Margit L. McCorkle (born 1942) is a musicologist, music bibliographer, editor, translator, pianist, and harpsichordist. [1]
Born in the United States, Margit L. McCorkle settled in Vancouver, Canada, in 1972, together with her husband, Donald M. McCorkle, professor and Head of Music at the University of British Columbia. [2] Her earlier professional training was as concert pianist and harpsichordist, followed by Ph.D. studies in musicology and music bibliography at the University of Maryland. Together, the McCorkles pursued source studies on the music of Johannes Brahms in Maryland and then in Vancouver (1966-1978).
Following Donald's death in 1978, she initiated the preparation of the definitive scholarly thematic catalogue of all the works of Johannes Brahms under the auspices of the University of British Columbia Faculty of Arts. This project was supported by major research grants from the Social Sciences and Humanities Research Council of Canada and culminated in the publication of the Brahms catalogue in 1984 by G. Henle Verlag in Munich. [3] [4] [5] [6] [7] [8] [9] In 1985, the Federal Republic of Germany conferred on her the Order of Merit [Bundesverdienstkreuz am Bande] in recognition of her great service to German music literature.
In 1989, McCorkle was invited to prepare the definitive scholarly thematic catalogue of all the works of Robert Schumann under the auspices of the Robert-Schumann-Forschungsstelle/Gesellschaft in Düsseldorf and Zwickau, to be supported by the Peter-Klöckner-Stiftung in Duisburg. In 2003 this project culminated in joint publication of the Schumann catalogue by the publishers G. Henle Verlag and Schott Music International (Mainz). [10] [11] [12] [13] McCorkle was honored in 2007 as co-recipient of the Robert Schumann Prize of the City of Zwickau (Robert-Schumann-Preis der Stadt Zwickau).
It has more than once been noted that Margit L. McCorkle is to date the only musicologist/bibliographer to have prepared monumental catalogues for two major classical composers, that is, for Johannes Brahms and Robert Schumann. [14] In addition to these works, her scholarly bibliography since 1973 has included monographs, articles, and invited papers within the context of international conferences and publications featuring Brahms and Schumann studies, together with redacting Brahms music editions and writing commentaries for Brahms and Schumann autograph facsimiles. [15] Since 1998 she has prepared recent English translations of scholarly German texts, primarily for the ongoing complete editions of the music of Robert Schumann (RSA) and Carl Maria von Weber (WeGA), published in Mainz by Schott Music International. [16] She is also engaged as translator for the G. Henle Verlag and Breitkopf & Härtel Verlag (Wiesbaden).
Werke ohne Opuszahl (WoO), also Kinsky–Halm Catalogue, is a German musical catalogue prepared in 1955 by Georg Kinsky and Hans Halm, listing all of the compositions of Ludwig van Beethoven that were not originally published with an opus number, or survived only as fragments. The work was originally titled in German Das Werk Beethovens: Thematisch-bibliographisches Verzeichnis seiner sämtlichen vollendeten Kompositionen.
Daniel Müller-Schott is a German cellist.
G. Henle Verlag is a German music publishing house specialising in Urtext editions of classical music. The catalogue includes works by composers from different epochs periods, in particular composers from the Baroque to the early twentieth century whose works are no longer subject to copyright. In addition to sheet music, G. Henle Publishers also produces scholarly complete editions, books, reference works, and journals. Since 1995, Henle the range also includes pocket scores. In 2016 Henle began offering the Urtext editions in digital format in an app for iOS and Android tablets.
Bernhard E. Scholz, was a German conductor, composer and teacher of music.
Märchenbilder or Fairy Tale Pictures, for Piano and Viola, Op. 113, was written by Robert Schumann in March 1851. The work is dedicated to the German violinist and conductor Wilhelm Joseph von Wasielewski. It consists of four character pieces and is an original composition featuring the viola from the Romantic period.
Harald Feller is a German organist, choral conductor and composer teaching at the Hochschule für Musik und Theater München. He was awarded the 1983 Grand Prix du Disque Liszt.
Schott frères was a Belgian sheet music publishing house that operated between 1823 and 2006.
The Three Intermezzi for piano, Op. 117, are a set of solo piano pieces composed by Johannes Brahms in 1892. They show Brahms' interest in lullaby; in particular, Brahms told a friend that they were "three lullabies of my grief". They consist of:
The Robert Schumann Prize of the City of Zwickau is a classical music award. Since 1964 it has been awarded by the Lord Mayor of Zwickau. Robert Schumann was born in Zwickau. Between 1964 and 2002 the prize was awarded annually, since 2003 biennially. The award is given to outstanding singers, instrumentalists and ensembles as well as musicologists and musical institutions, who have rendered special service (sic) to cherishing and presenting Schumann’s musical and literary heritage as well as to the knowledge of his life and works. The prize is endowed with a total of €10,000. The winners receive a certificate and a bronze medal with the portrait of Schumann, created by the sculptor Gerhard Lichtenfeld.
Egon Voss is a German musicologist, who is particularly known for his contributions to Richard Wagner research.
Bernhard R. Appel is a German musicologist. His research focuses on the life and work of the composer Robert Schumann, music history of the 18th and 19th centuries, Ludwig van Beethoven's works, compositional creative processes as well as methodology, theory and practice of music philology, in particular genetic textual criticism and digital music edition. In addition, Appel deals with the history of the viola da gamba.
Eugenie Schumann was a German pianist and author.
Christian Martin Schmidt was a German musicologist and music theorist.
"Wiegenlied", Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces.
Wolfgang Boetticher was a German musicologist and longtime lecturer at the University of Göttingen.
Joachim Draheim is a German musicologist, music teacher and classical pianist.
Marianne Helms, real name Marianne Henze is a German musicologist.