Albert Clifton Ammons was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Eddie Harris was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here".
Berlin is the third solo studio album by American musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time.
Brutal Planet is the fourteenth solo studio album by American rock musician Alice Cooper, released in 2000. Musically, this finds Alice tackling a much darker and heavier approach than on previous albums, with many songs approaching a somewhat modern-sounding, industrial/metal sound. Lyrically, it deals with themes of dark "social fiction", including domestic violence, prejudice, psychopathic behavior, war, depression, suicide ("Sanctuary"), Neo-Nazism and school shootings. The album was followed by a sequel, titled Dragontown (2001).
One-Trick Pony is a 1980 feature film written by and starring Paul Simon and directed by Robert M. Young. It also stars Blair Brown, Rip Torn, Joan Hackett, Mare Winningham, Michael Pearlman, Lou Reed, and Allen Garfield.
Still I Can't Be Still is Idina Menzel's debut album, recorded and released in 1998. While wowing audiences in the original production of Rent, Menzel was offered a record deal with Hollywood Records. After selling less than 10,000 copies in the US and missing the Billboard 200, Menzel's label put the album out of print, and she was dropped from the label. However, demand for the album grew significantly after Menzel rose to a greater fame with her Tony-winning performance in Wicked, and was subsequently re-released in September 2005.
Rocco DeLuca is a California-based indie rock musician who came to prominence as the lead singer of the four-piece band Rocco DeLuca and the Burden. Since 2009, DeLuca has toured and recorded as a solo artist.
Julian Clifford Mance, Jr., known as Junior Mance, was an American jazz pianist and composer.
Rockabilly Blues is the 64th album by American country singer Johnny Cash, released on Columbia Records in 1980. Highlights include "Cold Lonesome Morning," which had some minor chart success, "Without Love," by his son-in-law, Nick Lowe, and a cover of the witty "The Twentieth Century Is Almost Over." The first two of the aforementioned songs were the only singles from the album, though "Without Love" hardly enjoyed any chart success, peaking at No. 78. "The Twentieth Century is Almost Over" was re-recorded five years later by Cash and Waylon Jennings, Willie Nelson and Kris Kristofferson, collectively known as The Highwaymen, on their first album entitled Highwayman, though it was, in essence, a duet with Nelson.
Charles Anthony "Buster" Williams is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson.
Curved Air – Live was the first official live album by the British progressive rock band Curved Air. It was recorded on the band's reunion tour in December 1974 and released in 1975. Though it failed to enter the charts, it made enough profit to pay off the tax bill which had compelled Curved Air to reunite, allowing Francis Monkman and Florian Pilkington-Miksa to again leave the group.
Smoke & Mirrors is the fifth studio album by American alternative rock band Lifehouse. It was released on March 2, 2010, by Geffen Records. Lifehouse began to work on the album with record producer Jude Cole in the fall of 2008 at Cole's Ironworks Studio. The band collaborated with American singer-songwriter Kevin Rudolf and Chris Daughtry of the band Daughtry while working on the album.
"U.S. Male" is a song by Jerry Reed, and appears on his 1967, debut album, The Unbelievable Guitar and Voice of Jerry Reed.
Groove Blues is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same session that produced The Big Sound.
Boss Soul! is an album by saxophonist Gene Ammons recorded in 1961 and released on the Prestige label. The album was recorded at the same sessions that produced Up Tight!.
Velvet Soul is an album by saxophonist Gene Ammons compiling sessions recorded between 1960 and 1962 and released on the Prestige label in 1964.
Big Bad Jug is an album by saxophonist Gene Ammons recorded in 1972 and released on the Prestige label.
Left Bank Encores is a live album by saxophonists Sonny Stitt and Gene Ammons recorded in Baltimore in 1973 and released on the Prestige label in 2002. The album was recorded at the same concert that produced God Bless Jug and Sonny.
"The Original Wrapper" is a song written and recorded by American rock musician Lou Reed from his fourteenth solo studio album, Mistrial (1986). The title refers to the practice of keeping products in their original packaging. It can also be interpreted as a pun on "rapper," referring to Reed's distinctive vocal style.
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