Iamus (computer)

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Iamus
Iamus side.jpg
ActiveSeptember 2010;13 years ago (2010-09) - Present
Location Universidad de Málaga
Architecture352 AMD processors, Debian GNU/Linux operating system
Operating system Debian GNU/Linux
Memory704 GB
Storage70 TB
PurposeComposition of contemporary classical music
Opus one score 00-Iamus Opus1.pdf
Opus one score
Opus one
Hello World!

Iamus is a computer cluster (a half-cabinet encased in a custom shell) located at Universidad de Málaga. Powered by Melomics' technology, the composing module of Iamus takes 8 minutes to create a full composition in different musical formats, although the native representation can be obtained by the whole system in less than a second (on average). Iamus only composes full pieces of contemporary classical music. [1]

Iamus' Opus one, created on October 15, 2010 is the first fragment of professional contemporary classical music ever composed by a computer in its own style [2] (rather than attempting to emulate the style of existing composers as was previously done by David Cope). Iamus's first full composition, Hello World! , premiered exactly one year after the creation of Opus one, on October 15, 2011. Four of Iamus's works premiered on July 2, 2012, and were broadcast live [3] from the School of Computer Science at Universidad de Málaga [4] as part of the events included in the Alan Turing year. The compositions performed at this event were later recorded by the London Symphony Orchestra, creating the album Iamus , which New Scientist reported as the "first complete album to be composed solely by a computer and recorded by human musicians." [2]

Commenting on the authenticity of the music, Stephen Smoliar, critic of classical music at The San Francisco Examiner , commented "What is primary is the act of making the music itself engaged by the performers and how the listener responds to what those performers do... what is most interesting about the documents generated by Iamus is their capacity to challenge the creative talents of performing musicians". [5]

Related Research Articles

Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering, and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.

<span class="mw-page-title-main">Musical composition</span> An original musical piece, or the process of creating a new piece

Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all and instead compose the song in their mind and then play, sing or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.

<span class="mw-page-title-main">Music of Venezuela</span> Music and musical traditions of Venezuela

Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains.

David Cope is an American author, composer, scientist, and Dickerson Emeriti Professor of Music at UC Santa Cruz. His primary area of research involves artificial intelligence and music; he writes programs and algorithms that can analyze existing music and create new compositions in the style of the original input music. He taught the groundbreaking summer workshop in Workshop in Algorithmic Computer Music (WACM) that was open to the public as well as a general education course entitled Artificial Intelligence and Music for enrolled UCSC students. Cope is also co-founder and CTO Emeritus of Recombinant Inc., a music technology company.

<span class="mw-page-title-main">Classic Brit Awards</span> Award

The Classic BRIT Awards are an annual awards ceremony held in the United Kingdom covering aspects of classical and crossover music, and are the equivalent of popular music's Brit Awards. The awards are organised by the British Phonographic Industry (BPI) and were inaugurated in 2000 "in recognition of the achievements of classical musicians and the growth of classical music sales in the UK".

<span class="mw-page-title-main">Jan Václav Voříšek</span> Czech music educator, composer, pianist and organist

Jan Václav Hugo Voříšek was a Czech composer, pianist, and organist.

<i>Iberia</i> (Albéniz)

Iberia is a suite for piano composed between 1905 and 1909 by the Spanish composer Isaac Albéniz. It is composed of four books of three pieces each; a complete performance lasts about 90 minutes.

<span class="mw-page-title-main">Pedro Vilarroig</span> Musical artist

Pedro Vilarroig is a professor of physics and cosmology at the Universidad Politécnica of Madrid and a former Spanish composer. He is a proponent of neotonalism, having founded and led the Asociación Española de Compositores Neotonales.

Gabriela Lena Frank is an American pianist and composer of contemporary classical music.

Gustavo Díaz-Jerez is a Spanish pianist and composer.

Third stream is a music genre that is a fusion of jazz and classical music. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. There are many ways to define third-stream music. It could refer to a group of jazz musicians playing solely, or a jazz soloist performing with a symphony orchestra, as long as the musicians are able to interpret and play jazz music. Improvisation is generally seen as a vital component of third stream. In third-stream music, composers incorporated elements of classical music, such as the use of jazz instruments and classical music forms, into their jazz compositions. The fusion of jazz and classical music is also viewed as "born out of a reciprocal interest: the interest of the classical community in the developments in jazz music and the interest of the jazz community in the advances of classical music." The innovative idea of fusing jazz and classical music pushed the boundaries of traditional classical music and introduced a new genre that blends the two styles into a unique hybrid form.

<span class="mw-page-title-main">Melomics</span> System for the automatic composition of music (

Melomics is a computational system for the automatic composition of music, based on bioinspired algorithms.

<span class="mw-page-title-main">Hello World! (composition)</span>

"Hello World!" is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation. Iamus generates music scores in PDF and the MusicXML format that can be imported in professional editors such as Sibelius and Finale.

<i>Iamus</i> (album) 2012 studio album by Iamus

Iamus is the first studio album composed using Iamus, a computer cluster designed by the University of Malaga which creates contemporary classical music. The pieces are composed using melomics computational system, and are entirely computer generated, with no human input.

<span class="mw-page-title-main">Melomics109</span> Music composition computer at Universidad de Málaga

Melomics109 is a computer cluster located at Universidad de Málaga used to create digital music. It is part of the Spanish Supercomputing Network, and has been designed to increase the computational power provided by Iamus. Powered by Melomics' technology, the composing module of Melomics109 is able to create and synthesize music in a variety of musical styles. This music has been made freely accessible to everyone. The cluster consists of three cabinets with customized front panels.

<i>0music</i> 2014 studio album by Melomics109

0music is the second album produced with Melomics technology. While the first one is a compilation of contemporary pieces fully composed by Iamus, 0music compiles pieces of popular genres, composed and interpreted without any human intervention by Melomics109, a computer cluster hosted at the University of Malaga. The pieces in this album, and all the production of Melomics109, is distributed under CC0 licensing, and it is available in audible and editable (MIDI) formats.

<span class="mw-page-title-main">Polo Piatti</span> Musical artist

Polo Osvaldo Ernesto Piatti is a British-Argentine neo-romantic composer, concert pianist and conductor. He is one of very few high-profile international musicians concentrating exclusively on the creation, performance and promotion of melodic, universally appealing classical music. His compositions are performed all over the world for their evocative and passionate character. Considered a pioneer performer of classical piano improvisations since his youth, he toured Europe, Asia, North and South America premiering his own works as a soloist, performing with international orchestras. Piatti is a member of the Royal Society Of Musicians Of Great Britain, the Ivors Academy and the British Music Society among others.

La casa imaginaria is a Spanish-language opera by Gustavo Díaz-Jerez to a libretto by Pilar Mateos based on the 1994 short story by the same author. It premiered at the Auditorio de León (Spain) on November 9, 2018, and was sold out for its two performances. The music uses musical material drawn from algorithmic procedures, as well as Iamus computer bio-inspired approach to music composition.

<span class="mw-page-title-main">Francisco José Vico Vela</span>

Francisco José Vico Vela is a scientist and engineer who is a full professor of artificial intelligence at the University of Málaga. As a researcher, Vico is founder and head of the Biomimetics and EdTech research groups at the University of Málaga, and founder and CEO of the university spin-offs Melomics Media and Digitomica as an entrepreneur. His work is mostly known for using evolutionary computation in the field of automated computer composition and industrial design.

Jeremy Cavaterra is an American composer and pianist.

References

  1. Diaz-Jerez, Gustavo (2011). "Composing with Melomics: delving into the computational world for musical inspiration". Leonardo Music Journal. 21: 13–14. doi:10.1162/LMJ_a_00053. S2CID   57569752.
  2. 1 2 "Computer composer honours Turing's centenary". New Scientist. 5 July 2012.
  3. Ball, Philip (1 July 2012). "Iamus, classical music's computer composer, live from Malaga". The Guardian. Retrieved 2 July 2012.
  4. School of Computer Science (University of Malaga - Spain) (2012-07-02). "Can machines be creative? (live from Malaga)". YouTube. Retrieved 2012-10-05.
  5. Smoliar, Stephen (4 January 2013). "Thoughts about Iamus and the composition of music by computer". The Examiner. Accessed: 10 January 2013.