Ian Condry

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Ian Condry (born 1965) [1] is a cultural anthropologist and author. He graduated from Harvard University in 1987 with a B.A. in Government and received his Ph.D. in Anthropology from Yale University in 1999. [2] He is currently a Professor of Japanese Cultural Studies at Massachusetts Institute of Technology in Cambridge, Massachusetts. [2]

In his first ethnographic book entitled Hip-Hop Japan: Rap and the Paths of Cultural Globalization, Condry explores issues of race, gender, language, musical history, and contemporary cultural politics, all as they relate to the Japanese rap music scene. He argues that performance sites, such as recording studios and nightclubs, are the specific paths that lead to cultural globalization. [3] Condry believes that by viewing such locations more closely, we can then understand the specific dialogue that occurs between global/local, producer/consumer, and artist/industry.

His second book, The Soul of Anime: Collaborative Creativity and Japan's Media Success Story, explores the questions, who makes anime and what makes it a global success? Based on fieldwork in Tokyo anime studios such as Madhouse, Gonzo, Aniplex and Studio 4C, the book examines the process of making Japanese animation. He describes screenwriting meetings, toy design sessions, and fan practices in an effort to show that solitary genius is less important that cross-industry collaborations. In addition, the work of fans, including fansubbers who are often regarded as simply pirates, are also integral to the dynamics that lead to the global spread of Japanese animation.

Related Research Articles

Anime is hand-drawn and computer-generated animation originating from Japan. Outside Japan and in English, anime refers specifically to animation produced in Japan. However, in Japan and in Japanese, anime describes all animated works, regardless of style or origin. Many works of animation with a similar style to Japanese animation are also produced outside Japan. Video games sometimes also feature segments and artstyles that can be considered as "anime".

Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred.

King Giddra was a Japanese hip hop group that started in 1993. They were signed to the indie label P-Vine Records. After a six-year hiatus, they would go on to sign with DefStar Records, a sublabel under Sony Music Entertainment Japan (SMEJ) for their second album release.

<span class="mw-page-title-main">Fansub</span> Practice of fans adding translation subtitles to media that has none

A fansub is a version of a foreign film or foreign television program, typically anime or dorama which has been translated by fans and subtitled into a language usually other than that of the original.

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Hideyuki Yokoi, known professionally as Zeebra, is a Japanese hip hop recording artist and DJ who made his first appearance in 1995. Zeebra is a former member of the hip-hop group King Giddra, which also included DJ Oasis and K Dub Shine. He went on to pursue a solo career shortly after in 1997, and signed with the Future Shock record label.

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Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.

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Yuri Ichii is a Japanese pop idol and rapper, best known for being a member in the breakthrough Japanese hip hop trio, East End X Yuri. She was also a singer with the revolving-door group Tokyo Performance Doll (TPD) alongside Ryoko Shinohara. She was part of TPD for a while but sought to do something different, deciding to try rap. Ichii began practicing her rapping in preparation for a solo show with her friend Gaku, who was a part of the group East End. In February 1994 when Gaku performed with Yuri for part of her show, she was seen by File Records. They were impressed with her and decided to sign them together for a mini-album.

B-Boy Park was a Japanese hip hop festival that took place every year in Tokyo. It was free admission and open to the public. A prominent player on the Japanese hip hop scene, Crazy-A, organized the annual hip hop festival in Yoyogi Park in 1999. It was a celebration of hip hop music, dance, fashion and culture.

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Sugar Soul was a Japanese three-member R&B group which formed in 1996. They soon made their debut in January 1997 on the Flava Records label. The members featured DJ Hasebe (programming), Aiko Machida (vocals) and Kawabe (composer). The band achieved success with the single "Garden" in 1999, which featured Kenji Furuya of Dragon Ash. The band was seen as one of the prominent new R&B-style musicians in Japan in the late 1990s.

Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."

East End × Yuri was a short-lived collaboration between Japanese hip hop group East End and singer Yuri Ichii, ex-member of J-pop girl group Tokyo Performance Doll.

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References

  1. "Archived copy" (PDF). Archived from the original (PDF) on 2009-02-05. Retrieved 2009-01-13.{{cite web}}: CS1 maint: archived copy as title (link)
  2. 1 2 Ian Condry @ MIT
  3. Condry, Ian. Hip-hop Japan: Rap and the Paths of Cultural Globalization. Durham, NC: Duke University Press, 2006. ISBN   0-8223-3876-9