"I Like 'Em Big and Stupid" | ||||
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Single by Julie Brown | ||||
Released | November 9, 1983 | |||
Recorded | 1983 | |||
Genre | pop and comedy | |||
Label | Bulletz Records | |||
Songwriter(s) | Julie Brown, Charles Coffey, Terrence McNally | |||
Producer(s) | Julie Brown | |||
Julie Brown singles chronology | ||||
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"I Like 'Em Big and Stupid" was the debut single by comedian and singer Julie Brown. It was self-released by Brown in 1983 in 12-inch and 7-inch vinyl record formats. The song is a 1980s-style pop song with comedic lyrics about the protagonist's desire for a handsome, hunky muscle-stud who is not very bright (or as she sings, "Superman with a lobotomy"). The 12-inch version contained an extended dance mix and the B-side on all releases, "The Homecoming Queen's Got a Gun", was played on The Dr. Demento Show, and received airplay on Top 40 and Modern Rock stations around the US in 1984. [1] Both songs appeared that year on Brown's next release, Goddess in Progress .
Brown re-recorded the song for her 1987 album Trapped in the Body of a White Girl , [2] and it was filmed for inclusion in Earth Girls Are Easy , but this sequence was ultimately removed from the movie (the scene is included in the DVD extras) though it is heard playing in the background during a scene in the film. Additionally, Brown performed the song in the stage version of Earth Girls.
The cover of the single is a pastiche of the back cover of Madonna's Like a Virgin record. Brown would go on to be known for making fun of Madonna, particularly in her mockumentary Medusa: Dare to Be Truthful .
Julie Ann Brown is an American actress, comedian, screen/television writer, singer-songwriter, and television director. Brown is known for her work in the 1980s, where she often played a quintessential valley girl character. Much of her comedy has revolved around the mocking of famous people.
Peter Brown is an American singer-songwriter and record producer. Brown was a popular performer in the late 1970s and early 1980s. His biggest success was the release of the LP in 1977 called A Fantasy Love Affair which produced the disco hits "Do Ya Wanna Get Funky with Me" and "Dance With Me". He wrote, with Robert Rans, Madonna's hit "Material Girl".
"Who's That Girl" is a song by American singer Madonna from the soundtrack of the 1987 film of the same name. Written and produced by Madonna and Patrick Leonard, it was released in Europe as the soundtrack's lead single on June 29, 1987; in the United States, a release was issued the following day. An uptempo pop song, "Who's That Girl" continued the singer's fascination with Latin pop, a genre she had previously explored on her single "La Isla Bonita". It features instrumentation from drums, bass, and trumpets, and has lyrics sung both in English and Spanish. While shooting for the film, then called Slammer, Madonna had requested Leonard to develop a song that captured the nature of her character; the producer worked on a demo and, afterwards, Madonna added the lyrics and decided to rename the song, as well as the film, to "Who's That Girl".
"Material Girl" is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. It also appears slightly remixed on the 1990 greatest hits compilation, The Immaculate Collection, in its original form on the 2009 greatest hits compilation, Celebration and Finally Enough Love: 50 Number Ones (2022). The song was written by Peter Brown and Robert Rans, while Nile Rodgers produced the track. Madonna explained that the concept of the song was indicative of her life at that time, and she liked it because she felt it was provocative.
The Whitey Album is an album by Ciccone Youth, a side project of Sonic Youth members Steve Shelley, Kim Gordon, Lee Ranaldo and Thurston Moore, featuring contributions from Minutemen/Firehose member Mike Watt and J Mascis of Dinosaur Jr.
"Like a Virgin" is a song recorded by American singer Madonna from her second album of the same name. The song was written and composed by Tom Kelly and Billy Steinberg, and it was released as the album's lead single on October 31, 1984. A dance song with two hooks, Madonna sings in a high register while a continuous arrangement of synths are heard along the bassline. The song's lyrics are ambiguous, consisting of hidden innuendos and open to various interpretations.
"Spotlight" is a song by American singer Madonna from her first remix album You Can Dance (1987). It was released as a single in Japan on April 25, 1988 by Sire Records and Warner-Pioneer Japan. Initially rejected during her True Blue album recording sessions, the song was written by Madonna, Stephen Bray and Curtis Hudson who had presented the original to the singer. The song was remixed by John "Jellybean" Benitez.
"The Look of Love" is a song by American singer Madonna from the soundtrack to the 1987 film Who's That Girl. It was released as the third and final single from the soundtrack on November 25, 1987, by Sire Records. While shooting the film, then called Slammer, Madonna had requested that producer Patrick Leonard develop a downtempo song that captured the nature of her film persona. She later wrote the lyrics and melody to the backing track developed by Leonard, and the song became "The Look of Love". Madonna was also inspired by James Stewart's performance in the 1954 film Rear Window when writing the song.
"Lucky Star" is a song by American singer Madonna from her self-titled debut studio album (1983). Produced by Reggie Lucas, it was written by Madonna with the intention that her friend Mark Kamins would play it in his sets at Danceteria, where he was the resident DJ. In 1982, Madonna was signed on by Sire Records for the release of two 12" singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. However, problems between Madonna and the producer arose and he ended up leaving the project; she then called John "Jellybean" Benitez, her boyfriend at the time, to work on the remaining songs.
"Borderline" is a song by American singer Madonna from her debut self-titled studio album (1983), written and produced by Reggie Lucas. In 1982, Madonna was signed on by Sire Records for the release of two 12-inch singles; after the success of first single "Everybody", the label approved the recording of an album, and the singer decided to work with Lucas. "Borderline" is a pop song with post-disco elements whose sounds recall the music of the 1970s, while the lyrics find a woman complaining of her lover's chauvinism.
"Crazy for You" is a song recorded by American singer Madonna for the film Vision Quest (1985). It was released on March 2, 1985 by Geffen Records as the lead single from the film's soundtrack album. Film producers Jon Peters and Peter Guber, along with music director Phil Ramone, decided to use Madonna after listening to her previous recordings, employing John Bettis and Jon Lind to write the song. After reading the script of the film, Bettis and Lind wrote the song about the situation in which the lead characters meet at a nightclub. Initial recording sessions did not impress Bettis and Lind, and they felt that "Crazy for You" would be dropped from the soundtrack. However, a new version was recorded to their liking.
"Angel" is a song by American singer Madonna from her second studio album Like a Virgin (1984). It was released on April 10, 1985, by Sire Records as the album's third single. Written by Madonna and Steve Bray, it was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by an angel, and she falls in love with him. "Angel" was released as a 12-inch single with "Into the Groove" in some countries and charted likewise. A music video was not filmed for "Angel", and instead, a promotional clip comprising segments of her previous videos was released in the United Kingdom.
"Fever" is a song written by Eddie Cooley and Otis Blackwell, who used the pseudonym "John Davenport". It was originally recorded by American R&B singer Little Willie John for his debut album, Fever (1956), and released as a single in April of the same year. The song topped the Billboard R&B Best Sellers in the US and peaked at number 24 on the Billboard pop chart. It was received positively by music critics and included on several lists of the best songs when it was released.
"Open Your Heart" is a song recorded by American singer-songwriter Madonna for her third studio album True Blue (1986). Written by Gardner Cole and Peter Rafelson, it was conceived as a rock and roll song titled "Follow Your Heart" for singer Cyndi Lauper, but Cole and Rafaelson never had the chance to play it for her. At the time, Cole's management was working with Madonna's, who were looking for material for her third studio album. After her manager asked Cole to present a female demo of the song, Madonna accepted it and, alongside producer Patrick Leonard, turned it into a dance song. Lyrically, it's an innuendo-laden love song where the singer expresses her sexual desire. In the United States, the song was released as the fourth single from True Blue on November 12, 1986; overseas, it was released on December 1. Furthermore, it was included in the compilation albums, The Immaculate Collection (1990), Celebration (2009), and the "video version" was featured on the 2023 remix-themed compilation, Finally Enough Love: 50 Number Ones.
"La Isla Bonita" is a song by American singer Madonna from her third studio album True Blue (1986). Patrick Leonard and Bruce Gaitsch created it as an instrumental demo and offered it to singer Michael Jackson, who turned it down. When Leonard met Madonna to start working on True Blue, he played the demo for her. Madonna came up with the title, wrote the lyrics and produced the song with Leonard. It's her first song with Latin influences. Its instrumentation features flamenco guitar, Latin percussion, maracas, and includes four lines sung in Spanish. The lyrics talk about an island named San Pedro, whose location has been debated. Madonna said the song was her tribute to Latin Americans.
"Like a Prayer" is a song by American singer Madonna from her 1989 fourth studio album of the same name. It was released as the album's lead single on March 3, 1989, by Sire Records. Written and produced by both Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience. Thematically, the song speaks about a passionate young girl in love with God, who becomes the only male figure in her life.
"Oh Father" is a song recorded by American singer Madonna for her fourth studio album Like a Prayer (1989). It was released as the fourth single from the album on October 24, 1989, by Sire Records. The song was not released as a single in most European territories until December 24, 1995, when it appeared on the 1995 ballads compilation Something to Remember. Written and produced by Madonna and Patrick Leonard, the nexus of "Oh Father" was the presence of male authoritative figures in Madonna's life, most prominently her father, Tony Ciccone. Madonna's relationship with her father had soured after her mother's death in 1963 and his remarriage three years later. While developing the Like a Prayer album, Madonna was in an emotional state of mind due to her personal problems, which is reflected in "Oh Father".
"Dear Jessie" is a song by American singer Madonna from her fourth studio album Like a Prayer (1989). It was released as the fifth single from the album on December 4, 1989, by Sire Records. Written and produced by Madonna and Patrick Leonard, the song was inspired by Leonard's daughter Jessie. The release of "Dear Jessie" was limited to the United Kingdom, certain other European countries, Australia and Japan. The track is composed more like a children's lullaby rather than a pop song, and features strings, synthesizer and strummed acoustics. A change in tempo occurs during the breakdown, where instrumentation from trumpets is included. Lyrically, the song evokes a psychedelic fantasy landscape, in which pink elephants roam with dancing moons and mermaids.
"Gambler" is a song by American singer Madonna from the soundtrack album to the 1985 film Vision Quest. The song was written solely by Madonna, while the production was handled by John "Jellybean" Benitez at her request. It was released as the second single from the film's soundtrack album on October 3, 1985, by Geffen Records. "Gambler" was never released as a single in the United States, at the request of Madonna's own Sire Records. The music video of the song is an excerpt from the film.
"Diamonds Are a Girl's Best Friend" is a jazz song introduced by Carol Channing in the original Broadway production of Gentlemen Prefer Blondes (1949), with music by Jule Styne and lyrics by Leo Robin.