Scoring
The Introduction and Concert Allegro is scored for solo piano, pairs of flutes, oboes, clarinets in B♭ and A, bassoons, horns, and trumpets, trombone, timpani and strings.
Robert Schumann's Introduction and Concert Allegro (German : Konzert-Allegro mit Introduktion) in D minor for piano and orchestra, Op. 134, was one of his last works. Composed in 1853, Schumann gave the autograph score to his wife, Clara Schumann, as a birthday gift; she would give the first performance on 26 November. [1] The work is dedicated to Johannes Brahms, and a typical performance is 13–14 minutes long.
The Introduction and Concert Allegro is scored for solo piano, pairs of flutes, oboes, clarinets in B♭ and A, bassoons, horns, and trumpets, trombone, timpani and strings.
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works, and is among the most popular of the genre. Grieg, being only 24 years old at the time of the composition, had taken inspiration from Robert Schumann's only concerto, also being in A minor.
The Piano Concerto in A minor, Op. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto. The complete work was premiered in Dresden on 4 December 1845. It is one of the most widely performed and recorded piano concertos from the Romantic period.
Eugène-Auguste Ysaÿe was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
The Piano Quintet in F minor, Op. 34, by Johannes Brahms was completed during the summer of 1864 and published in 1865. It was dedicated to Her Royal Highness Princess Anna of Hesse. As with most piano quintets composed after Robert Schumann's Piano Quintet (1842), it is written for piano and string quartet.
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the mid-Romantic era.
Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony, and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn attended one party after another in Munich in October 1831, the month of the premiere, but he also played chamber music and taught double counterpoint. He performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823–24).
The Symphony in C major by German composer Robert Schumann was published in 1847 as his Symphony No. 2, Op. 61, although it was the third symphony he had completed, counting the B-flat major symphony published as No. 1 in 1841, and the original version of his D minor symphony of 1841. It is dedicated to Oscar I, king of Sweden and Norway.
The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.
Franz Schubert wrote his Sonata in C major for piano four-hands, D 812, in June 1824 during his second stay at the Esterházy estate in Želiezovce. The extended work, in four movements, has a performance time of around 40 to 45 minutes. It was published as Grand Duo, Op. 140, in 1837, nine years after the composer's death.
Jean Louis Nicodé was a Prussian pianist, composer and conductor.
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. The score however was published 23 years after the composer's death, finally being released in 1942.
Frédéric Chopin's Allegro de concert, Op. 46, is a piece for piano, published in November 1841. It is in one movement and takes between 11 and 15 minutes to play. The principal themes are bold and expressive. It has a curious place in the Chopin canon, and while its history is obscure, the evidence supports the view, shared by Robert Schumann and others, that it started out as the first movement of a projected third piano concerto, of which the orchestral parts are either now non-existent or were never scored at all. There is no evidence that Chopin ever even started work on the latter movements of this concerto.
Antonín Dvořák composed his cycle of four Romantic Pieces, Op. 75, B. 150,, for violin and piano in January 1887. These four pieces are arranged from his previous composition, a trio for two violins and viola, known as Miniatures, Op. 75a, B. 149.
The Concert Allegro, Op. 46 by Sir Edward Elgar is a piece of music for solo piano. It takes about 10 minutes to perform. It is the only piano work he wrote that was designed for concert performance. It is in the key of C major and was written in 1901, at the request of the pianist Fanny Davies.
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes. One autograph of the version for solo piano is held by the Austrian National Library.
A concert piece is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment.
The Introduction and Allegro appassionato (Konzertstück) for piano and orchestra in G major, Op. 92, was composed by Robert Schumann in September 1849. It received its first performance in Leipzig on February 14, 1850, with Clara Schumann at the piano with Julius Rietz conducting. The work was published in 1852. The work takes around 15 minutes to perform.
The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.
Sechs Gedichte und Requiem, Op. 90, also called the Lenau-Lieder, is a song cycle by Robert Schumann. It was composed in 1850, shortly before the Schumanns moved to Düsseldorf.
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