I Don't Want to Sleep Alone

Last updated

I Don't Want to Sleep Alone
I Don't Want to Sleep Alone poster.jpg
The Taiwanese theatrical release poster
Chinese 黑眼圈
Literal meaning black eye circles
Hanyu Pinyin Hēiyǎnquān
Directed by Tsai Ming-liang
Written by Tsai Ming-liang
Produced byBruno Pésery
Vincent Wang
Starring Lee Kang-sheng
Norman Atun
Chen Shiang-chyi
Pearlly Chua
CinematographyLiao Pen-jung
Tsai Ming-liang
Edited byChen Sheng-chang
Distributed by Axiom Films (UK and Ireland)
Fortissimo Films
Strand Releasing
Release dates
  • 4 September 2006 (2006-09-04)(Venice Film Festival)
  • 23 March 2007 (2007-03-23)(Taiwan)
  • 17 May 2007 (2007-05-17)(Malaysia)
Running time
115 minutes
CountriesMalaysia
Taiwan
LanguagesTaiwanese Hokkien
Cantonese
Malay
Mandarin
Bengali

I Don't Want to Sleep Alone is a 2006 Malaysian-Taiwanese romantic drama film written and directed by Tsai Ming-liang. Lee Kang-sheng stars in a dual role as a brain-dead patient and as an injured homeless man. The film also stars Norman Atun and Chen Shiang-chyi.

Contents

Plot

The film tells two parallel stories. A brain-dead man, or Paralyzed Guy (as identified in the credits; played by Lee) is abused by his mother and cared for by his family's maid (Chen). [1] Meanwhile, a homeless day laborer, or Homeless Guy (as identified in the credits; also played by Lee) is severely beaten by a mob before being carried home on a mattress around the streets in Kuala Lumpur by a group of men, including Rawang (Atun), a Bangladeshi migrant worker.

Rawang slowly nurses Homeless Guy back to health. We follow the routine of their everyday life: Rawang cares for him, cleans him, and sleeps next to him. [2] They share the newly salvaged mattress together in their makeshift home in an abandoned, flooded construction site. Rawang himself begins to fall in love with Homeless Guy and is thwarted in his attempts to show his affections by a heavy, choking smog that has affected Kuala Lumpur. [3]

The movie switches scenes to show us Paralyzed Guy, who is immobile from the neck down and is cared for by a family maid. Like Rawang, the family maid is tasked to attend to Paralyzed Guy's daily needs. [4] At the same time, strangers began entering the house and it is slowly revealed that the house is being put on sale. [4]

Upon Homeless Guy's recovery, he begins sneaking out at night where he has sexual encounters with an older woman and the family maid, for whom he is developing feelings. Rawang is seemingly oblivious to his relationship, or even if he is aware, has chosen not to interfere with Homeless Guy's romantic attractions. [5]

However, when Homeless Guy decides to move in with the family maid, taking along the mattress that he shares with Rawang, Rawang spirals into a jealous rage. He threatens Homeless Guy with a sharp tin can lid on his throat. The camera itself breaks away from habit. At this point, it ceases to be a distanced observer and instead, focuses on Rawang's and Homeless Guy's faces, displaying anger and guilt. [3] Rawang is ultimately unsuccessful with his vengeance, to which Homeless Guy responds by wiping away Rawang's tears.

The film ends with a "dream" shot where the three lovers, the family maid, Homeless Guy and Rawang, share the same mattress and they descend down the screen. Homeless Guy embraces them both as the mattress floats across the surface of the water. [2]

Cast

Release

I Don't Want to Sleep Alone was among several films commissioned by Peter Sellars' New Crowned Hope Festival in Vienna in 2006, to commemorate the 250th anniversary of the birth of Wolfgang Amadeus Mozart.

The film had its world premiere on 4 September 2006 at the 64th Venice International Film Festival. It made its North American premiere on 11 September at the 2006 Toronto International Film Festival. It was also screened at the Vancouver International Film Festival, the Pusan International Film Festival, the London Film Festival, the Festival of Three Continents, the London Lesbian and Gay Film Festival, the Deauville Asian Film Festival, and the Hong Kong International Film Festival.

It opened in general release in Taiwan on 23 March 2007, and after a censorship controversy in Malaysia, a version specially edited by director Tsai Ming-liang opened in Malaysian cinemas on 17 May 2007. The film had a limited release in New York City on 9 May 2007, and was released in the United Kingdom on 16 November 2007.

Reception

On review aggregator website Rotten Tomatoes, I Don't Want to Sleep Alone has an approval rating of 87% based on 39 reviews, with an average rating of 7.1/10. The website's critical consensus reads, "With little dialogue, Tsai Ming-liang takes the viewer through a powerful journey of loneliness and longing". [6] On Metacritic, the film has a weighted average score of 78 out of 100, based on 6 critics, indicating "generally favorable". [7]

A. O. Scott of The New York Times praises Tsai's direction, in particular, his choice of silence and camera movement (or lack of). He writes, "Tsai's meticulously composed fables of longing and disconnection are lurid and comical as well as poignant", and calls Tsai a "reigning genius of camera placement" in his ability to introduce a dreamlike quality to everyday routine. [8] The Guardian's Peter Bradshaw gave the film 3/5 stars, tracing the film's inception as nurtured specifically for the purpose of the film festival circuit, but failed to be as compelling, and "tend dangerously towards self-parody". [9] Writing for The New Yorker , Richard Brody praises Tsai's capacity to show empathy for his characters: "this record of grinding frustration and fleeting tenderness, composed mainly of static long takes, plays out in a deadened, polyglot, pan-urban landscape of globalization's unfulfilled promise—instead of a world brought together". [10]

Censorship in Malaysia

The Malaysian Censorship Board on 4 March 2007 decided to ban this film, which was shot in Malaysia, based on 18 incidences shown in the film depicting the country "in a bad light" for cultural, ethical and racial reasons. However, they later allowed the film to be screened in the country after Tsai agreed to censor parts of the film according to the requirements of the Censorship Board. [11]

Related Research Articles

<span class="mw-page-title-main">Tsai Ming-liang</span> Malaysian-Taiwanese filmmaker (born 1957)

Tsai Ming-liang is a Malaysian filmmaker based in Taiwan. Tsai has written and directed 11 feature films, many short films, and television films. He is one of the most celebrated "Second New Wave" film directors of Taiwanese cinema. His films have been acclaimed worldwide and have won numerous awards at festivals. In 1994, Tsai won the Golden Lion at the 51st Venice International Film Festival for the film Vive L'Amour.

<span class="mw-page-title-main">Cinema of Singapore</span>

Despite having a flourishing Chinese and Malay film industry in the 1950s and 1960s, Singapore's film industry declined after independence in 1965. Film production increased in the 1990s, which saw the first locally produced feature-length films. There were a few films that featured Singaporean actors and were set in Singapore, including Saint Jack, They Call Her Cleopatra Wong and Crazy Rich Asians.

<i>Goodbye, Dragon Inn</i> 2003 film

Goodbye, Dragon Inn is a 2003 Taiwanese comedy-drama slow cinema film written and directed by Tsai Ming-liang about a movie theater about to close down and its final screening of the 1967 wuxia film Dragon Inn.

<i>Vive lamour</i> 1994 Taiwanese film

Vive l'amour is a 1994 Taiwanese New Wave film directed by Tsai Ming-liang. Starring Lee Kang-sheng, Yang Kuei-mei and Chen Chao-jung.

<i>The Wayward Cloud</i> 2005 film by Tsai Ming-liang

The Wayward Cloud is a 2005 Taiwanese film directed by Tsai Ming-liang and starring Lee Kang-sheng and Chen Shiang-chyi.

<i>The Hole</i> (1998 film) 1998 Taiwanese film

The Hole, also known as The Last Dance, is a 1998 Taiwanese drama-musical film directed by Tsai Ming-liang. It stars Yang Kuei-mei and Lee Kang-sheng.

<i>What Time Is It There?</i> 2001 film

What Time Is It There? is a 2001 Taiwanese film directed by Tsai Ming-liang. It stars Lee Kang-sheng, Chen Shiang-chyi, and Lu Yi-ching.

The Cinemanila International Film Festival is an annual film festival held in Manila, Philippines. It was founded by Filipino filmmaker Amable "Tikoy" Aguiluz in 1999. The focus of the festival is on the cinema of the Philippines as well as Southeast Asian cinema.

<span class="mw-page-title-main">Lee Kang-sheng</span> Taiwanese actor, film director and screenwriter

Lee Kang-sheng is a Taiwanese actor, film director and screenwriter. He has appeared in all of Tsai Ming-liang's feature films. Lee's directorial efforts include The Missing in 2003 and Help Me Eros in 2007.

<span class="mw-page-title-main">Chen Shiang-chyi</span> Taiwanese actress

Chen Shiang-chyi is a Taiwanese actress. She has appeared in most of Tsai Ming-liang's feature films.

The 1st Asian Film Awards were given on 20 March 2007 at the Hong Kong Convention and Exhibition Centre, on the opening night of the 31st Hong Kong International Film Festival.

<i>Opera Jawa</i> 2007 film

Opera Jawa is a 2006 Indonesian-Austrian musical film directed by Garin Nugroho that features traditional Javanese classical music and dance in a setting of opera that is inspired by the "Abduction of Sita" episode from the Ramayana.

<i>Help Me Eros</i> 2007 Taiwanese film

Help Me, Eros is the second film from director Lee Kang-sheng, following his directorial debut in 2003, The Missing.

<i>The River</i> (1997 film) 1997 film by Tsai Ming-liang

The River is a 1997 Taiwanese film directed by Tsai Ming-liang and starring Lee Kang-sheng, Miao Tien, and Lu Yi-ching. The plot centers on a family who has to deal with the son's neck pain. In 2003, a critic called it Tsai's "bleakest film."

The Skywalk is Gone is a 2002 Taiwanese short film directed by Tsai Ming-liang and starring Chen Shiang-chyi and Lee Kang-sheng.

<i>Face</i> (2009 film) 2009 Taiwanese film

Face is a 2009 Taiwanese-French film written and directed by Tsai Ming-liang.

Norman Atun is a film actor from Kuala Lumpur, Malaysia.

Film censorship in Malaysia is pervasive since its conception under British rule under the 1908 Theatre Ordinance enacted by the Straits Settlements colonial government starting 1912. Even with the succesive independence of these colonies, the Film Censorship Board of Malaysia is the government ministry that which dictates whether, when, and how a film gets released in the country. It is under the control of the Ministry of Home Affairs. The government censors film content for mainly homosexual, political and religious reasons.

<i>Stray Dogs</i> (2013 film) 2013 Taiwanese film

Stray Dogs is a 2013 drama film written and directed by Tsai Ming-liang. The Chinese title of the film is Jiaoyou, which means "Excursion." An international co-production of Taiwan and France, the film stars Lee Kang-sheng.

<i>Days</i> (2020 film) 2020 film

Days is a 2020 Taiwanese drama film directed by Tsai Ming-liang. Typical of slow cinema and many Tsai films, Days is minimalist, slowly paced, and features little dialogue, without subtitles. Lee Kang-sheng plays Kang, and Non is portrayed by Anong Houngheuangsy, a Laotian immigrant to Thailand in his first film role.

References

  1. "I Don't Want to Sleep Alone: Kuala Lumpur Is Flooded With Longing". Seattle Weekly. 24 July 2007. Retrieved 16 November 2018.
  2. 1 2 Bíró, Yvette (June 2008). "Tender is the Regard:I Don't Want to Sleep Alone and Still Life". Film Quarterly. Vol. 61, no. 4. pp. 34–40. doi:10.1525/fq.2008.61.4.34. ISSN   0015-1386.
  3. 1 2 Wood, Robin (May 2007). "Sleep therapy: Robin Wood on Tsai Ming-liang's I Don't Want to Sleep Alone". Artforum International. Vol. 45, no. 9. pp. 69+.
  4. 1 2 "I don't want to sleep alone – Tsai Ming-liang (2006)". The Art(s) of Slow Cinema. 25 June 2018. Retrieved 17 November 2018.
  5. Wood, Robin (Winter 2008). "On and around I don't want to sleep alone; Tsai goes back to his roots, and forges ahead ...". CineAction. Vol. 75. pp. 47+.
  6. "I Don't Want to Sleep Alone (2007)", Rotten Tomatoes, retrieved 17 November 2018
  7. "I Don't Want to Sleep Alone", Metacritic, retrieved 17 November 2018
  8. "I Don't Want to Sleep Alone - Film - Review". New York Times. Retrieved 17 November 2018.
  9. Bradshaw, Peter (16 November 2007). "I Don't Want to Sleep Alone". the Guardian. Retrieved 17 November 2018.
  10. "I Don't Want to Sleep Alone". The New Yorker. Retrieved 17 November 2018.
  11. "Cutting for change". TheStar Online. 14 May 2007. Archived from the original on 30 September 2007. Retrieved 15 November 2007.