Ignace Michiels | |
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 Michiels playing the organ in St. Salvator's Cathedral, Bruges (where he is the organist) in 2008. [1] | |
| Born | 7 December 1963 |
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| Website | www |
Ignace Michiels (born 7 December 1963) is a Belgian organist, choral conductor and organ teacher. He is internationally known as a concert organist.
Michiels studied the organ, the piano and the harpsichord at the music academy of Bruges. In 1986 he won a prize at the Lemmensinstituut in Leuven. He continued his studies with Robert Anderson at the Southern Methodist University in Dallas, with Herman Verschraegen at the Royal Conservatory of Brussels, and with Odile Pierre at the Conservatoire de Paris where he graduated with a Prix d'Excellence. He also received the Higher Diploma of organ music at the Royal Conservatory of Ghent. [2]
Ignace Michiels has been teaching organ at the Royal Conservatory in Ghent and the music academy of Bruges. He has been principal organist of the St. Salvator's Cathedral. Michiels is responsible for the cathedral music in services and the Kathedraalconcerten, a series of concerts with a tradition dating back to 1952. [3]
He conducted the oratorio choir Cantores from 1990 to 2005. Michiels prepared the choir for concerts and recordings, such as Beethoven's Ninth Symphony with the BRTN Philharmonic Orchestra Brussels, conducted by Alexander Rahbari. [4]
Michiels has served on the jury of international organ competitions and has taught masterclasses. He has collaborated with Flemish classical radio stations. [2]
In 1999 he collaborated with Gabriel Dessauer, organist of St. Bonifatius, Wiesbaden, in a project to jointly bring to a close a century of violence. Both in Bruges and in Wiesbaden a concert was performed by the choirs Cantores and Chor von St. Bonifatius, Michiels playing the organ and Dessauer conducting. The concert in Bruges on 23 October 1999 was named Eeuw van zinloos Geweld (Century of meaningless violence) and expressed it in Maurice Duruflé's Prélude et Fugue sur le nom d'Alain, Jules Van Nuffel's In convertendo Dominus , Jehan Alain's Litanies, Rudolf Mauersberger's Wie liegt die Stadt so wüst , Gerald Hendrie's Exsultate from the sonata In praise of reconciliation, and Duruflé's Requiem. The concert in Wiesbaden was called Versöhnungskonzert zum Ende des Jahrhunderts (Concert of reconciliation at the end of the century).
The collaboration has continued since 2001 in annual choral projects with organ, played by Michiels. German and Flemish singers have formed the Reger-Chor-International singing concerts in Germany and in Belgium. [5] In their first concert in Bruges on 30 June 2001 they performed Théodore Dubois' Fiat Lux, William Lloyd Webber's Missa Sanctae Mariae Magdalenae , Allegro giocoso of Edward Bairstow, Duruflè's Toccata, Van Nuffel's Psalm 92 Dominus regnavit, and the Hebbel-Requiem of Max Reger in the organ version of Max Beckschäfer. The slightly different concert in Wiesbaden was recorded. [6]
On 19 August 2002, Michiels played an organ concert at the Rheingau Musik Festival in the church of St. Markus of Erbach. [7]
On 2 December 2006 he conducted Bach's Christmas Oratorio with the Reger-Chor-International in a concert held in the Concertgebouw of Bruges. [8]
On 1 August 2008, he played Messiaen's Messe de la Pentecôte on the Flentrop organ in the Grote kerk) in Breda. [9] He played works of Brahms with the Reger-Chor-International and organ works of Otto Olsson, Julius Reubke, Joseph Jongen and Camil Van Hulse. [10] On 27 October he played works of Schumann, Olsson, Flor Peeters, Gaston Litaize, and Naji Hakim at the International Organist Festival in Turin. [11]
On 4 July 2010, he played with the harpist Andrea Voets in concert at the Festival de la Ribagorza in the Basílica de la Peña de Graus in Graus. [12]
As part of the Boni-Musikwochen 2010 in St. Bonifatius, Wiesbaden, celebrating 25 Jahre Reger-Chor, he performed a recital, including Reger's Toccata from op. 59 and Scherzo from op. 65, and Mendelssohn's Variations sérieuses . In a concert with the choir he performed the last movement of Bach's cantata BWV 134a, Van Nuffel's In convertendo Dominus and Reger's Requiem. [13] He played Jongen's Prelude et fugue op. 121, Charles Tournemire's Victimae paschali, and Marcel Dupré's Prelude et fugue op. 7/3. [14]
On 3 October 2012, he was the organist in the premiere of Colin Mawby's Missa solemnis Bonifatius-Messe, composed to celebrate the 150th anniversary of the choir Chor von St. Bonifatius in Wiesbaden, conducted by Dessauer. [15] [16]
Several of the Kathedraalconcerten have been recorded, works for organ, including three of eight sonatas of Alexandre Guilmant, and works for organ with pan flute and trumpet. [17] He appears with Organ Sonata op. 175 of Louis Maes on a Jubileum CD celebrating 150 years Bruges conservatory (1997). [18]
He has participated in recordings of choral music:
Johann Baptist Joseph Maximilian Reger was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.
Kent Tritle is a choral conductor and organist in New York City, United States. He is the current director of the professional chorus Musica Sacra and of the Oratorio Society of New York, and director of cathedral music and organist at the Cathedral of St. John the Divine. He is a concert organist, including organist of the New York Philharmonic and the American Symphony Orchestra. He has been Director of Choral Activities at the Manhattan School of Music, and on the graduate faculty of the Juilliard School.
Johan Duijck is a Belgian composer and conductor.
Max Reger's 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden.
The Reger-Chor is a German-Belgian choir. It was founded in Wiesbaden in 1985 and has been conducted by Gabriel Dessauer in Wiesbaden. Since 2001 it has grown to Regerchor-International in a collaboration with the organist Ignace Michiels of the St. Salvator's Cathedral of Bruges. The choir performs an annual concert both in Germany and Belgium of mostly sacred choral music for choir and organ. Concerts have taken place regularly in St. Bonifatius, Wiesbaden, and in the cathedral of Bruges in its series "Kathedraalconcerten". The choir performed additional concerts at other churches of the two countries and in the Concertgebouw of Bruges.
Gabriel Dessauer is a German cantor, concert organist, and academic. He was responsible for the church music at St. Bonifatius, Wiesbaden from 1981 to 2021, conducting the Chor von St. Bonifatius until 2018. He is an internationally-known organ recitalist, and was an organ teacher on the faculty of the Hochschule für Musik Mainz. In 1985, he founded the German-English project choir, Reger-Chor. He has lectured at international conferences, especially about the music of Max Reger, who was a member of the St. Bonifatius parish.
Max Beckschäfer is a German organist, composer and academic.
St. Bonifatius in Wiesbaden, Germany, is the central Catholic parish and church in the capital of Hesse. The present building was designed by architect Philipp Hoffmann in Gothic Revival style and built from 1844 to 1849. Its twin steeples of 68 m (223 ft.) dominate the Luisenplatz. The parish is part of the Diocese of Limburg.
Marktkirche is the main Protestant church in Wiesbaden, the state capital of Hesse, Germany. The neo-Gothic church on the central Schlossplatz was designed by Carl Boos and built between 1853 and 1862. At the time it was the largest brick building of the Duchy of Nassau. It is also called Nassauer Landesdom.
Martin Lutz is a German musicologist, conductor and harpsichordist. He was the musical director of the concert choir Schiersteiner Kantorei in Wiesbaden from 1972 to 2017, and founded the biennial festival Wiesbadener Bachwochen in 1975.
Petra Morath-Pusinelli is a German organist.
The Chor von St. Bonifatius is a German mixed choir, the church choir of the parish St. Bonifatius, Wiesbaden. It was founded in 1862 as a male choir and was a mixed choir from 1887. From 1981 to 2018, it was conducted by Gabriel Dessauer, who founded two children's choirs. The group sang the first performance in Germany of John Rutter's Mass of the Children and performed in Azkoitia, San Sebastián, Görlitz, Bruges, Macon and Rome. Colin Mawby composed for the choir the Missa solemnis Bonifatius-Messe for the 150th anniversary, celebrated on 3 October 2012. From 2019, the choir has been conducted by Roman Twardy who conducted in his first concert Dvořák's Stabat Mater. On 1 January 2022, Johannes Schröder became church musician. He conducted as his first choral concert Verdi's Requiem in an arrangement for small ensemble.
Frank Stähle was a German musician, a choral conductor and the director of Dr. Hoch's Konservatorium in Frankfurt from 1979 to 2007.
Der 100. Psalm, Op. 106, is a composition in four movements by Max Reger in D major for mixed choir and orchestra, a late Romantic setting of Psalm 100. Reger began composing the work in 1908 for the 350th anniversary of Jena University. The occasion was celebrated that year with the premiere of Part I, conducted by Fritz Stein on 31 July. Reger completed the composition in 1909. It was published that year and premiered simultaneously on 23 February 1910 in Chemnitz, conducted by the composer, and in Breslau, conducted by Georg Dohrn.
Johannes Hill is a German baritone in concert and in oratorios, who has performed internationally. Singing in choirs from age 10, he has performed major roles in oratorios, such as both Jesus and Pilate in Bach's Passions, and Pope Francis in the premiere of Laudato si'. He has also performed in vocal ensembles such as Kammerchor Stuttgart and Collegium Vocale Gent.
Roman Twardy is a German teacher, academic lecturer and the conductor of the Wiesbadener Knabenchor boys' choir in Wiesbaden, Hesse, Germany. The choir appears internationally and has made recordings. From 2019, Twardy is also interim conductor of the church choir Chor von St. Bonifatius in Wiesbaden.
Introduction, Passacaglia and Fugue in E minor, Op. 127, is an extended composition for organ by Max Reger, composed in 1913 and dedicated to Karl Straube who played the premiere in Breslau on 24 September. It was published in November that year in Berlin by Bote & Bock.
Wiesbadener Bachwochen is a biennial festival of music around Johann Sebastian Bach in Wiesbaden, the state capital of Hesse, Germany. It was initiated and has been run by Martin Lutz. The city awards the Bachpreis der Landeshauptstadt Wiesbaden to an organist who wins the festival's international competition.
Johannes M. Schröder is a German organist, composer and Catholic church musician. After several years responsible for the church music at the Westerwälder Dom, he moved to St. Bonifatius, Wiesbaden. He is also a lecturer and a music editor.
Fabian Kelly is a German tenor and choral conductor. As a singer, he is most active in concert, including historically informed performances in works such as Monteverdi's Vespro della Beata Vergine and Handel's Messiah. He recorded a revival of Franz Ignaz Beck's opera L'isle déserte and Mozart's Requiem.
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