"Goodbye Girl" | ||||
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Single by Squeeze | ||||
from the album Cool for Cats | ||||
Released | 3 November 1978 | |||
Recorded | 1978 | |||
Genre | New wave, pop rock | |||
Length | 3:05 | |||
Label | A&M | |||
Songwriter(s) | Glenn Tilbrook and Chris Difford | |||
Producer(s) | John Wood & Squeeze | |||
Squeeze singles chronology | ||||
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"Goodbye Girl" is the first single released from Squeeze's second album Cool for Cats . Three different versions were recorded: one for the UK single, one for the American single, and one for the album. In the UK, the single reached number 63 on the UK Singles Chart. [1]
"Goodbye Girl" notably features a percussive track arranged by drummer Gilson Lavis which featured unique array of bottles, tins, and other items. Glenn Tilbrook commented, "Gilson's influence in the arrangement was massive, not bringing the drums in until the third verse. Gilson had four percussion parts that he overdubbed one after the other that went throughout the song." [2] Chris Difford offered similar praise, stating, "Gilson constructed a washing line of bottles and bits of metal and tin and played them instead of a drum kit. It was a very inventive thing to do, slightly surreal, but it worked a treat." [2]
The song was written by Glenn Tilbrook (music) and Chris Difford (lyrics). Tilbrook commented, "It had a jolly tune, which later to my horror someone pointed out sounded like the Muppets theme tune." [2] The song additionally features Tilbrook and Difford's trademark harmonies, with the latter commenting, "Our trademark octave apart vocal is all over it." [2]
"Goodbye Girl" was released as the debut single from the band's sophomore 1979 album Cool for Cats . The single reached number 63 on the UK Singles Chart and would be outperformed commercially by subsequent singles on the album. The 3 different versions of the song are musically different sounding and have different intros. Also lyrics are different in the 3 versions. In the album version, the singer meets the girl in a "barroom", but in the U.K. and U.S. singles he meets her in a "poolroom". The location is altered in the 2nd verse from a "motel" in the album version and the U.S. single to a "hotel" in the U.K.single version. More significant changes are in the last verse of each version. The album version describes losing a "blue address book" and "the money in the fur coat". The U.K. single version replaces these items with a "silver razor" and "the money in the waistcoat". The U.S. single replaces these once again with a "silver bracelet" and "the money in the billfold". The locations of where the singer's wife has moved changes in each version as well. For the album version it is "My wife has moved to Guernsey" which was changed to Boston in the U.S. single to be more geographically recognizable to listeners, but oddly enough changed to "Jersey" for the U.K. single. [3] The song has since appeared on compilations such as Singles – 45's and Under .
In 2007, the reunited Squeeze recorded a new, guitar-heavy version of "Goodbye Girl" for an Under Armour television advertisement. [4]
Writer Anna Borg ranked the song fourth on her list of best Squeeze songs, writing, "Famous for confounding US audiences with odd slang like 'lino' for linoleum, 'Goodbye Girl' is classic Squeeze in that it tells a story with a rather dire ending for our romantic hero. Always a cad during the pick up, he rarely gets to keep the girl. In this case, he doesn't even get beyond a little kissing." [5]
Tarkio, featuring Colin Meloy of The Decemberists, recorded "Goodbye Girl" in 1998. It was released on the Kill Rock Stars record label in 2006. The Shins covered the song for Levi's Pioneer Sessions in 2010. [6]
Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.
Sweets from a Stranger is the fifth studio album by the British new wave group Squeeze, released April 30, 1982 through A&M. The album peaked at number 20 in the UK Albums Chart. The band split up soon after a world tour for the record, and the two main songwriters went on to record 1984's Difford & Tilbrook. Squeeze reunited and released Cosi Fan Tutti Frutti in 1985. As with all Squeeze albums, Chris Difford wrote the words first and Glenn Tilbrook would write the music afterwards often editing Difford's material to create a streamlined narrative. Tilbrook would record a demo afterwards and play it for Difford.
Squeeze is the debut studio album released by English group Squeeze. The album title was simply Squeeze in the United Kingdom, but in the United States, Canada, Australia and other countries the album, like the band, was marketed under the name U.K. Squeeze to avoid confusion with similarly-named American and Australian groups.
Glenn Martin Tilbrook is an English singer, songwriter and guitarist, best known as the lead singer and guitarist of the English new wave band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade's end. He generally writes the music for Squeeze's songs, while his writing partner, Chris Difford, writes the lyrics. In addition to his songwriting skills, Tilbrook is respected both as a singer and an accomplished guitarist.
Argybargy is the third studio album by the English new wave band Squeeze. Written and recorded after the band's successful sophomore release, Cool for Cats, the album's lyrics were written by Chris Difford while living with his wife in New York City. The band reunited with Cool for Cats producer John Wood and, after Glenn Tilbrook composed music for Difford's new lyrics, recorded the album in late 1979.
Cosi Fan Tutti Frutti is a 1985 album by the British new wave group Squeeze. It is the band's sixth album, and the first recorded since their breakup in 1982. It reunited songwriters Glenn Tilbrook and Chris Difford with drummer Gilson Lavis and keyboardist Jools Holland. Keith Wilkinson, who played bass on the 1984 Difford & Tilbrook album, joined Squeeze for the first time. He would stay with the band for over a decade, making him the longest-lasting bassist in Squeeze's history. Laurie Latham produced the album. The album peaked at number 31 on the UK Albums Chart.
Babylon and On is the seventh album released in September 1987 by the British new wave group Squeeze.
Some Fantastic Place is the tenth studio album by the British new wave group Squeeze, released in 1993 by A&M Records. Their first album since the departure of original Squeeze drummer Gilson Lavis, it features Pete Thomas and the brief return of keyboardist/vocalist Paul Carrack, who had previously appeared on East Side Story (1981). "Loving You Tonight" became only the second Squeeze song cut in thirteen years to feature Carrack singing a lead part. Additionally, bassist Keith Wilkinson wrote and sang "True Colours ", the first song on a Squeeze album not written by Glenn Tilbrook, Chris Difford, Jools Holland, or any combination of those three.
"Take Me I'm Yours" is the debut single by English new wave band Squeeze. It established the band's trademark vocal style, with Chris Difford singing an octave lower than Glenn Tilbrook.
"Cool for Cats" is a song by English rock band Squeeze, released as the second single from their album of the same name. The song features a rare lead vocal performance from cockney-accented Squeeze lyricist Chris Difford, one of the only two occasions he sang lead on a Squeeze single A-side. The song, slightly edited from the album track, peaked at No. 2 on the UK Singles Chart in 1979, making "Cool for Cats" one of the band's biggest hits.
"Up the Junction" was the third single released from Squeeze's second album, Cool for Cats. Sung by Glenn Tilbrook, it is one of the band's most popular and well-remembered songs, and reached number 2 on the UK Singles Chart, the same position as its predecessor, "Cool for Cats".
"Slap And Tickle" was the fourth and final single released from Squeeze's second album, Cool for Cats. Co-written by Chris Difford and Glenn Tilbrook, the song took influence lyrically from the crowd that the band had been associating with at the time. Its synth-heavy arrangement was inspired by Kraftwerk and Giorgio Moroder.
"Another Nail in My Heart" is a 1980 song by new wave band Squeeze. Written by Chris Difford and Glenn Tilbrook, it was released on the album Argybargy. Notable for Tilbrook's guitar solo right after the first verse, the song features marimba in its opening at the suggestion of newly acquired bassist John Bentley. Difford has expressed disappointment with his lyrics on the song, though he praised Tilbrook's solo.
"Tempted" is a song by the British rock band Squeeze. Written by the Squeeze songwriting team of Glenn Tilbrook and Chris Difford, the song features lyrics inspired by Difford's experiences on an American tour and an arrangement inspired by the Temptations. "Tempted" is one of a few Squeeze songs with Paul Carrack as lead vocalist, at the suggestion of producer Elvis Costello.
"Annie Get Your Gun" is a single released by Squeeze in 1982. It was not featured on any studio album, but has been included on a number of compilations, including Singles – 45's and Under. "Annie Get Your Gun" was the last single released by the band before they broke up, though they reunited in 1985.
"Last Time Forever" is the first single released from Squeeze's sixth album, Cosi Fan Tutti Frutti, and the band's first since 1982. The 12" version of the song, like the album version, contains brief samples from the film The Shining; the 7" version edits them out. The single reached number 45 on the UK Singles Chart.
"Bang Bang", a song by Squeeze, was the second single released from their debut album Squeeze.
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Spot the Difference is a 2010 album by the British new wave group Squeeze. It is the band's thirteenth studio album and consists entirely of new recordings of older Squeeze songs. The songs are arranged as similarly as possible to the original recordings, being done in such a way to invite the listener to 'spot the difference'.
"If I Didn't Love You" is the ninth track from Squeeze's album Argybargy. The song, written by Glenn Tilbrook and Chris Difford, features lyrics about the early stages of a relationship and the insecurity that comes with it. The song has vocals and a slide guitar solo by Tilbrook.