"I Didn't Raise My Boy to Be a Soldier" is an American anti-war song that was influential within the pacifist movement that existed in the United States before it entered World War I. [1] [2] It is one of the first anti-war songs. [3] Lyricist Alfred Bryan collaborated with composer Al Piantadosi in writing the song, [4] which inspired a sequel, some imitations, but also a number of scornful parodies. It was recorded by The Peerless Quartet in December 1914 and was a hit in 1915, selling 650,000 copies. Its expression of popular pacifist sentiment "helped make the pacifist movement a hard, quantifiable political reality to be reckoned with." [5]
The song gives the lament of a lonely mother whose son has been lost in the war:
I didn't raise my boy to be a soldier,
I brought him up to be my pride and joy [6]
She comments on the irony of war being between different mothers' sons, killing each other with muskets. Conflict between nations should be resolved by arbitration, not by the sword and the gun. Victory is not enough to console a mother for the loss of her son, and the blighting of her home. War would end if all mothers said they would not raise their sons as soldiers. The song thus apparently connects the suffragist and pacificist movements. [1] [2]
The somber nature of the lyrics also reflected the neutrality mentality that was common in the United States in early 1915. [7]
"I Didn't Raise My Boy to Be a Soldier" helped solidify the anti-war movement enough to make it politically relevant on the national stage. [1] The song was in the top 20 charts from January to July 1915 and reached number 1 in March and April. [8] The song's success and its resulting political strength brought supporters to the pacifist movement whose main priority was other issues. [1] Unreconstructed Southerners appealed to popular distaste for the war in Europe in order to argue that the Civil War had been no more justified, and suffragists joined the peace movement because of its political potential and leverage in the campaign for women's right to vote. [1] As with the later 1930s hit "God's Country", it shows that American popular music "generally reflects the isolationist tendencies of the public" and that pro-war songwriters were rarely successful. [9]
"I Didn't Raise My Boy to Be a Soldier" was praised especially by anti-Britain groups in the United States – Irish, German, and Church ministers of many denominations. [3] The song became known in a number of countries which were already at war – in Britain and in Australia notably.
In 1968 the Eli Radish Band recorded an updated Outlaw Country Rock version of the song to protest the Vietnam War. Their Capitol Records album bore the same title. Hamish Imlach released a version of the song on his 1987 album Sonny's Dream . The lyrics were altered for context, including reference to the British Empire. [10]
At the time, prominent politicians attacked the song both for its pacifism and early feminism. Theodore Roosevelt remarked that "foolish people who applaud a song entitled 'I Didn't Raise My Boy to Be a Soldier' are just the people who would also in their hearts applaud a song entitled 'I Didn't Raise My Girl to Be a Mother'". [11]
Harry Truman, then a captain in the National Guard, hated the song. He suggested that the place for women who opposed the war was in a harem, not in the United States. [3]
Many parodies of the song were produced, such as "I Did Not Raise My Boy to Be a Coward" and "I Didn't Raise My Boy to Be a Soldier, but I'll Send My Girl to Be a Nurse." [1] [2] Parody poems and other responses were produced such as "They Didn't Raise Their Son to Be a Soldier", "I Didn't Raise My Dog to Be a Sausage", and "I Didn't Raise My Ford to Be a Jitney." [1] [7] According to Groucho Marx, a popular joke of the period concerned a poker game in which a cardplaying mother states "I didn't raise my boy, he had the joker".
Lyrics per original sheet music
Verse 1
Ten million soldiers to the war have gone,
Who may never return again.
Ten million mothers' hearts must break
For the ones who died in vain.
Head bowed down in sorrow
In her lonely years,
I heard a mother murmur thru' her tears:
Chorus
I didn't raise my boy to be a soldier,
I brought him up to be my pride and joy.
Who dares to place a musket on his shoulder,
To shoot some other mother's darling boy?
Let nations arbitrate their future troubles,
It's time to lay the sword and gun away.
There'd be no war today,
If mothers all would say,
"I didn't raise my boy to be a soldier."
Verse 2
What victory can cheer a mother's heart,
When she looks at her blighted home?
What victory can bring her back
All she cared to call her own?
Let each mother answer
In the years to be,
Remember that my boy belongs to me!
Repeat Chorus 2x
Alfred Bryan was a Canadian lyricist.
"I've Got My Captain Working for Me Now" is a popular song written in 1919 by Irving Berlin. It was published by Music Publishers Inc. in New York, New York.
Al Piantadosi was an American composer of popular music during the heyday of Tin Pan Alley. He started out as a saloon and vaudeville pianist and rapidly flourished as a songwriter. For about ten years he was an independent music publisher.
Dear Old Pal of Mine is a World War I song written by Harold Robe and Gitz Rice. The song was first published in 1916 by G. Ricordi & Co. in New York, NY.
General Pershing: is a march composed in 1918 by Carl D. Vandersloot and published by Vandersloot Music Publishing Company.
"Oh! Frenchy" is a World War I song written by Sam Ehrlich and composed by Con Conrad. It was published in New York, New York by Broadway Music corporation in 1918. The song was in the top 20 charts from September 1918 to March 1919 and was number 2 in October, December, and February. The sheet music cover features a soldier pictured in uniform with a woman in his heart.
"Lafayette " is a World War I song written and composed by Mary Earl, which was a pseudonym of Robert A. King. It was published in New York, New York by Shapiro, Bernstein, & Co. in 1918. The sheet music cover, illustrated by Albert Barbelle, depicts soldiers marching with fixed bayonets below a statue of Lafayette in silhouette.
Don't Cry Frenchy, Don't Cry is a 1919 song written during World War I. The lyrics were written by Sam M. Lewis and Joe Young, and the music was written by Walter Donaldson.The song was published by Waterson, Berlin & Snyder Company in New York City.
"I'll See You Later Yankeeland" is a World War I song written and composed by Charles K. Harris. The song was self-published in 1917 by Charles K. Harris in New York, NY. The sheet music cover features a photo of soldiers waving from the deck of a ship.
"Giddy Giddap! Go On! Go On! We're On Our Way to War" is a World War I song written and composed by Jack Frost. This song was published in 1917 by Frank K. Root & Co., in Chicago, Illinois. The sheet music cover depicts a mule pulling four soldiers in a wagon.
"Keep Your Head Down, Fritzie Boy" is a World War I song written and composed by Gitz Rice. This song was published in 1918 by Leo. Feist, Inc., in New York, NY. The cover features a photo of Gitz Rice and reads "inspired by a brave Tommy and written at the Battle of Ypres, 1915."
Salvation Lassie Of Mine is a World War I song written by Jack Caddigan and Chick Story. The song was first published in 1919 by Leo Feist, Inc. in New York, NY. The sheet music cover features a photo of a Salvation Army nurse with soldiers entering a Salvation Army hut. This song was in the top 20 charts in March and April 1919, reaching number 18 in April.
Send Me Away With A Smile is a World War I song written by Louis Weslyn and composed by Al Piantadosi. The song was first published in 1917 by Al. Piantadosi & Co., Inc. in New York, NY. The sheet music cover depicts a woman waving to a soldier from a fenced yard with an inset photo of Rita Gould.
We'll Carry The Star Spangled Banner Thru The Trenches is a World War I song written by Daisy May Pratt Erd. The song was first published in 1917 by Lang & Mendelsohn in Boston MA. The sheet music cover depicts soldiers advancing over barbed wire with a flag waving.
We'll Never Let Our Old Flag Fall is a World War I song written by Albert E. MacNutt and composed by M. F. Kelly. The song was first published in 1915 by Chappell & Co., in New York, NY. The sheet music cover was illustrated by Starmer and features words with an eagle on a shield.
The Battle Song of Liberty is a World War I song written by Jack Yellen and composed by George L. Cobb, adapted from "Our Director" by F.E. Bigelow. The song was first published in 1917 by Walter Jacobs, in Boston, Massachusetts. The sheet music cover features the Statue of Liberty amid a sea battle with planes and marching soldiers in the background. It is dedicated to the US Army and Navy.
The Finest Flag That Flies is a World War I song written by Joseph H. Hughes and composed by Harry Richardson. The song was self-published in 1914 by Joseph H. Hughes in Saginaw, MI.
"The Russians Were Rushin', the Yanks Started Yankin'" is a World War I song written by Carey Morgan and composed by Charles R. McCarron. The song was first published in 1918 by Broadway Music Corporation in New York City. The sheet music cover depicts an elderly man smoking a pipe with silhouetted soldiers across the top and bottom.
We'll Knock The Heligo—Into Heligo—Out Of Heligoland! is a World War I song written by John J. O'Brian and composed by Theodore Morse. The song was first published in 1917 by Leo Feist Inc., in New York, NY. The sheet music cover depicts a terrified Kaiser standing on a cliff with a city below and United States soldiers rushing toward him.
When the Flowers Bloom On No-Man's Land is a World War I song written by Howard E. Rogers and composed by Archie Gottler. The song was first published in 1918 by Kalmar, Puck, & Abrahams Music Co., in New York, NY. The sheet music cover depicts soldiers marching with an inset photo of Fred Weber. The sheet music was later reprinted with an inset photo of Dorothy Jarrett.