Ida Vitale | |
|---|---|
 Ida Vitale in 2022. | |
| Born | 2 November 1923 Montevideo, Uruguay |
| Occupation | literary critic, author, translator |
| Language | Spanish |
| Notable awards | Miguel de Cervantes Prize Alfonso Reyes Prize Delmira Agustini Medal |
| Spouse | Enrique Fierro Ángel Rama |
| Children | Amparo, Claudio |
Ida Vitale (born 2 November 1923) is a Uruguayan poet, translator, essayist, lecturer and literary critic.
She played an important role in the Uruguayan art movement known as the 'Generation of 45': Carlos Maggi, Manuel Flores Mora, Ángel Rama (who also became her second husband), Emir Rodríguez Monegal, Idea Vilariño, Carlos Real de Azúa, Carlos Martínez Moreno, Mario Arregui, Mauricio Muller, José Pedro Díaz, Amanda Berenguer, Tola Invernizzi, Mario Benedetti, Líber Falco, Juan Cunha, Juan Carlos Onetti, among others. [1]
Vitale fled to Mexico City in 1973 for political asylum after a military junta took power in Uruguay. She resided in Austin, Texas [2] [3] until 2016, when she returned to Montevideo, where she currently resides. [4] Vitale is the last surviving member of the Generation of 45. She is the recipient of multiple literary prizes and honors for the literary texts she has published. In 2019 she was awarded a Cervantes prize for her lifetime achievement. [5]
Vitale turned 100 in November 2023. [6]
Ida Vitale recorded for the Archive of Literature of the Hispanic Division at the Library of Congress, Washington, D.C., on September 12, 1986. Ms. Vitale reads the following works from her anthology, Fieles: "Palabra dada", "Cada uno en su noche", "Oidor andante", "Jardín de sílice", "Hora nona", "Se noi siamo figure di specchio", and "Sueños de la constancia".
Mario Benedetti Farrugia, was a Uruguayan journalist, novelist, and poet and an integral member of the Generación del 45. Despite publishing more than 80 books and being published in twenty languages, he was not well known in the English-speaking world. In the Spanish-speaking world, he is considered one of Latin America's most important writers of the latter half of the 20th century.
Juan Carlos Onetti Borges was a Uruguayan novelist and author of short stories.
Luisa Valenzuela Levinson is an Argentine post-'Boom' novelist and short story writer. Her writing is characterized by an experimental style which questions hierarchical social structures from a feminist perspective.
Carmen Boullosa is a Mexican poet, novelist and playwright. Her work focuses on the issues of feminism and gender roles within a Latin American context. It has been praised by a number of writers, including Carlos Fuentes, Alma Guillermoprieto, Roberto Bolaño and Elena Poniatowska, as well as publications such as Publishers Weekly.
Myriam Moscona is a Mexican journalist, translator and poet in the Ladino and Spanish languages who comes from a Bulgarian Sephardi Jewish family. She teaches at Miami University. She was the artist in-residence from the Banff Centre for the Arts in 2000.
Elsa Cross, is a contemporary Spanish-language Mexican writer perhaps best known for her poetry. She has also published translations, philosophical essays and is known as an authority on Indian philosophy.
Gaucho literature, also known as gauchesco ("gauchoesque") genre was a literary movement purporting to use the language of the gauchos, comparable to the American cowboy, and reflecting their mentality. Although earlier works have been identified as gauchoesque, the movement particularly thrived from the 1870s to 1920s in Argentina, Uruguay and southern Brazil after which the movement petered out, although some works continued to be written. Gauchoesque works continue to be read and studied as a significant part of Argentine literary history.
Ángel A. Rama was a Uruguayan writer, academic, and literary critic, known for his work on modernismo and for his theorization of the concept of "transculturation."
Circe Maia,, is a Uruguayan poet, essayist, translator, and teacher.
Leonardo Garet is a Uruguayan writer, teacher, and member of the National Academy of Uruguay.
Idea Vilariño Romani was a Uruguayan poet, essayist and literary critic.
Selva Casal was a Uruguayan poet.
Roberto Mascaró is a Uruguayan poet and translator.
Verdad ('Truth') was a short-lived daily tabloid newspaper published in Montevideo, Uruguay, published in the early 1950s as an organ of the Communist Party of Uruguay. The publication was launched in late August 1950, in the run-up to the general election held in that year.
Blanca López de Mariscal or Blanca Guadalupe López Morales is a Professor emeritus and researcher in literature at Tecnológico de Monterrey, Campus Monterrey, México.
Eliana Navarro Barahona was a Chilean poet. Her poetry was praised from an early date by literary critic Hernán Díaz Arrieta. Her poetry has been studied in various Chilean and foreign universities and her work appears in many national and foreign anthologies.
Ana María del Carmen Ribeiro Gutiérrez, known as Ana Ribeiro, is a Uruguayan historian, writer, and professor. Her works are based on essays and novels that relate historical events of the country.
Alicia Haber is a Uruguayan historian, art critic, curator, and teacher.
Teresa Amy was a Uruguayan teacher, poet, and translator.
Marcelina Almeida, was an Argentine-born Uruguayan writer living in Montevideo, since she was young. Almeida used the pseudonyms Abel and Reine mi bella acclamada to sign her contributions in publications of the time. Her work, Por una fortuna una cruz, is considered the first Uruguayan feminist novel.
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