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In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives.
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. Its lengthy grinding and washing process makes the natural pigment quite valuable—roughly ten times more expensive than the stone it comes from and as expensive as gold.
Bridget Louise Riley is an English painter known for her op art paintings. She lives and works in London, Cornwall and the Vaucluse in France.
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print:
In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
Yves Klein was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art. He is known for the development and use of International Klein Blue.
Monochromatic painting has played a significant role in modern and contemporary Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in value, diversity of texture, and formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for conceptual works. Ranging from geometric abstraction in a variety of mediums to non-representational gestural painting, monochromatic works continue to be an important influence in contemporary art.
Events from the year 1962 in art.
Piero Manzoni di Chiosca e Poggiolo, better known as Piero Manzoni was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work anticipated, and directly influenced, the work of a generation of younger Italian artists brought together by the critic Germano Celant in the first Arte Povera exhibition held in Genoa, 1967. Manzoni is most famous for a series of artworks that call into question the nature of the art object, directly prefiguring Conceptual Art. His work eschews normal artist's materials, instead using everything from rabbit fur to human excrement in order to "tap mythological sources and to realize authentic and universal values".
International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well as Klein's often thick and textured application of paint to canvas.
The Iris Clert Gallery was an art gallery named after its Greek owner and curator, Iris Clert. The single-room gallery The Iris Clert Gallery was an art gallery named after its Greek owner and curator, Iris Clert. The single-room gallery was located on 3 rue des Beaux-Arts in Paris, France. It was open from 1955 to 1976 and during that time housed artworks from many successful and influential artists of the time, including Yves Klein, Jean Tinguely, Arman, Takis and René Laubies.was located on 3 rue des Beaux-Arts in Paris, France. It was open from 1955 to 1976 and during that time housed artworks from many successful and influential artists of the time, including Yves Klein, Jean Tinguely, Arman, Takis and René Laubies.
Sir Richard Sheridan Patrick Michael Aloysius Franklin Bowling(né Richard Sheridan Franklin Bowling; born 26 February 1934), known as Frank Bowling, is a British artist who was born in British Guiana. He is particularly renowned for his large-scale, abstract "Map" paintings, which relate to abstract expressionism, colour field painting and lyrical abstraction. Bowling has been described as "one of Britain’s greatest living abstract painters", as "one of the most distinguished black artists to emerge from post-war British art schools" and as a "modern master". British cultural critic and theorist Stuart Hall situates Bowling’s career within a first generation, or “wave” of post-war, Black-British art, one characterised by postwar politics and British decolonisation. He is the first black artist to be elected a member of the Royal Academy of Arts.
Yves Peintures is an artist's book by the French artist Yves Klein, originally published in Madrid, on 18 November 1954. This publication was Klein's first public gesture as an artist, featuring pages of 'commercially printed papers' that were seemingly reproductions of paintings that, in fact, didn't exist. Using a practice started by Marcel Duchamp, this use of readymade objects to represent nothing but themselves has been referred to as an early example of Postmodernism, using a series of carefully executed strategies to undermine its own authority, and as a precursor to conceptual art. 'The simplicity of his readymades is at once sublime and mischievous.'
"The booklet asserts its character straightaway in the preface: a wordless text of unbroken horizontal lines with the same two paragraph indentations on each page.... a homogenous continuum with no real beginning, middle, or end, and no content - at least insofar as there are no descriptions, analyses, or personalized utterances. The colour plates are similarly presented as anonymous entities, each a flat spatial field of an uninflected hue: turquoise, brown, purple, green, pink, gray, yellow, ultramarine, mint, orange, or red. Here, too, there is no attempt to represent or symbolize anything....
The booklet thus offers an utterly pared down presentation. Unlike most art books, it provides no reverential prose about the artist or the art, and no embellishing descriptions meant to convey meaning or context. Instead the booklet itself is made into a work of art that shares the same spirit of nothingness exemplified by the monochrome paintings that it features." Sidra Stich
Dimanche (Sunday), also known as Dimanche - Le Journal d'un Seul Jour is an artist's book by the French artist Yves Klein. Taking the form of a 4-page Sunday broadsheet, the piece was published on Sunday 27 November 1960 and sold on newsstands throughout Paris for one day only, as well as being handed out at a press conference held by Klein at the Galerie Rive Droite at 11.00am on the same day.
Zone de Sensibilité Picturale Immatérielle is an artist's book and performance by the French artist Yves Klein. The work involved the sale of documentation of ownership of empty space, taking the form of a receipt, in exchange for gold; if the buyer wished, the piece could then be completed in an elaborate ritual in which the buyer would burn the receipt, and Klein would throw half of the gold into the Seine. The ritual would be performed in the presence of an art critic or distinguished dealer, an art museum director and at least two witnesses.
Victor Arthur James Willing was a British painter, noted for his original nude studies. He was a friend and colleague of many notable artists, including Elisabeth Frink, Michael Andrews and Francis Bacon. He was married to Portuguese feminist artist Paula Rego.
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices.
Yves Gaucher, was an abstract painter and printmaker. He is considered a leader amongst Quebec's printmakers in the 1950s and 60s. His work has been included in the collections of public galleries such as the National Gallery of Canada in Ottawa, the Museum of Modern Art in New York City, and the Victoria and Albert Museum in London.
Marie Raymond (1908–1988) was an abstract painter from the Tachisme movement in the 50s. Raymond was one of the most successful painters of the post-war abstract movement in Paris. Raymond's success story remains unknown as she was eclipsed by her son's success. Although many female artists were known for being put in their husband's shadows, few were put in their son's shadows. Her son, Yves Klein, today remains one of the most prominent figures of the nouveau réalisme movement. However, in the 50s, one was more likely to fall upon a painting by Raymond than her son. Raymond would go on to become a prominent social figure in the Parisian post-war movement until the death of Yves Klein which had a profound impact on her life and art.
Rotraut Klein-Moquay, known by the mononym Rotraut, is a German-French visual artist. She is the widow of French artist Yves Klein.
Hiroshima, also known as ANT 79, is a painting by the French painter Yves Klein, created in 1961. Through the use of both anthropometry and monochromy, the work pays tribute to the victims of Hiroshima, affected by the atomic bomb dropped on August 6, 1945, by the United States. The painting refers to the imprints of the burned bodies on the walls of the city. It is held in the Menil Collection, in Houston.
References
- 1 2 3 4 IKB 79, Tate
- ↑ True Blue? Ask Yves Klein!, Beyond the Palette
- ↑ Sandra Stich, Yves Klein, exhibition catalogue, Hayward Gallery, London 1995
- ↑ Yves Klein, 1928-1962: Selected Writings, Tate Gallery, London 1974
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