| Impact | |
|---|---|
 Jack Davis cover, issue #1 | |
| Publication information | |
| Publisher | EC Comics |
| Schedule | Bimonthly |
| Format | Anthology |
| Publication date | March/April 1955 – November/December 1955 |
| No. of issues | 5 |
| Creative team | |
| Created by | William Gaines Al Feldstein |
Impact was a short-lived comic book series published by EC Comics in 1955 as the first title in its New Direction line.
The bi-monthly comic, published by Bill Gaines and edited by Al Feldstein, began with an issue cover-dated March–April, 1955. [1] It ran for five issues, ending with the November–December, 1955 issue. The sub-title "Tales Designed to Carry an" ran above the title Impact. The book was dedicated to stories with shock endings, and was seen as a toned down, Comics Code era version of EC's earlier Shock SuspenStories. Front covers were by Jack Davis, and the stories were illustrated by Davis, George Evans, Jack Kamen, Graham Ingels, Joe Orlando, Reed Crandall and Bernard Krigstein.
There are two versions of the cover to Impact #1. One logo is yellow and the other is white.
The first issue featured the short story "Master Race," co-plotted by Gaines & Feldstein and illustrated by Krigstein. [2] "Master Race" is one of the first comic book stories about The Holocaust, and has been described as the Citizen Kane of comic books. [3] [4]
Impact was reprinted as part of publisher Russ Cochran's Complete EC Library in 1988. Between April and August 1999, Cochran (in association with Gemstone Publishing) reprinted all five individual issues. This complete run was later rebound, with covers included, in a single softcover EC Annual . Dark Horse reprinted Impact as part of the EC Archives series in 2020. [5]
| # | Date | Story | Story artist |
|---|---|---|---|
| 1 | March/April 1955 | Tough Cop | Reed Crandall |
| The Diamond Pendant | Graham Ingels | ||
| The Dress | George Evans | ||
| Master Race | Bernard Krigstein | ||
| 2 | May/June 1955 | Mother Knows Best | Reed Crandall |
| Divorce | Jack Davis | ||
| The Suit | Graham Ingels | ||
| Paid in Full | Joe Orlando | ||
| 3 | July/Aug 1955 | Life Sentence | Reed Crandall |
| The Debt | Jack Davis | ||
| Totally Blind | Jack Kamen | ||
| The Good Fairy | Graham Ingels | ||
| 4 | Sept/Oct 1955 | The Lonely One | Jack Davis |
| Fall in Winter | Graham Ingels | ||
| The Bitter End | Reed Crandall | ||
| Country Doctor | George Evans | ||
| 5 | Nov/Dec 1955 | Heart Interest | George Evans |
| The Travelers | Joe Orlando | ||
| The General | Graham Ingels | ||
| So Much More | Bernard Krigstein | ||
Entertaining Comics, more commonly known as EC Comics, was an American comic book publisher specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines died in a boating accident in 1947, his son William Gaines took over the company. He began to print more mature stories, delving into horror, war, fantasy, science-fiction, adventure, and other genres. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes that anticipated the Civil Rights Movement and the dawn of the 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor magazine Mad, leading to the company's greatest and most enduring success. Consequently, by 1956, the company ceased publishing all its comic lines except Mad.
The Vault of Horror is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1948 as War Against Crime. It continued under this title for 11 issues before becoming The Vault of Horror with issue #12. The comic ran for 29 issues until being discontinued after issue #40.
The Haunt of Fear is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1954 created by Bill Gaines and Al Feldstein. The magazine began in June 1947 as Fat and Slat. It continued under this title for four issues before becoming Gunfighter (#5–14). It was retitled The Haunt of Fear with issue #15 (1). The numbering was reset after #17 (3). The comic bore this title for 28 issues until being discontinued after issue #28.
Two-Fisted Tales is an anthology war comic published bi-monthly by EC Comics in the early 1950s. The title originated in 1950 when Harvey Kurtzman suggested to William Gaines that they publish an adventure comic. Kurtzman became the editor of Two-Fisted Tales, and with the dawn of the Korean War, he soon narrowed the focus to war stories. The title was a companion comic to Frontline Combat, and stories Kurtzman wrote for both books often displayed an anti-war attitude. It returned to adventure-themed stories in issues #36 through #39, co-edited by John Severin and Colin Dawkins, with a cover-title change to The New Two-Fisted Tales.
Crime SuspenStories was a bi-monthly anthology crime comic published by EC Comics in the early 1950s. The title first arrived on newsstands with its October/November 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 27 issues. Years after its demise, the title was reprinted in its entirety, and four stories were adapted for television in the HBO's Tales From The Crypt.
Tales from the Crypt is an American bi-monthly horror comic anthology series that was published by EC Comics from 1950 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in March 1947 as International Comics. It continued under this title for five issues before becoming International Crime Patrol (#6) and Crime Patrol (#7–16). It was retitled The Crypt of Terror with issue #17. Two more issues were published under this title before it was rebranded as Tales from the Crypt for issue #20. The comic bore this title for 27 issues until being discontinued after issue #46.
Shock SuspenStories is an American bi-monthly comic book anthology series that was published by EC Comics from 1952 to 1955 created by Bill Gaines and Al Feldstein. The magazine began in February/March 1952 and ran for 18 issues until being discontinued after the December/January 1955 issue. It covered a broad range of topics, including crime, science fiction, and horror.
Weird Fantasy is an American dark fantasy and science fiction anthology comic that was part of the EC Comics line in the early 1950s. The companion comic for Weird Fantasy was Weird Science. Over a four-year span, Weird Fantasy ran for 22 issues, ending with the November–December 1953 issue.
Weird Science was an American science fiction comic book magazine that was part of the EC Comics line in the early 1950s. Over a four-year span, the comic ran for 22 issues, ending with the November–December, 1953 issue. Weird Fantasy was a sister title published during the same time frame.
Weird Science-Fantasy was an American science fiction-fantasy anthology comic, that was part of the EC Comics line in the early 1950s. Over a 14-month span, the comic ran for seven issues, starting in March 1954 with issue #23 and ending with issue #29 in May/June 1955.
Piracy is an EC Comics title published in the mid 1950s. The bi-monthly comic book, published by Bill Gaines and edited by Al Feldstein, began with an issue cover-dated October–November 1954. It ran for seven issues, ending with the October–November 1955 issue.
Incredible Science Fiction was an American science fiction anthology comic published by EC Comics in 1955 and 1956, lasting a total of four issues.
Valor was a comic book published by EC Comics in 1955 as a title in its New Direction line. The bi-monthly comic was published by Bill Gaines and edited by Al Feldstein. It lasted a total of five issues before being cancelled, along with EC's other New Direction comics.
Shock Illustrated was an American black and white magazine published by EC Comics from late 1955 to early 1956. Part of EC's Picto-Fiction line, each magazine featured three to five stories. The artists drew one to four panels per page with the text overlaid onto the artwork. The first issue appeared with a cover date of September–October 1955 and featured three psychology-themed stories, similar in theme to the comic Psychoanalysis published by EC in 1955. Starting with the second issue this type of story was generally reduced to one per issue, with the remaining stories being similar in theme to those that appeared in EC's comic Shock SuspenStories.
Crime Illustrated was a black-and-white magazine published by EC Comics in late 1955 and early 1956. Part of EC's Picto-Fiction line, each magazine featured three to five stories. The format alternated panels of typography with panels of illustrations. Thus, it was arranged in tiers like a comic book but eliminated hand-lettering, balloons and panel borders.
Terror Illustrated was a black-and-white magazine published by EC Comics in late 1955 and early 1956. Part of EC's Picto-Fiction line, each magazine featured three to five stories. The format alternated blocks of text with several illustrations per page.
Aces High was a comic book series published by EC Comics in 1955 as the fourth title in its New Direction line. The bi-monthly comic was published by Bill Gaines. It lasted a total of five issues before being cancelled, along with EC's other New Direction comics.
The EC Archives are an ongoing series of American hardcover collections of full-color comic book reprints of EC Comics, published by Russ Cochran and Gemstone Publishing from 2006 to 2008, and then continued by Cochran and Grant Geissman's GC imprint (2011–2012), and finally taken over by Dark Horse in 2013.
Three Dimensional E.C. Classics was a quarterly comic book anthology series published by EC Comics in 1954. It began publication with its Spring 1954 issue and ceased with its March 1954 issue, producing a total of two issues. The stories it contained were classics in that they were recyclings of stories that had already appeared in earlier EC comic books. However, all new artwork was done for these books, rather than applying the 3-D process to the original illustrations from the first presentations of the stories. They were three-dimensional because they were presented in Anaglyph 3-D. Two 3-D viewers were included with each issue.