"I'll Never Be The Same" is a popular song based on an instrumental called "Little Buttercup" written by Matty Malneck and Frank Signorelli. After several musicians had recorded the instrumental version, lyrics were written by Gus Kahn. [1] The completed song was introduced in 1932 by Mildred Bailey and Paul Whiteman; their version rose to number fourteen on the charts. The same year, Guy Lombardo recorded the song; his version rose to number eight. It is ranked 210 in JazzStandards.com's listing of the 1000 most-frequently recorded jazz standard compositions. [2]
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences.
A song is a single work of music that is typically intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Through semantic widening, a broader sense of the word "song" may refer to instrumentals.
An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a Big Band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer ; as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large Big Band, concert band or orchestra.
Adelaide Louise Hall was an American-born UK-based jazz singer and entertainer. Hall's long career spanned more than 70 years from 1921 until her death and she was a major figure in the Harlem Renaissance. Hall entered the Guinness Book of World Records in 2003 as the world's most enduring recording artist having released material over eight consecutive decades. She performed with major artists such as Art Tatum Ethel Waters, Josephine Baker, Louis Armstrong, Lena Horne, Cab Calloway, Fela Sowande Rudy Vallee and Jools Holland, and recorded as a jazz singer with Duke Ellington and with Fats Waller.
Arthur Tatum Jr. was an American jazz pianist.
Mildred Bailey was a Native American jazz singer during the 1930s, known as "The Queen of Swing", "The Rockin' Chair Lady" and "Mrs. Swing". Some of her best-known hits are "It's So Peaceful in the Country", "Trust in Me", "Where Are You?", "I Let a Song Go Out of My Heart", "Small Fry", "Please Be Kind", "Darn That Dream", "Rockin' Chair", "Blame It on My Last Affair", and "Says My Heart". She had three singles that made number one on the popular charts.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violist.
Carmen Lombardo was the younger brother of bandleader Guy Lombardo. He was a vocalist and composer.
"(I'm) Confessin' " is a jazz and popular standard that has been recorded many times.
"That Old Feeling" is a popular song about nostalgia written by Sammy Fain, with lyrics by Lew Brown. It was published in 1937.
"Without a Song" is a popular song with music by Vincent Youmans and lyrics by Billy Rose and Edward Eliscu, published in 1929. It was included in the musical play, Great Day. The play only ran for 36 performances but contained two songs which became famous, "Without a Song" and "Great Day".
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Jimmy Dorsey & his Orchestra, Arthur Tracy, Eddie Duchin, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Big Joe Turner, Lester Young, Dean Martin, Gene Ammons, The Skyliners, Legion of Mary, Guy Mitchell, and Harry James. Louis Prima, along with Sam Butera & The Witnesses, released it as a single from his album The Call of the Wildest and from the 2005 Christmas movie Elf.
"The Gypsy in My Soul" is a popular song written for the 50th anniversary of the University of Pennsylvania Mask and Wig show in 1937 by two Penn graduates, Clay Boland and Moe Jaffe. Boland wrote the music and Jaffe the lyrics. Although both men had long since graduated, it had become the practice at the time for professionals, rather than students, to compose songs for the show.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. This is not to be confused with the Southern gospel song written by W.F. & Marjorie Crumley. The song was published in 1924 and featured in George White's Scandals of 1924.
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
"The Nearness of You" is a popular song written in 1938 by Hoagy Carmichael with lyrics by Ned Washington. The song debuted in a 1940 recording by Glenn Miller and His Orchestra, with vocals by Ray Eberle.
"How Deep Is the Ocean " is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?". The song was written at a low point in Berlin's professional and personal life, and is among the select few of his numbers that were introduced on the radio rather than on stage or film. The song is a series of questions posed one after another, the only exception being the second line, "I'll tell you no lie." This song, together with "Say It Isn't So", were huge hits in 1932 and brought Berlin back to the top again.
"Them There Eyes" is a jazz song written by Maceo Pinkard, Doris Tauber, and William Tracey that was published in 1930. One of the early recorded versions was performed by Louis Armstrong in 1931. It was made famous by Billie Holiday, who recorded her version in 1939 for Vocalion Records. A version by Emile Ford & The Checkmates reached number 18 on the UK Singles Chart in 1960.
Matty Malneck was an American jazz bandleader, violinist, violist and songwriter.
"Who?" (1925) is a popular song written for the Broadway musical Sunny by Jerome Kern, Otto Harbach and Oscar Hammerstein II. The song was also featured in the film version of Sunny (1930) starring Marilyn Miller.
"China Boy" is a 1922 popular song written by Phil Boutelje and Dick Winfree.
In the 1930s in jazz, swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.