The phrase in ictu oculi is a Latin expression meaning "in the blink of an eye". One source is from the Bible, in 1 Corinthians 15:52: "In momento, in ictu oculi, in novissima tuba", translated in the KJV as "In a moment, in the twinkling of an eye, at the last trump:" [1] where the Latin is itself a translation of the original Koine Greek phrase ἐν ῥιπῇ ὀφθαλμοῦ (en rhipēi ophthalmou). [2] The phrase was used by Henry of Huntingdon on the rapid submission to the coronation of Stephen of England in 1135: Sine mora, sine labore, quasi in ictu oculi. [3] [4] It also appears as part of the text to a motet by Antoine Busnois entitled "Gaude celestis Domina". [5]
The most notable use of the phrase in an English text is that by John Donne: which shall be found alive upon the earth, we say there shall be a sudden death, and a sudden resurrection; In raptu, in transitu, in ictu oculi, where Donne gives an English-Latin paraphrase on the original context in 1 Corinthians 15. [6] [7]
More than the original context of the phrase itself, the Latin may be better known as the title of a painting by Juan de Valdés Leal (4 May 1622 – 1690). This painting, an allegory of death (c.1671), is one of two large still life [8] allegorical vanitas paintings, 2.2 metres (7 ft 3 in) high, by Valdés Leal, painted for the Charity Hospital of Seville. [9] The central character is a skeleton; on the floor lies an open coffin and symbols of wealth and power. [10] The skeleton extinguishes a candle which represents life, and above the taper is written the Latin motto. [11] [12] A volume of Rubens' designs for Antwerp's triumphal arches for the 1634 reception of the new Spanish governor, Cardinal-Infante Ferdinand, stands as a symbol of political disillusionment. [13] The other painting of the pair is Finis Gloriae Mundi , "End of worldly glory," which depicts a dead bishop and a knight. [14]
The painting is a reflection of the vanitas concept in Spanish music of the same period, as illustrated in in ictu oculi. Música española del siglo XVII, a recording by the Spanish early music ensemble Los Músicos de Su Alteza in 2002. [15] The name has also been used for a painting by Diango Hernandez (born 1970) in 2004. [16]
Seville is the capital and largest city of the Spanish autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the River Guadalquivir, in the southwest of the Iberian Peninsula.
A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation.
A vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.
Memento mori is an artistic or symbolic reminder of the inevitability of death.
Sic transit gloria mundi is a Latin phrase that means "Thus passes worldly glory".
The Spanish Golden Age is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II (1556-1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting.
Casta is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. It has been interpreted by certain historians during the 20th century to describe mixed-race individuals in Spanish America, resulting from unions of Spaniards, Amerindians, and Africans. Basic mixed-race categories that appeared in official colonial documentation were mestizo, generally offspring of a Spaniard and an indigenous person; and mulato, offspring of a Spaniard and a black African. There were a plethora of terms for mixed-race persons of indigenous and African ancestry used in 18th-century casta paintings yet they are not known to have been widely used officially or unofficially in the Spanish Empire.
Juan de Valdés Leal was a Spanish painter and etcher of the Baroque era.
An hourglass is a device used to measure the passage of time. It comprises two glass bulbs connected vertically by a narrow neck that allows a regulated flow of a substance from the lower bulb to the upper one. Typically the upper and lower bulbs are symmetric so that the hourglass will measure the same duration regardless of orientation. The specific duration of time a given hourglass measures is determined by factors including the quantity and coarseness of the particulate matter, the bulb size, and the neck width.
Cornelis Norbertus Gijsbrechts or Gysbrechts was a Flemish painter who was active in the Spanish Netherlands, Germany, Denmark and Sweden in the second half of the seventeenth century. He was a court painter to the Danish royal family. He specialised in trompe-l'œil still lifes, an artistic genre which uses illusionistic devices to create images that make viewers believe that the two-dimensional paintings are real three-dimensional objects. He also created many vanitas still lifes.
Antonio M. Ruíz, was a Mexican fine art painter and scenic designer otherwise known by his childhood nickname "El Corzo" or "El Corcito" (diminutive) which came about due to his resemblance to a popular Spanish bullfighter or torero.
Joris van Son or Georg van Son was a Flemish still life painter who worked in a number of sub-genres but is principally known for his fruit still lifes. He also created flower still lifes, banquet still lifes, vanitas still lifes and pronkstillevens. He is known to have painted fish still lifes representing the Four Elements. He collaborated with figure artists on 'garland paintings', which typically represent a devotional image framed by a fruit or flower garland.
Fulcanelli was the name used by a French alchemist and esoteric author, whose identity is still debated. The name Fulcanelli seems to be a play on words: Vulcan, the ancient Roman god of fire, plus El, a Canaanite name for God and so the Sacred Fire.
Contemptus mundi, the "contempt of the world" and worldly concerns, is a theme in the intellectual life of both Classical Antiquity and of Christianity, both in its mystical vein and its ambivalence towards secular life, that figures largely in the Western world's history of ideas. In inculcating a turn of mind that would lead to a state of serenity untrammeled by distracting material appetites and feverish emotional connections, which the Greek philosophers called ataraxia, it drew upon the assumptions of Stoicism and a neoplatonism that was distrustful of deceptive and spurious appearances. In the familiar rhetorical polarity in Hellenic philosophy between the active and the contemplative life, which Christians, who expressly rejected "the World, the Flesh and the Devil", might exemplify as the way of Martha and the way of Mary, contemptus mundi assumed that only the contemplative life was of lasting value and the world an empty shell, a vanity.
Juan Rodríguez Juárez was an artist in the Viceroyalty of New Spain. He was a member of a Spanish family long noted for their accomplishments in the world of painting. His brother was Nicolás Rodríguez Juárez, who was like himself, an established painter in New Spain. He was the son of Antonio Rodríguez (1636–91), a notable Spanish painter. His maternal grandfather José Juárez and maternal great great grandfather Luis Juárez were also notable painters in Spanish history and prominent in the Baroque era.
The Hospital de los Venerables of Seville, Spain, is a baroque 17th-century building which served as a residence for priests. It currently houses the Velázquez Center, dedicated to the famous painter Diego Velázquez. It is located in the Plaza de los Venerables, in the center of the Barrio de Santa Cruz and close to the Murillo Gardens, the Seville Cathedral and Alcázar.
Saint Paul is a painting by Diego Velázquez that is in the Museu Nacional d'Art de Catalunya in Barcelona, Spain. The piece was created around 1619 during the early stage of Velázquez's artistic career before he moved to Madrid. At this stage of Velazquez's career he was deeply influenced by Caravaggio. In the image, Saint Paul is seated holding a book, commonly referenced as a large Gospel book.
In Ictu Oculi is a very large oil on canvas painting by the Spanish Baroque artist Juan de Valdés Leal. It is dated to 1670-72, and was commissioned by the Brotherhood of Charity lay confraternity for the Hospital de la Caridad, Seville, a resting place for the old and a burial ground for paupers.
Peeter Sion or Peter Sion was a Flemish painter of landscapes, history paintings and genre scenes. His work was mainly produced for the export market and dealt with biblical stories.
The Church of Saint Louis of France, located in the historic district of Seville, Spain, represents an example of Baroque architecture in the 18th century. The church was designed by the architect Leonardo of Figueroa and constructed between 1699 and 1730 on behalf of the Society of Jesus. Following the expulsion of the Jesuits from Spain in 1835, it had different uses and was eventually deconsecrated. The building currently belongs to the Provincial Council of Seville.
Hoc vero signum malum fuit, quod tarn reponte omnis Anglia sine mora, sine labore, quasi in ictu oculi ei subjecta est.
Henri de Huntingdon ... indique que l'Angleterre se soumit très rapidement « sine mora, sine labore, quasi in ictu oculi ».
Valdes Leal's canvases are still-lives but on such a large scale – more than 7 feet (2.1 meters) high – that they transcend that genre to become religious paintings. The skeleton in one canvas – In Ictu Oculi – is the sole actor amid ...
Contrary to this, of course, is the tighter technique of the allegories, Finis Gloriae Mundi and In Ictu Oculi, painted for the Charity Hospital of Seville, where Murillo (see) was also at work. These pictorial horrors exemplify the ...
Round the flame of the taper are the words, 'in ictu oculi.' On the floor is an open coffin, ...
Circling the gleaming light of the taper are the words "In Ictu Oculi," while an open coffin rests upon the ground, ...
In Ictu Oculi (fig. 16), by the same artist, presents death as a skeleton standing over symbols of wealth and power and extinguishing a candle that symbolizes life.
... chilling canvas In Ictu Oculi (1671) in which a volume of Rubens' designs for the Cardinal-Infante's triumphal arches stands as a symbol of political disillusionment, ...
The inscription In Ictu Oculi translates as 'in the blink of an eye'. Opposite this is an even more challenging painting entitled Finis Gloriae Mundi ('the end of wordly glory'). It depicts a crypt in which a dead bishop and knight are ...