Odinani, also known as Odinala, Omenala, Odinana, and Omenana, is the traditional cultural belief and practice of the Igbo people of south east and Igbo people of south south Nigeria. These terms, as used here in the Igbo language, are synonymous with the traditional Igbo "religious system" which was not considered separate from the social norms of ancient or traditional Igbo societies. Theocratic in nature, spirituality played a huge role in their everyday lives. Although it has largely been syncretised with Catholicism, the indigenous belief system remains in strong effect among the rural, village and diaspora populations of the Igbo. Odinani can be found in Haitian Voodoo, Obeah, Santeria and even Candomblé. Odinani is a pantheistic and polytheistic faith, having a strong central deity at its head. All things spring from this deity. Although a pantheon of other gods and spirits, these being Ala, Amadiọha, Anyanwụ, Ekwensu, Ikenga, exists in the belief system, as it does in many other Traditional African religions, the lesser deities prevalent in Odinani serve as helpers or elements of Chukwu, the central deity.
Orishas are divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Haitian Vaudou, Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries.
African art describes modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
Kabuto is a type of helmet first used by ancient Japanese warriors that, in later periods, became an important part of the traditional Japanese armour worn by the samurai class and their retainers in feudal Japan.
Nnewi is a commercial and industrial city in Anambra State, southeastern Nigeria. It is the second largest city in Anambra state after Onitsha. Nnewi as a metropolitan area has two local government area, which are Nnewi North and Nnewi South, all centred around the Nnewi town. Even Ekwusigo local government area is now part of Nnewi urban area, as urbanization continues to spread from Nnewi to neighbouring communities. The Nnewi town which is the only town in Nnewi North, comprises four villages: Otolo, Uruagu, Umudim, and Nnewichi. Nnewi had been the centre of economics and commerce, being at a time the fastest growing industrial city east of the Niger, being the home of many industries such as The Ibeto Group, the Chicason Group, Cutix Cables, amongst others. The first indigenous car manufacturing plant in Nigeria is located in the city while the first wholly Made-in-Nigeria motorcycle, the 'NASENI M1' was manufactured in Nnewi.
The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac. The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
The Ebira people are an ethnic-linguistic group of North central Nigeria. Most Ebira people are from Kogi State and Nasarawa State. Their language is usually classified as Nupoid and within the Benue-Congo branch of the Niger-Congo language family. Until the separation of Kogi State from Kwara State, Okene was seen as the administrative center of the Ebira-speaking people in Kogi state, located not far from the Niger-Benue confluence. Since the formation of the state, the Ebira Ta'o people are predominantly found in five local governments in Kogi state, namely Adavi, Ajaokuta, Okehi, Okene and Ogori/Magongo. They are also found in large numbers located in the Federal Capital Territory, Abuja and Nasarawa in Toto LGA. Also, the Eganyi are found in Ajaokuta LGA. And the Etuno can be found in Igarra town of Agorimagongo, Okehi and Okene each with their administrative headquarters. Ebira Koto is found in Kogi and Koton Karfe LGA, Bassa LGA, Lokoja in Kogi and Abaji LGA in the Federal Capital Territory, Akoko-Edo LGA, Edo State.
Nkpor is a town in Idemili North local government area of Anambra state. The town of Nkpor had an estimated population of 109,377 in 2007. It is attached to the much larger city of Onitsha to the west, Oze to the north, Ogidi and Umuoji to the east, and Obosi to the south. The name 'Nkpor' is derived from the adulteration of the Igbo word nkpogha meaning 'repositioning'.Nkpor is known for its farming prowess. There is a maize known as ‘akpu aka Nkpor’ because of its robust yield and is reminiscent of Nkpor men who are often muscular. In ancient times, a rich man is known in Nkpor for his rich yam barn and the number of animals in his pen. An average Nkpor indigene does not buy foodstuff in the market and does not deny his visitors food. Nkpor is a traditional Community that worshiped the God of their ancestors before the advent of Christianity.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The Book of the Earth is an Ancient Egyptian funerary text that has been called many names such as The Creation of the Sun Disk and the Book of Aker. The Book primarily appears on the tombs of Merneptah, Twosret, Ramesses III, Ramesses VI, and Ramesses VII and serves as a counterpart to the Book of Caverns.
The Kingdom of Nri was a medieval polity located in what is now Nigeria. The kingdom existed as a sphere of religious and political influence over a significant part of what is known today as Igboland prior to expansion, and was administered by a priest-king called an Eze Nri. The Eze Nri managed trade and diplomacy on behalf of the Nri people, a subgroup of the Igbo-speaking people, and possessed divine authority in religious matters.
Agwu Nsi is the Arusi of divination. The earth is inhabited by Agwu, a spiritual entity that goes beyond a mere force. Agwu possesses intellectual and volitive faculties, exerting significant influence on human affairs. Revered as the patron spirit of the dibia (diviner-healer) and the source of inspiration for exceptionally talented individuals, Agwu is closely associated with humanity's pursuit of fulfillment in society. It is believed that Agwu plays a role in enforcing various determinations, with the sick attributing their fate to him, creatively gifted individuals crediting his benevolent influence, and dibia being believed to be possessed by him. This page explores the nature of Agwu's possession, considering it as the culmination of his impact on human beings and examining its manifestation in individuals' experiences. Despite the transformative effects of modernization, Agwu's influence persists. Agwu is also known by other names such as Agwuisi and Agwunsi. While the popularity of these names may vary across different communities, there are no significant etymological differences among them. The simpler form, Agwu, encapsulates the complete essence of the concept. The suffixes isi and nsi, denoting head/first and poison respectively, serve as onomatopoeic expressions representing specific orders of relationships, characteristics, and effects associated with the spirit. Agwu is perceived as embodying tendencies that exhibit drastic moral opposites, often described in dialectical terms such as aka nri agwu (good/positive) and aka agwu (negative); ikenga agwu (support) and uruala agwu (subversion). Unlike other spiritual entities, Agwu is not characterized by a fixed inclination towards aiding or punishing, good or evil. Similar to spirits, Agwu has the capacity to both aid and punish. However, unlike them, he does not exhibit a consistent inclination in either direction.
Igbo culture are the customs, practices and traditions of the Igbo people of southeastern Nigeria. It consists of ancient practices as well as new concepts added into the Igbo culture either by cultural evolution or by outside influence. These customs and traditions include the Igbo people's visual art, music and dance forms, as well as their attire, cuisine and language dialects. Because of their various subgroups, the variety of their culture is heightened further.
Deities depicted with horns or antlers are found in numerous religions across the world. Horned animals, such as bulls, goats, and rams, may be worshiped as deities or serve as inspiration for a deity's appearance in religions that venerate animal gods. Many pagan religions include horned gods in their pantheons, such as Pan in Greek mythology and Ikenga in Odinala. Some neopagan religions have reconstructed these deities into the concept of the Horned God, representing the male aspect of divinity in Wiccan belief.
The Umuoji people are those whose roots can be traced to the town of Umuoji in Idemili North, a local government area in Anambra State, Nigeria. These people are from Igbo-speaking ethnic group whose early history is adversely affected by a lack of, or non-existent, written records. Umuoji is bounded by Ogidi, Ojoto, Uke, Abatete and Nkpor and has an estimated population of 80,000 people which includes local residents in its 23 villages and citizens in diaspora.
Jephthah Elochukwu Unaegbu is a Nigerian writer, researcher, freelance journalist, actor, and documentary film maker.
Vinayaki (Vināyakī) is an elephant-headed Hindu goddess. Her mythology and iconography are not clearly defined. Little is told about her in Hindu scriptures and very few images of this deity exist.
Anaku is one of the administrative divisions of Anambra State, South-Eastern Nigeria. The town lies 6°15' North of the Equator and 6°44' East of the Greenwich Meridian. It is bordered by "Omabala," the native name of the Anambra River, which is a tributary of the River Niger (North), Aguleri, Ezu River (South), Omor and Umuerum communities (East).
Awka-Etiti, historically known as Awka-Diedo ; later mentioned as Awka-Nkakwu (Okankaku) by colonial authors, is an affluent town comprising seven villages in Idemili South local government area of Anambra state, Nigeria. The seven villages of Awka-Etiti in order of age established are: Nkolofia, Umunocha, Ejighinandu, Iruowelle, Umudunu, Nnaba and Ogunzele.
