Baroque to the early twentieth century whose works are no longer subject to copyright. In addition to sheet music, G. Henle Publishers also produces scholarly complete editions, books, reference works, and journals. Since 1995, Henle the range also includes pocket scores. In 2016 Henle began offering the Urtext editions in digital format in an app for iOS and Android tablets.
The Hoboken catalogue is a catalogue of the musical compositions by Joseph Haydn compiled by Anthony van Hoboken. It is intended to cover the composer's entire oeuvre and includes over 750 entries. Its full title in the original German is Joseph Haydn, Thematisch-bibliographisches Werkverzeichnis. The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued until the publication of the third and final book volume in 1978.
The Catalogues of Beethoven compositions are all of the different ways in which the musical compositions by Ludwig van Beethoven have been organized by researchers into his music.
Märchenbilder or Fairy Tale Pictures, for Piano and Viola, Op. 113, was written by Robert Schumann in March 1851. The work is dedicated to the German violinist and conductor Wilhelm Joseph von Wasielewski. It consists of four character pieces and is an original composition featuring the viola from the Romantic period.
This article gives an overview of various catalogues of classical compositions that have come into general use.
The Piano Sonata No. 15 in C major, Hob. XVI/15, is an arrangement for solo keyboard of the 1st, 3rd and 4th movements of the Divertimento in C by Joseph Haydn. This sonata is now considered spurious.
The Piano Sonata in D major, Hob. XIV/5, L.28, also called a divertimento, is a sonata written c.1765–1771 by Joseph Haydn. However, Anthony van Hoboken's catalogue states the composition date as "before 1766". It may have been written for 2 violins and cello.
The Mendelssohn-Werkverzeichnis (MWV) is the first modern fully researched music catalogue of the works of Felix Mendelssohn. It appeared in 2009 under the auspices of the Saxonian Academy of Sciences and Humanities (SAW) under the leadership of the German music scholar Ralf Wehner, and is published by the firm of Breitkopf & Härtel as part of the "Leipzig Edition of the Works of Felix Mendelssohn Bartholdy".
Margit L. McCorkle is a musicologist, music bibliographer, editor, translator, pianist, and harpsichordist.
"Wiegenlied", Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most popular pieces.
In music, Op. 111 stands for Opus number 111. Compositions that are assigned this number include: