"I'll Never Be The Same" is a popular song based on an instrumental called "Little Buttercup" written by Matty Malneck and Frank Signorelli. After several musicians had recorded the instrumental version, lyrics were written by Gus Kahn. [1] The completed song was introduced in 1932 by Mildred Bailey and Paul Whiteman; their version rose to number fourteen on the charts. The same year, Guy Lombardo recorded the song; his version rose to number eight. It is ranked 210 in JazzStandards.com's listing of the 1000 most-frequently recorded jazz standard compositions. [2]
Paul Samuel Whiteman was an American Jazz bandleader, composer, orchestral director, and violinist.
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Earl Hines, Bunny Berigan, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw, Jimmie Lunceford, and Django Reinhardt.
Gaetano Alberto "Guy" Lombardo was a Canadian and American bandleader, violinist, and hydroplane racer whose unique "sweet jazz" style remained popular with audiences for nearly five decades.
Mildred Bailey was a Native American jazz singer during the 1930s, known as "The Queen of Swing", "The Rockin' Chair Lady", and "Mrs. Swing". She recorded the songs "For Sentimental Reasons", "It's So Peaceful in the Country", "Doin' The Uptown Lowdown", "Trust in Me", "Where Are You?", "I Let a Song Go Out of My Heart", "Small Fry", "Please Be Kind", "Darn That Dream", "Rockin' Chair", "Blame It on My Last Affair", and "Says My Heart". She had three records that reached number one on the popular charts.
"That Old Feeling" is a popular song about nostalgia written by Sammy Fain, with lyrics by Lew Brown. It was published in 1937.
"Without a Song" is a popular song composed by Vincent Youmans with lyrics later added by Billy Rose and Edward Eliscu, published in 1929. It was included in the musical play, Great Day. The play only ran for 36 performances, and also included the songs "More Than You Know" and "Great Day".
"The Gypsy in My Soul" is a popular song written for the 50th anniversary of the University of Pennsylvania Mask and Wig show in 1937 by two Penn graduates, Clay Boland and Moe Jaffe. Boland wrote the music and Jaffe the lyrics. Although both men had long since graduated, it had become the practice at the time for professionals, rather than students, to compose songs for the show.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael (1899-1981), with lyrics by Ned Washington (1901-1976). Intended for an unproduced Paramount Pictures film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song three years later in 1940. It was first recorded by Chick Bullock (1898-1981) and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the production of the 1938 Paramount film Romance in the Dark.
"April Showers" is a 1921 popular song composed by Louis Silvers with lyrics by B. G. De Sylva.
"How Deep Is the Ocean?" is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?".
Matthew Michael "Matty" Malneck was an American jazz violinist, songwriter, and arranger.
"Three O'Clock in the Morning" is a waltz composed by Julián Robledo that was extremely popular in the 1920s. Robledo published the music as a piano solo in 1919, and two years later Dorothy Terriss wrote the lyrics. Paul Whiteman's instrumental recording in 1922 became one of the first 20 recordings in history to sell over 1 million copies.
"China Boy" is a 1922 popular song written by Phil Boutelje and Dick Winfree.
"When It's Sleepy Time Down South", also known as "Sleepy Time Down South", is a 1931 jazz song written by Clarence Muse, Leon René and Otis René. It was sung in the 1931 movie Safe in Hell by Nina Mae McKinney, and became the signature song of Louis Armstrong, who recorded it almost a hundred times during his career. The song is now considered a jazz standard and it has been recorded by a plethora of artists. A popular recording in 1931 was by Paul Whiteman and his Orchestra.
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.