ITC Zapf Chancery

Last updated
ITC Zapf Chancery
Pangramm de Zapf Chancery.png
Category Script
Designer(s) Hermann Zapf
Foundry ITC

ITC Zapf Chancery is a family of script typefaces designed by the type designer Hermann Zapf and marketed by the International Typeface Corporation. It is one of the three typefaces designed by Zapf that are shipped with computers running Apple's Mac OS. [1] It is also one of the core PostScript fonts. [2]

Contents

History

Zapf Chancery was announced in 1979 in six styles from light to bold, the demibold and bold styles being released without italics. It was named after the English name for a Renaissance handwriting style later adapted as an inspiration for early printing. [3] [4]

Variants and similar typefaces

Like many typefaces of the period, imitations of Zapf Chancery were created for specific uses and by competing companies.

URW Chancery L by URW (Unternehmensberatung Rubow Weber—from the founders' names [5] now retitled URW++) provides a GPL-ed clone of the font. An extended version TeX Gyre Chorus is another similar typeface based on the URW Chancery L font. This typeface is released in formats compatible with LaTeX as well as with modern OpenType compatible systems.

Monotype Corsiva
MonotypeCorsivaSpec.svg
Category Script
Designer(s) Patricia Saunders
Foundry Monotype

A popular lookalike design has been Monotype Corsiva, by Patricia Saunders at the Monotype Corporation. Monotype at the time created or licensed many lookalike typefaces for Microsoft software with identical metrics to popular fonts, including Century Gothic, Arial and Book Antiqua, also a Zapf knockoff. Zapf resigned from ATypI (Association Typographique Internationale) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members, specifically Monotype. [6] [7] [8] However, a court case concluded that Corsiva was sufficiently separate as a design to avoid payment of damages, noting that while the fonts were "similar", "the typeface is based upon 15th and 16th Century calligraphic designs from Rome and Venice. In fact, Ms. Saunders' research and work done on creating Corsiva was televised on the BBC program, Landmarks." [9]

See also

Related Research Articles

<span class="mw-page-title-main">Palatino</span> Serif typeface

Palatino is the name of an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company.

<span class="mw-page-title-main">Optima</span> 1958 typeface by Hermann Zapf

Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany in 1958.

<span class="mw-page-title-main">Hermann Zapf</span> German type designer and calligrapher (1918–2015)

Hermann Zapf was a German type designer and calligrapher who lived in Darmstadt, Germany. He was married to the calligrapher and typeface designer Gudrun Zapf-von Hesse. Typefaces he designed include Palatino, Optima, and Zapfino. He is considered one of the greatest type designers of all time.

<span class="mw-page-title-main">Ghostscript</span> Interpreter for the PostScript language

Ghostscript is a suite of software based on an interpreter for Adobe Systems' PostScript and Portable Document Format (PDF) page description languages. Its main purposes are the rasterization or rendering of such page description language files, for the display or printing of document pages, and the conversion between PostScript and PDF files.

<span class="mw-page-title-main">Helvetica</span> Neo-grotesque sans-serif typeface

Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.

<span class="mw-page-title-main">Arial</span> Neo-grotesque sans-serif typeface

Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows from Windows 3.1 on, some other Microsoft software applications, Apple's macOS and many PostScript 3 computer printers. The typeface was designed in 1982, by Robin Nicholas and Patricia Saunders, for Monotype Typography. Each of its characters has the same width as that character in the popular typeface Helvetica; the purpose of this design is to allow a document designed in Helvetica to be displayed and printed with the intended line-breaks and page-breaks without a Helvetica license. Because of their almost identical appearances, both Arial and Helvetica have commonly been mistaken for each other.

In digital typography, the TrueType font Arial Unicode MS is an extended version of the font Arial. Compared to Arial, it includes higher line height, omits kerning pairs and adds enough glyphs to cover a large subset of Unicode 2.1—thus supporting most Microsoft code pages, but also requiring much more storage space. It also adds Ideographic layout tables, but unlike Arial, it mandates no smoothing in the 14–18 point range, and contains Roman (upright) glyphs only; there is no oblique (italic) version. Arial Unicode MS was previously distributed with Microsoft Office, but this ended in 2016 version. It is bundled with Mac OS X v10.5 and later. It may also be purchased separately from Ascender Corporation, who licenses the font from Microsoft.

<span class="mw-page-title-main">Monotype Imaging</span> American typesetting and typeface design company

Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Incorporated in Delaware and headquartered in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hotmetal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, Arial, Bembo and Albertus.

<span class="mw-page-title-main">Franklin Gothic</span> Family of sans-serif fonts

Franklin Gothic and its related faces are a large family of sans-serif typefaces in the industrial or grotesque style developed in the early years of the 20th century by the type foundry American Type Founders (ATF) and credited to its head designer Morris Fuller Benton. “Gothic” was a contemporary term meaning sans-serif.

<span class="mw-page-title-main">Kris Holmes</span>

Kris Holmes is an American typeface designer, calligrapher, type design educator and animator. She, with Charles Bigelow, is the co-creator of the Lucida and Wingdings font families, among many other typeface designs. She is President of Bigelow & Holmes Inc., a typeface design studio.

<span class="mw-page-title-main">Century Gothic</span> Sans-serif font family

Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1991. It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic. It is an exclusively digital typeface that has never been manufactured as metal type.

<span class="mw-page-title-main">Zapf Dingbats</span> Dingbat typeface

ITC Zapf Dingbats is one of the more common dingbat typefaces. It was designed by the typographer Hermann Zapf in 1978 and licensed by International Typeface Corporation.

<span class="mw-page-title-main">Bookman (typeface)</span> 1869 serif typeface

Bookman or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of the 1960s and 1970s, when revivals of it were very popular. It is also used as the official font of Indonesian laws since 2011.

<span class="mw-page-title-main">Swash (typography)</span> Typographical flourish found on some letterforms, particularly in italics

A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's La Operina, which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France.

The International Typeface Corporation (ITC) was a type manufacturer founded in New York in 1970 by Aaron Burns, Herb Lubalin and Edward Rondthaler. The company was one of the world's first type foundries to have no history in the production of metal type. It is now a wholly owned brand or subsidiary of Monotype Imaging.

<span class="mw-page-title-main">Bauhaus (typeface)</span> Sans-serif geometric typeface

The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall.

<span class="mw-page-title-main">Century type family</span> Typeface

Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman, cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in The Century Magazine. ATF rapidly expanded it into a very large family, first by Linn Boyd, and later by his son Morris.

<span class="mw-page-title-main">Peter Karow</span> German entrepreneur

Peter Karow is a German entrepreneur, inventor and software developer. He holds several patents in the field of desktop publishing and is known for his work on computer fonts. He contributed with several books and patents to the development of operating systems for computers. He is recognized as the inventor of outline computer fonts.

<span class="mw-page-title-main">Freestyle Script</span> Typeface

Freestyle Script is an informal display script typeface that was designed by Colin Brignall in 1969 and Martin Wait in 1981, by Letraset. Freestyle Script is famously used for commercials in 1980s, birthday cards, decorative, logos and many others. The bold version was designed in 1986. The publishers of this font are Adobe, ITC, Monotype Imaging, Elsner+Flake, Esselte Corporation, Scangraphic Type, Linotype, Image Club, and Letraset. This font has few versions, namely Regular, Bold, LT, Plain, LET, EF, SB, SH, SH Reg Alt, and SB Reg Alt. Freestyle Script font supports up to 78 different languages for cursive (plain) and 33 different languages for other styles. The Cyrillic version of Freestyle Script was created in 1993, consisting of the glyphs in Latin supplement. The font has been included in MyFonts since 2000.

References

  1. Kathleen Carroll (February 4, 2001). "RESPONSIBLE PARTY/HERMANN ZAPF; Written on Wall (And in Windows)". New York Times.
  2. http://www.adobe.com/products/postscript/pdfs/ps3fonts.pdf [ bare URL PDF ]
  3. "ITC Zapf Chancery". Linotype. Retrieved 28 September 2014.
  4. Strizver, Ilene. "The Story of Zapf Chancery". fonts.com. Retrieved 28 September 2014.
  5. MyFonts.com - URW Archived 2002-12-22 at the Wayback Machine
  6. Simonson, Mark. "Monotype's Other Arials". marksimonson.com. Retrieved 21 August 2014.
  7. Simonson, Mark. "The Scourge of Arial". marksimonson.com. Retrieved 21 August 2014.
  8. "Monotype Corsiva". Microsoft.
  9. "Monotype v. ITC". Open Jurist. F3d (43): 443. 4 October 1994.