Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits; "Pulling Mussels" only made it to 44 in the UK charts. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.
Sweets from a Stranger is the fifth studio album by the British new wave group Squeeze, released in September 1982 through A&M. The album peaked at number 20 in the UK Albums Chart. The band split up soon after a world tour for the record, and the two main songwriters went on to record 1984's Difford & Tilbrook. Squeeze reunited and released Cosi Fan Tutti Frutti in 1985. As with all Squeeze albums, Chris Difford wrote the words first and Glenn Tilbrook would write the music afterwards often editing Difford's material to create a streamlined narrative. Tilbrook would record a demo afterwards and play it for Difford.
Glenn Martin Tilbrook is the lead singer and guitarist of the English band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end. He generally wrote the music for Squeeze's songs, while his writing partner, Chris Difford, wrote the lyrics. In addition to his songwriting skills, Tilbrook is respected both as a singer and an accomplished guitarist. He was born in Woolwich, London.
Argybargy is the third studio album by the English new wave band Squeeze. Written and recorded after the band's successful sophomore release, Cool for Cats, the album's lyrics were written by Chris Difford while living with his wife in New York City. The band reunited with Cool for Cats producer John Wood and, after Glenn Tilbrook composed music for Difford's new lyrics, recorded the album in late 1979.
Some Fantastic Place is the tenth studio album by the British new wave group Squeeze, released in 1993 by A&M Records. Their first album since the departure of original Squeeze drummer Gilson Lavis, it features Pete Thomas and the brief return of keyboardist/vocalist Paul Carrack, who had previously appeared on East Side Story (1981). "Loving You Tonight" became only the second Squeeze song cut in thirteen years to feature Carrack singing a lead part. Additionally, bassist Keith Wilkinson wrote and sang "True Colours ", the first song on a Squeeze album not written by Glenn Tilbrook, Chris Difford, Jools Holland, or any combination of those three.
"Take Me I'm Yours" is the debut single by English new wave band Squeeze. It established the band's trademark vocal style, with Chris Difford singing an octave lower than Glenn Tilbrook.
"Cool for Cats" is a song by English rock band Squeeze, released as the second single from their album of the same name. The song features a rare lead vocal performance from cockney-accented Squeeze lyricist Chris Difford, one of the only two occasions he sang lead on a Squeeze single A-side. The song, slightly edited from the album track, peaked at No. 2 on the UK Singles Chart in 1979, making "Cool for Cats" one of the band's biggest hits.
"Is That Love" is a new wave song by Squeeze that was released on the band's fourth album, East Side Story. Written by Glenn Tilbrook and Chris Difford, the song features lyrics about Difford's marriage and features a quick tempo with a piano-based ending.
"Tempted" is a song by the British rock band Squeeze. Written by the Squeeze songwriting team of Glenn Tilbrook and Chris Difford, the song features lyrics inspired by Difford's experiences on an American tour and an arrangement inspired by the Temptations. "Tempted" is one of a few Squeeze songs with Paul Carrack as lead vocalist, at the suggestion of producer Elvis Costello.
"Messed Around" is a US single released from Squeeze's fourth album, East Side Story.
"Black Coffee in Bed" was the first single released from Squeeze's fifth album, Sweets from a Stranger. It peaked at number 51 in the UK Singles Chart in April 1982.
"When the Hangover Strikes" was the second single released from Squeeze's fifth album, Sweets from a Stranger.
"Annie Get Your Gun" is a single released by Squeeze in 1982. It was not featured on any studio album, but has been included on a number of compilations, including Singles – 45's and Under. "Annie Get Your Gun" was the last single released by the band before they broke up, though they reunited in 1985.
"Bang Bang", a song by Squeeze, was the second single released from their debut album Squeeze.
"Hourglass" was the first single released from Squeeze's seventh album, Babylon and On. Aided by an optical illusion-filled music video directed by Ade Edmondson, it received substantial airplay on MTV, and "Hourglass" became the highest-charting hit the band ever had in the United States, peaking at number 15 on the Billboard Hot 100, while reaching number 16 in the UK Singles Chart.
John Bentley is an English bass guitarist. He played bass for the band Squeeze from 1980 to 1982, appearing on the albums Argybargy and East Side Story, as well as Sweets from a Stranger. Squeeze initially split up in 1982, and upon reforming in 1985, band leaders Chris Difford and Glenn Tilbrook replaced Bentley with Keith Wilkinson.
"If I Didn't Love You" is the ninth track from Squeeze's album, Argybargy. The song, written by Glenn Tilbrook and Chris Difford, features lyrics about the early stages of a relationship and the insecurity that comes with it. The song has vocals and a slide guitar solo by Tilbrook.
"In Quintessence" is the first song on Squeeze's 1981 album East Side Story. The lyrics were written by Chris Difford and the music by Glenn Tilbrook.
"I Think I'm Go Go" is a 1980 song by the British new wave band Squeeze, released on their third album Argybargy. The lyrics were written by Chris Difford and the music was written by Glenn Tilbrook.
"The Elephant Ride" is a song by the British new wave band Squeeze. It was written by Chris Difford and Glenn Tilbrook, and it appeared on their 1982 album Sweets from a Stranger.
