The Ikom monoliths are a series of volcanic-stone monoliths from the area of Ikom, Cross River State, Nigeria. The Ejagham may have engraved the monoliths around 200 CE. The monoliths are also called Akwasnshi or Atal among the Ejagham people. [1] [2]
The stones are distributed among over thirty communities, in each community, they are found in circles, facing each other erect. Numbering about 300 in total, the monoliths are between 0.3 and 1.8 metres (1 and 6 feet) high and are laid out in some thirty circles located around Alok in the Ikom area of Cross River State. They may be located in the central meeting place of the village or in the uncultivated area outside the village. The monoliths are carved in hard, medium-textured basaltic rock, a few are carved in sandstone and shelly limestone; they are phallic in form and some feature stylized faces as well as decorative patterns and inscriptions. Although the carvings have not been deciphered, researchers and linguists believe that the inscriptions may represent a form of writing and visual communication. [2] [3]
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Exposure to extreme weather conditions have put these monoliths at risk of erosion and deterioration. The monoliths are also located in an area where the nearby people do not commonly see their worth as tourist attractions. They were added to the World Monuments Fund's list of sites in danger in 2008. [4] In 2020, Ikom monoliths were found by U.S Customs and Border Protection at Miami International Airport under fraudulent documents. The artifacts will be returned to Cross River (Nigeria). [5]
A medium-sized example of an Ikom monolith with human facial features can be found in the British Museum's collection. [6]
A monolith is a geological feature consisting of a single massive stone or rock, such as some mountains. Erosion usually exposes the geological formations, which are often made of very hard and solid igneous or metamorphic rock. Some monoliths are volcanic plugs, solidified lava filling the vent of an extinct volcano.
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. The Palgrave Encyclopedia of Cultural Heritage and Conflict gives the next definition of monument:
Monuments result from social practices of construction or conservation of material artifacts through which the ideology of their promoters is manifested. The concept of the modern monument emerged with the development of capital and the nation-state in the fifteenth century when the ruling classes began to build and conserve what were termed monuments. These practices proliferated significantly in the nineteenth century, creating the ideological frameworks for their conservation as a universal humanist duty. The twentieth century has marked a movement toward some monuments being conceived as cultural heritage in the form of remains to be preserved, and concerning commemorative monuments, there has been a shift toward the abstract counter monument. In both cases, their conflictive nature is explicit in the need for their conservation, given that a fundamental component of state action following the construction or declaration of monuments is litigating vandalism and iconoclasm. However, not all monuments represent the interests of nation-states and the ruling classes; their forms are also employed beyond Western borders and by social movements as part of subversive practices which use monuments as a means of expression, where forms previously exclusive to European elites are used by new social groups or for generating anti-monumental artifacts that directly challenge the state and the ruling classes. In conflicts, therefore, it is not so much the monument which is relevant but rather what happens to the communities that participate in its construction or destruction and their instigation of forms of social interaction.
Cross River State is a state in the South-South geopolitical zone of Nigeria. Named for the Cross River, the state was formed from the eastern part of the Eastern Region on 27 May 1967. Its capital is Calabar, it borders to the north through Benue state, to the west through Ebonyi state and Abia state, and to the southwest through Akwa Ibom state, while its eastern border forms part of the national border with Cameroon. Originally known as the South-Eastern State before being renamed in 1976, Cross River state formerly included the area that is now Akwa Ibom state, which became a distinct state in 1987.
The Senegambian stone circles, or the Wassu stone circles, are groups of megalithic stone circles located in the Gambia north of Janjanbureh and in central Senegal. Spread across a region 30,000 km2 (12,000 sq mi), they are sometimes divided into the Wassu (Gambian) and Sine-Saloum (Senegalese) circles, but this is purely a national division. Containing over 1,000 stone circles and tumuli spread across an area 350 km (220 mi) long and 100 km (62 mi) wide, the Senegambian stone circles are the largest concentration of stone circles seen anywhere in the world, and they are an extensive sacred landscape that was used for more than 1,500 years. The sites were inscribed on the UNESCO World Heritage List in 2006.
The Angono - Binangonan Petroglyphs are petroglyphs carved into a rock wall in Binangonan, Rizal, Philippines. It consists of 127 human and animal figures engraved on the rockwall probably carved during the late Neolithic, or before 2000 BC. They are the oldest known work of art in the Philippines. These inscriptions clearly show stylized human figures, frogs and lizards, along with other designs that may have depicted other interesting figures but erosion may have caused it to become indistinguishable. The engravings are mostly symbolic representations and are associated with healing and sympathetic magic.
Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Kura River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred meters and in up to nineteen tiers. The monastery was an important cultural center, a place of significant literary and artistic work.
Quixadá is a municipality in the state of Ceará, in Brazil. It is known for its unusual rock formations, known locally as monoliths.
Nsibidi is a system of symbols or proto-writing developed by the Ekpe secret society that traversed the southeastern part of Nigeria. They are classified as pictograms, though there have been suggestions that some are logograms or syllabograms.
The World Heritage Convention, formally the Convention Concerning the Protection of the World Cultural and Natural Heritage, is an international treaty signed on 23 November 1972, which created the World Heritage Sites, with the primary goals of nature conservation and the preservation and security of cultural properties. The convention, a signed document of international agreement, guides the work of the World Heritage Committee. It was developed over a seven-year period (1965–1972).
Ekoi people, also known as Ejagham, are an ethnic group in southeastern Nigeria and extending eastward into the southwest region of Cameroon. They speak the Ejagham language. Other Ekoi languages are spoken by related groups, including the Etung, some groups in Ikom, some groups in Ogoja, Ufia, and Yakö. The Ekoi have lived closely with the nearby Efik, Annang, Ibibio, and Igbo people of southeastern Nigeria. The Ekoi are best known for their Ekpe headdresses and the Nsibidi script. The Ejagham likely are the creators of the Nsibidi ideograms and still use them as a part of tradition.
Ikom is a Local Government Area of Cross River State in South-South, Nigeria. Its headquarters are in the town of Ikom in the east of the area on the Cross River and the A4 highway at 5°57′40″N8°42′39″E.
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I. However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II with the discovery of new inscriptions. The complex is under the auspices of the Archaeological Survey of India (ASI) and is part of the UNESCO World Heritage Site inscribed by UNESCO in 1984 as Group of Monuments at Mahabalipuram.
Ganesha Ratha is a temple in Kancheepuram district, Tamil Nadu, India. It is one of ten rathas ("chariots") carved out of pink granite within the group of monuments of the Pallava Period at Mahabalipuram, a UNESCO-inscribed World Heritage Site since 1984. The ratha is an example of monolith Indian rock-cut architecture dating from the late seventh century during the reign of King Mahendravarman I and his son Narasimhavarman I. Initially constructed with a Shiva Linga, it is now deified with a Ganesha deity after the linga was removed.
Ajay Prabhakar is an Indian researcher and author who until 2014, was a United Nations Country Programme officer. He has worked with the Nigerian Presidency in the Arts and Culture parastatal under President Olusegun Obasanjo. Prabhakar still serves as a consultant to the United Nations and other International bodies on Sustainable Development Goals, Technology, Research and Education.
Sandy Ojang Onor is a Nigerian politician who served as the senator representing Cross River Central Senatorial District from 2019 to 2023. He was elected in 2019 to represent Cross River Central Senatorial District in the 9th Assembly of the Senate. He is a member of the Peoples Democratic Party (PDP).
