Requiem Op. 148 is a nine movement work by Robert Schumann for choir and orchestra. The work was originally composed in 1852 and published in 1865, eight years after the composer's death. The work runs approximately 33 minutes. [1]
Requiem | |
---|---|
by Robert Schumann | |
Key | D Flat Major |
Opus | 142 |
Period | Romantic |
Genre | Requiem |
Language | Latin |
Composed | 1852 |
Duration | 33 minutes |
Movements | 9 |
Scoring | Choir & Orchestra |
Premiere | |
Date | 1865 |
Started in 1852, Schumann's requiem was one of the last works the composer would successfully complete. Critics point to the work as evidence of Schumann's failing creativity and mental state. [2]
Absent any known commission, substantial questions have been raised about Schumann's motivation for writing a requiem which represented a significant departure from the composer's previous style, in which he remained mostly secular. While Schumann was contractually obligated to perform in cathedrals several times per year after his move 1850 to Düsseldorf, documentation is not conclusive on the composer's religious background. [3]
During Schumann's stay in an asylum for a suicide attempt, his requiem was one of few that he continued to compose. The original manuscript indicates that it was heavily revised, demonstrating Schumann's poor state of mind. It is speculated that Schumann, like Mozart, was writing his own mass. [4] [5]
The work consists of nine movements: [6]
Robert Schumann was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music.
Max Bruch was a German Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.
The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works, and is among the most popular of the genre. Grieg, who was only 24 years old at the time of the composition, had taken inspiration from Robert Schumann's piano concerto (Op.54), also in A minor.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
Josef Gabriel Rheinberger was an organist and composer from Liechtenstein, residing in Bavaria for most of his life. As court conductor in Munich, he was responsible for the music in the royal chapel. He is known for sacred music, works for organ and vocal works, such as masses, a Christmas cantata and the motet Abendlied; he also composed two operas and three singspiele, incidental music, secular choral music, two symphonies and other instrumental works, chamber music, and works for organ.
Niels Wilhelm Gade was a Danish composer, conductor, violinist, organist and teacher. Together with Johan Peter Emilius Hartmann, he was the leading Danish musician of his day, in the period known as the Danish Golden Age.
An unfinished symphony is a fragment of a symphony, by a particular composer, that musicians and academics consider incomplete or unfinished for various reasons. The archetypal unfinished symphony is Franz Schubert's Symphony No. 8, written in 1822, six years before his death. It features two fully orchestrated movements. While it seems clear from sketches that Schubert set out to create a traditional four-movement symphony, this has been the subject of endless debate. Schubert wrote the symphony for the Graz Musical Society, and gave the manuscript to his friend Anselm Hüttenbrenner, in his capacity as its representative. However, Hüttenbrenner did not show the score to the society at that time, nor did he reveal the existence of the manuscript after Schubert died in 1828, but kept it a secret for another 37 years. In 1865, when he was 76, Hüttenbrenner finally showed it to the conductor Johann von Herbeck, who conducted the extant two movements on 17 December 1865 in Vienna, adding the last movement of Schubert's third symphony as the finale. Music historians and scholars then toiled to "prove" the composition was complete in its two-movement form, and indeed, in that form it became one of the most popular pieces in the late 19th century classical music repertoire, and remains one of Schubert's most popular compositions.
Hermann Gustav Goetz was a German composer who spent much of his career in Switzerland. He is best known for his 1872 opera Der Widerspänstigen Zähmung, based on Shakespeare's The Taming of the Shrew.
Robert Kahn was a German composer, pianist, and music teacher.
Woldemar Bargiel was a German composer and conductor of the Romantic period.
August Friedrich Martin Klughardt was a German composer and conductor.
Cantique de Jean Racine, Op. 11, is a composition for mixed choir and piano or organ by Gabriel Fauré. The text, "Verbe égal au Très-Haut", is a French paraphrase by Jean Racine of a Latin hymn from the breviary for matins, Consors paterni luminis. The nineteen-year-old composer set the text in 1864–65 for a composition competition at the École Niedermeyer de Paris, and it won him the first prize. The work was first performed the following year on 4 August 1866 in a version with accompaniment of strings and organ. The style shows similarities with his later work, Requiem. Today, the two works are often performed together.
The Requiem, Op. 9, is a 1947 setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant. The Requiem was first published in 1948 by Durand in an organ version.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Catholic Church. This church service has inspired hundreds of compositions, including settings by Victoria, Mozart, Berlioz, Verdi, Fauré, Dvořák, Duruflé and Britten. For centuries settings of the Mass for the Dead were to be chanted in liturgical service monophonically. Later the settings became polyphonic, Victoria's famous 1605 a cappella work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service.
Der Einsiedler Op. 144a, is a composition for baritone soloist, five-part choir and orchestra by Max Reger, written in 1915. The German text is a poem by Joseph von Eichendorff, beginning "Komm' Trost der Welt, du stille Nacht". The composition was published in 1916 after Reger's death by N. Simrock, combined with the Hebbel Requiem, as Zwei Gesänge für gemischten Chor mit Orchester, Op. 144.
The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.
Herbert Bedford was a composer, author, miniature painter and inventor. He was married to the soprano and composer Liza Lehmann from 1894 until her death in 1918. His grandsons were the conductor Steuart Bedford and the composer David Bedford.
Requiem for Mignon is a six movement work by Robert Schumann for choir and orchestra. The work was originally composed in 1849, premiered in 1851, and runs approximately 13 minutes.