Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer, by Spanish writer Tirso de Molina. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Da Ponte's libretto was billed as a dramma giocoso, a common designation of its time that denotes a mixing of serious and comic action. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements.
Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
Filippo Galli was an Italian opera singer who began his career as a tenor in 1801 but went on to become one of the most acclaimed basses of the bel canto era, with a voice known for its wide range, extreme agility, and expressivity, and a remarkable gift for acting.
"Madamina, il catalogo è questo" is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.
Vincenzo Fabrizi was an Italian composer of opera buffa.
Renato Capecchi was an Italian baritone, actor, and opera director.
Ugo Falena, was an Italian silent film director and occasional opera librettist. His films include Otello (1909), Beatrice Cenci (1911), William Tell (1911), Romeo and Juliet (1912), and a notable adaptation of Mascagni's Cavalleria rusticana (1916) featuring the soprano who sang at the premiere of the opera, itself, Gemma Bellincioni. He also wrote the libretto for Alfano's opera, L’ultimo Lord.
Don Giovanni, o sia Il convitato di pietra, also known as Don Giovanni Tenorio is a one-act opera by the Italian composer Giuseppe Gazzaniga. The opera was first performed at the Teatro San Moisè, Venice, on 5 February 1787, the same day as Francesco Gardi's opera Don Giovanni in the same city at the Teatro San Samuele The libretto, by Giovanni Bertati, is based on the legend of Don Juan as told by Tirso de Molina in his play The Trickster of Seville and the Stone Guest (c. 1630), leading to comparisons with Mozart's Don Giovanni which had its premiere later in 1787. Mozart's librettist, Lorenzo Da Ponte, certainly knew the earlier opera. Gazzaniga's work is much shorter than Mozart's, and originally formed part of a double-bill with another piece, Il capriccio drammatico.
Vincenzo Maria Righini was an Italian composer, singer and kapellmeister.
Giovanni Battista Lorenzi was an Italian librettist. He was born in Puglia and died in Naples and was a friend of Giovanni Paisiello, with whom he collaborated on numerous operas.
Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto was an Italian composer, known primarily for his fifty-four operas. He was born in Altamura, and studied in Naples; among his teachers were Nicola Fago, Girolamo Abos, and Pasquale Cafaro. Amongst his pupils were the young Vincenzo Bellini around 1821, plus Ferdinando Orlandi. He died in Naples.
L'incoronazione di Dario is an opera in three acts composed by Giacomo Antonio Perti to an Italian libretto by Adriano Morselli. It was first performed on 13 January 1686, at the Teatro Malvezzi in Bologna. Morselli originally wrote the libretto for Domenico Freschi's opera Dario which premiered at the Teatro San Angelo in Venice in 1685. Other later uses of the libretto include Giuseppe Aldrovandini's 1705 L'incoronazione di Dario and Vivaldi's 1717 L'incoronazione di Dario.
The Stone Guest may refer to:
Ugo Benelli is an Italian operatic tenor. Born in Genoa and trained at La Scala, Benelli had an international career singing leading tenore di grazia roles from the early 1960s through the 1980s. In his later years he sang character roles and began a career as a singing teacher. He retired from the stage in 2004.
Innalzamento al trono del giovane re Gioas is an oratorio by Simon Mayr premiered in Florence in 1823. The anonymous libretto is unrelated to the two dozen other oratorios of the name Gioas, all of them based on the 1735 libretto Gioas re di Giuda by Metastasio.
Il convitato di pietra may refer to various versions of the stone guest and Don Juan story.
Claudio Bonoldi was an Italian tenor.
The Teatro Re was a theatre in Milan, located near the Piazza del Duomo and named for its proprietor, Carlo Re. It functioned as both a prose theatre and an opera house and saw the world premieres of numerous operas, including four by Giovanni Pacini. Designed by Luigi Canonica, the theatre was inaugurated in 1813, closed in 1872, and demolished in 1879.
Savino Monelli was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's La gazza ladra, Enrico in Donizetti's L'ajo nell'imbarazzo and Nadir in Pacini's La schiava in Bagdad. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52.
Luigi Pacini was an Italian opera singer who appeared on the main stages of his native country as well as in Spain and Austria in a career that spanned over 30 years. He began his career as a tenor but in 1805 started singing bass roles and rose to prominence in that repertoire. Amongst the numerous roles he created in world premieres were Geronio in Rossini's Il turco in Italia and Parmenione in his L'occasione fa il ladro. Pacini was born in the Province of Pistoia and died in Viareggio where in his later years he taught singing at the conservatory founded by his son, Giovanni Pacini.
