I Shall Not Be Moved (poetry collection)

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I Shall Not Be Moved
I Shall Not Be Moved (Angelou collection).jpg
Author Maya Angelou
CountryUnited States
LanguageEnglish
Genre Poetry
Publisher Random House
Publication date
1990
Media typePrint (Hardback & Paperback)
ISBN 0553354582
Preceded by Shaker, Why Don't You Sing?  

I Shall Not Be Moved is author and poet Maya Angelou's fifth collection of poetry, published by Random House in 1990. Angelou had written four autobiographies and published four other volumes of poetry up to that point. Angelou considered herself a poet and a playwright and her poetry has also been successful, but she is best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings . She began, early in her writing career, of alternating the publication of an autobiography and a volume of poetry. Most critics agree that Angelou's poems are more interesting when she recites them.

Contents

The poems in I Shall Not Be Moved focus on themes of hard work, universal experiences of humans, the struggle of African Americans, and love and relationships. Like most of her poetry, the collection has received little serious critical attention, although most reviews have been positive.

Background

I Shall Not Be Moved is Maya Angelou's fifth volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of seven, as recounted in her first autobiography I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness. [2]

Although Angelou considered herself a playwright and poet when her editor Robert Loomis challenged her to write Caged Bird, [3] she has been best known for her autobiographies, [4] and many critics consider her autobiographies more important than her poetry. [5] Critic William Sylvester agrees, and states that although her books have been best-sellers, her poetry has "received little serious critical attention". [6] Bloom also believes that Angelou's poems are more interesting when she recites them. Bloom calls her performances "characteristically dynamic", [5] and says that Angelou "moves exuberantly, vigorously to reinforce the rhythms of the lines, the tone of the words. Her singing and dancing and electrifying stage presence transcend the predictable words and phrases". [5]

Angelou reciting her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993 Angelou at Clinton inauguration.jpg
Angelou reciting her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993

Early in her writing career she began alternating the publication of an autobiography and a volume of poetry. [7] By the time I Shall Not Be Moved was published in 1990, she had published five autobiographies, eventually going on to publish seven. Her publisher, Random House, placed the poems in I Shall Not Be Moved in her first collection of poetry, The Complete Collected Poems of Maya Angelou (1994), perhaps to capitalize on her popularity following her reading of her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993. Also in the 1994 collection were her four previous collections, Just Give Me a Cool Drink of Water 'fore I Diiie (1971), Oh Pray My Wings Are Gonna Fit Me Well (1975), And Still I Rise (1978), and Shaker, Why Don't You Sing? (1983). Angelou's publisher placed four poems in a smaller volume entitled Phenomenal Woman in 1995. [8]

Themes

Critic Lyman B. Hagen states that much of Angelou's poetry and most of her writings, especially "Worker's Song", the first poem in I Shall Not Be Moved, praises the laborer. He says, "In Angelou's writings, rarely is there anyone who does not work. Everyone of her characters—singers, dancers, railway workers, etc.—works hard". [9] Critic Hazel Rochman, who calls the poem an "exquisitely simple worksong", [10] states that Angelou connects physical action with wit and longing. She compares it to the performances of singer Paul Robeson and to Langston Hughes' poem "Florida Road Workers". [10] Michele Howe calls I Shall Not Be Moved "a collection that testifies to the undaunted spirit of oppressed people everywhere", [11] and states that it "relates a history of hard work, pain, joy, and the affection and heartbreak often associated with love". She also mentions "Worker's Song" in her article in the New Jersey newspaper The Star-Ledger , stating that it describes the struggles of the workers that "keep the whole world running". [11]

Howe says that although Angelou writes about the Black experience, she draws from the experiences of all ethnic backgrounds. Howe considers the poem "Our Grandmothers", which relates the struggle of a woman attempting to overcome her enslavement and oppression, one of the most poignant poems in the volume and its focal point. The poem uses the title phrase; according to Howe, Angelou's use of the personal pronoun signifies the universal experience of mothers and grandmothers and their struggles to overcome obstacles. [11] Howe also discusses the poem "Coleridge Jackson", which she considers another significant poem in I Shall Not Be Moved. The poem describes a man who "wouldn't take tea for the fever"someone incapable of creatively dealing with his suffering at the hands of his employer. Angelou informed Howe that she believed that "Coleridge Jackson" was one of the most powerful poems she had ever recited in public. [11]

In the poem "Love Letter", Angelou describes the power of love to empower people to be themselves in their relationships, and to be equal with their partners. Angelou's poem "Human Family" focuses on the similarities of all people, especially the line "We are more alike, my friends, than we are unalike". According to Howe, this line sums the themes found throughout the volume. [11] [12]

Reviews

Rochman, when she compares "Worker's Song" to Hughes' "Florida Road Workers", states that like Hughes, Angelou's poem combines rhythm and sense. She considers the poem the best in the volume, calling many of the other poems in I Shall Not Be Moved "too polemical". [10] Rochman says that the sensuous details in Angelou's best poems enlivens her abstractions, and finds no false sentiments in them. She also states, "The dying fall of many lines combined with the strong beat reinforces the feeling of struggle and uncertainty". [10]

Poems

The volume's title, according to Angelou, comes from her desire to encourage young people to "have a moral stance" and never give up, despite the tendency for people in power to ignore, deny, or neglect their duty to use their positions and abilities to change the world. [11] It is dedicated to her mother Vivian Baxter and Mildred Garris Tuttle.

Related Research Articles

Maya Angelou American poet, author, and civil rights activist

Maya Angelou was an American poet, singer, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.

<i>I Know Why the Caged Bird Sings</i> 1969 autobiography about the early years of African-American writer and poet Maya Angelou

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On the Pulse of Morning Poem by Maya Angelou

"On the Pulse of Morning" is a poem by writer and poet Maya Angelou that she read at the first inauguration of President Bill Clinton on January 20, 1993. With her public recitation, Angelou became the second poet in history to read a poem at a presidential inauguration, and the first African American and woman. Angelou's audio recording of the poem won the 1994 Grammy Award in the "Best Spoken Word" category, resulting in more fame and recognition for her previous works, and broadening her appeal.

<i>Singin and Swingin and Gettin Merry Like Christmas</i> 1976 autobiography about the young adult years of Maya Angelou

Singin' and Swingin' and Gettin' Merry Like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume. Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom", while critic Lyman B. Hagen calls it "a journey of discovery and rebirth".

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<i>Just Give Me a Cool Drink of Water fore I Diiie</i> Book by Maya Angelou

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<i>Wouldnt Take Nothing for My Journey Now</i> book by Maya Angelou

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Themes in Maya Angelous autobiographies

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<i>Letter to My Daughter</i> book by Maya Angelou

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<i>Oh Pray My Wings Are Gonna Fit Me Well</i> Book by Maya Angelou

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<i>Shaker, Why Dont You Sing?</i> Book by Maya Angelou

Shaker, Why Don't You Sing? is author and poet Maya Angelou's fourth volume of poetry, published by Random House in 1983. It was published during one of the most productive periods in Angelou's career; she had written four autobiographies and published three other volumes of poetry up to that point. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. Many of the poems in Shaker focus on survival despite threatened freedom, lost love, and defeated dreams. Over half of them are love poems, and emphasize the inevitable loss of love. "Caged Bird", which refers to Angelou's first autobiography, is contained in this volume.

<i>The Complete Collected Poems of Maya Angelou</i> Book by Maya Angelou

The Complete Collected Poems of Maya Angelou is author and poet Maya Angelou's collection of poetry, published by Random House in 1994. It is Angelou's first collection of poetry published after she read her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993. It contains her previous five books of poetry, published between 1971—1990. Her prose works have been more successful than her poetry, which has received little serious attention by critics.

Poetry of Maya Angelou

Maya Angelou, an African-American writer who is best known for her seven autobiographies, was also a prolific and successful poet. She has been called "the black woman's poet laureate", and her poems have been called the anthems of African Americans. Angelou studied and began writing poetry at a young age, and used poetry and other great literature to cope with trauma, as she described in her first and most well-known autobiography, I Know Why the Caged Bird Sings. She became a poet after a series of occupations as a young adult, including as a cast member of a European tour of Porgy and Bess, and a performer of calypso music in nightclubs in the 1950s. Many of the songs she wrote during that period later found their way to her later poetry collections. She eventually gave up performing for a writing career.

References

Citations

  1. Gillespie, Marcia Ann, Rosa Johnson Butler, and Richard A. Long. (2008). Maya Angelou: A Glorious Celebration. New York: Random House, p. 101. ISBN   978-0-385-51108-7
  2. Angelou, Maya. (1969). I Know Why the Caged Bird Sings. New York: Random House, p. 98. ISBN   978-0-375-50789-2
  3. Walker, Pierre A. (October 1995). "Racial Protest, Identity, Words, and Form in Maya Angelou's I Know Why the Caged Bird Sings". College Literature22, (3): 91. doi: 00933139
  4. Lupton, p. 17
  5. 1 2 3 Bloom, Lynn Z. (1985). "Maya Angelou". In Dictionary of Literary Biography African American Writers after 1955, Vol. 38. Detroit, Michigan: Gale Research Company, pp. 10–11. ISBN   0-8103-1716-8
  6. Sylvester, William. (1985). "Maya Angelou". In Contemporary Poets, James Vinson and D.L. Kirkpatrick, eds. Chicago: St. James Press, pp. 19–20. ISBN   0-312-16837-3
  7. Hagen, p. 118
  8. "Maya Angelou (1928–)". Poetry Foundation. Retrieved 2013-06-23
  9. Hagen, p. 133
  10. 1 2 3 4 Rochman, Hazel. (May 1990). "Review of I Shall Not Be Moved by Maya Angelou". Booklist (18): 1773. In Bloom, pp. 18–19
  11. 1 2 3 4 5 6 Howe, Michele (1990-06-03). "Angelou's Poetry Builds Bridges Between People". The Star-Ledger (Newark, New Jersey), p. C4. In Bloom, pp. 19–20
  12. Angelou uses this line again in her 1993 book of essays, Wouldn't Take Nothing for My Journey Now , and in Letter to My Daughter (2008). Lupton calls it Angelou's most famous statement (Lupton, p. 20).

Works cited