In the Cool of the Day | |
---|---|
Directed by | Robert Stevens |
Screenplay by | Meade Roberts |
Based on | In the Cool of the Day 1960 novel by Susan Ertz |
Produced by | John Houseman |
Starring | |
Cinematography | Peter Newbrook |
Edited by | Thomas Stanford |
Music by | Francis Chagrin |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 89 minutes |
Countries |
|
Language | English |
Budget | $1.5 million [1] |
In the Cool of the Day is a 1963 British-American romantic drama film released by Metro-Goldwyn-Mayer in Metrocolor and Panavision. [2] [3] The film is directed by Robert Stevens and starring Peter Finch, Jane Fonda, Angela Lansbury, Arthur Hill, and Constance Cummings; with Nigel Davenport, and John Le Mesurier. [4]
Christine Bonner (Fonda) is a wealthy, beautiful young American woman with chronic health problems. She has been separated from her adoring but overly-protective husband Sam (Hill), but agrees to return to him. She meets an English friend of Sam's, a writer and publishing-company executive, Murray Logan (Finch), who shares her great interest in Greece.
Logan also is unhappily married because his vicious and shallow wife, Sybil (Lansbury), blames him for an automobile accident that scarred her and killed their son. Christine and Murray meet again in England and their attraction grows.
The two couples plan to vacation together in Greece, but Sam must stay home because of a family illness. Murray and Christine fall in love as they visit Greek ruins and other tourist attractions.
Sybil, besides being bored with the cultural landmarks, realizes what is happening and writes Sam in New York. She then tells Murray she is leaving him, running off to the Riviera for a fling with an Englishman (Davenport) she met in Greece. She tells Christine that “he’s all yours.”
Hearing that Christine’s controlling mother is pursuing them, they continue their travels, eventually making love. Christine’s mother finds them and takes her away. Christine falls ill from the stress and exertion and, according to Sam, refuses to fight for her life; she eventually contracts pneumonia.
Sam suggests that Murray visit the hospital. Before dying, Christine tells Murray she did not want him to have to deal with her chronic illness. She makes Murray promise to do what they would have done together. He continues his travels in Greece. [5]
The novel was published in 1960. The New York Times called it "a mixture of high romance and exotic travelogue". [6]
Film rights were bought by MGM who assigned John Houseman to produce. Houseman had just returned to the studio after a six year absence. Meade Roberts, who had written a TV adaptation of Wings of the Dove for Houseman, was working on the script by January 1961. [7] [8] In July Robert Stevens was announced as director; it was the second of a two picture deal with MGM, the first being I Thank a Fool. Stevens had worked with Houseman several times on television. [9]
In February 1962 Houseman said the film was in planning stages and described the project as "essentially it is a romantic drama dealing with marital problems, the settings of which are New York, Connecticut, London and Greece. No cast as yet?" [10]
Peter Finch, who had just made I Thank a Fool with Stevens, was the first cast member announced. In May 1962 MGM signed Jane Fonda, who had just made A Period of Adjustment with the studio, would star. [11]
Filming took place in August 1962. It was made on locations in London, Greece and at MGM-British Studios, Borehamwood, Herts. [3] The production schedule was hampered by the fact Jane Fonda was required back in New York at a certain date to begin rehearsals for a play. Houseman joked that the film was split into two sections, "Jane Fonda" and "post-Jane Fonda". [12]
On the January 19, 2018 episode of Watch What Happens Live , Fonda stated it was the worst film she'd ever made and she wished it had never been filmed; so bad, in fact, she wasn't even certain if it had been released. [13]
Henry Jaynes Fonda was an American actor whose career spanned five decades on Broadway and in Hollywood. On screen and stage, he often portrayed characters that embodied an everyman image.
Jane Seymour Fonda is an American actress and activist. Recognized as a film icon, Fonda's work spans several genres and over six decades of film and television. She is the recipient of numerous accolades, including two Academy Awards, two British Academy Film Awards, seven Golden Globe Awards, a Primetime Emmy Award, the AFI Life Achievement Award, the Honorary Palme d'Or, and the Cecil B. DeMille Award.
Network is a 1976 American satirical black comedy-drama film directed by Sidney Lumet and written by Paddy Chayefsky. It is about a fictional television network and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch, Robert Duvall, Wesley Addy, Ned Beatty, and Beatrice Straight.
Laurence Harvey was a Lithuanian-born British actor and film director. He was born to Lithuanian Jewish parents and emigrated to South Africa at an early age, before later settling in the United Kingdom after World War II. In a career that spanned a quarter of a century, Harvey appeared in stage, film and television productions primarily in the United Kingdom and the United States.
Cat Ballou is a 1965 American western comedy film starring Jane Fonda and Lee Marvin, who won an Academy Award for Best Actor for his dual role. The story involves a woman who hires a notorious gunman to protect her father's ranch, and later to avenge his murder, only to find that the gunman is not what she expected. The supporting cast features Tom Nardini, Michael Callan, Dwayne Hickman, and Nat King Cole and Stubby Kaye, who together perform the film's theme song, and who appear throughout the film in the form of travelling minstrels or troubadours as a kind of musical Greek chorus and framing device.
Klute is a 1971 American neo-noir psychological thriller film directed and produced by Alan J. Pakula, and starring Jane Fonda, Donald Sutherland, Charles Cioffi, Nathan George, Dorothy Tristan, Roy Scheider, and Rita Gam. Its plot follows a high-priced New York City call girl who assists a detective from Pennsylvania in solving the missing person case of a john who may be stalking her. It is the first installment of what has informally come to be known as Pakula's "paranoia trilogy", followed by The Parallax View (1974) and All the President's Men (1976), all films dealing with themes of paranoia, conspiracies, and surveillance.
John Houseman was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with director Orson Welles from their days in the Federal Theatre Project through to the production of Citizen Kane and his collaboration, as producer of The Blue Dahlia, with writer Raymond Chandler on the screenplay. He won the Academy Award for Best Supporting Actor for his portrayal of Professor Charles W. Kingsfield in the 1973 film The Paper Chase. He reprised the role of Kingsfield in the 1978 television series adaptation.
The Harvey Girls is a 1946 Technicolor American musical film produced by Arthur Freed for Metro-Goldwyn-Mayer. It is based on the 1942 novel of the same name by Samuel Hopkins Adams, about Fred Harvey's Harvey House waitresses. Directed by George Sidney, the film stars Judy Garland and features John Hodiak, Ray Bolger, and Angela Lansbury, as well as Preston Foster, Virginia O'Brien, Kenny Baker, Marjorie Main and Chill Wills. Future star Cyd Charisse appears in her first speaking role on film.
Jane Eyre is a 1943 American film adaptation of Charlotte Brontë's 1847 novel of the same name, released by 20th Century Fox. It was directed by Robert Stevenson and produced by the uncredited Kenneth Macgowan and Orson Welles; Welles also stars in the film as Edward Rochester, with Joan Fontaine playing the title character.
Royal Wedding is a 1951 American musical comedy film directed by Stanley Donen, and starring Fred Astaire and Jane Powell, with music by Burton Lane and lyrics by Alan Jay Lerner. Set in 1947 London at the time of the wedding of Princess Elizabeth and Philip Mountbatten, the film follows an American brother-sister song and dance duo who, while performing, each fall in love — he, with a female dancer, and she, with an impoverished but well-connected nobleman. The film marked Donen's second directorial feature. It was released as Wedding Bells in the United Kingdom.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Legal Eagles is a 1986 American legal romantic comedy thriller film directed by Ivan Reitman, written by Jim Cash and Jack Epps, Jr. from a story by Reitman and the screenwriters, and starring Robert Redford, Debra Winger, and Daryl Hannah.
Billy Rose's Jumbo is a 1962 American musical film released by Metro-Goldwyn-Mayer and starring Doris Day, Stephen Boyd, Jimmy Durante, and Martha Raye. An adaptation of the stage musical Jumbo produced by Billy Rose, the film was directed by Charles Walters, written by Sidney Sheldon, and featured Busby Berkeley's choreography. It was nominated for an Academy Award for the adaptation of its Rodgers and Hart score.
Sunday in New York is a 1963 American romantic comedy film directed by Peter Tewksbury from a screenplay by Norman Krasna, based on Krasna's 1961 play of the same name. Filmed in Metrocolor, the film stars Cliff Robertson, Jane Fonda, and Rod Taylor, with Robert Culp, Jo Morrow, and Jim Backus. The score was composed and recorded by Peter Nero, who also appears as himself performing in a nightclub; Mel Tormé sang the title song.
I Thank a Fool is a 1962 British Metrocolor crime film directed by Robert Stevens and starring Susan Hayward and Peter Finch. It was made by Eaton and Metro-Goldwyn-Mayer in CinemaScope and produced by Anatole de Grunwald from a screenplay by Karl Tunberg based on the 1958 novel of the same title by Audrey Erskine Lindop. The music score was by Ron Goodwin and the cinematography by Harry Waxman.
The Sign of the Ram is a 1948 American film noir directed by John Sturges and screenplay by Charles Bennett, based on a novel written by Margaret Ferguson. The drama features Susan Peters, Alexander Knox and Phyllis Thaxter. It also featured Ron Randell. The film's title alludes to people born under the astrological sign Aries, who are supposedly strong-willed and desire to be admired, as explained in the dialogue.
Walk on the Wild Side is a 1962 American drama film directed by Edward Dmytryk, and starring Laurence Harvey, Capucine, Jane Fonda, Anne Baxter and Barbara Stanwyck. It was adapted from the 1956 novel A Walk on the Wild Side by American author Nelson Algren. The film was scripted by John Fante.
Period of Adjustment is a 1962 American comedy-drama film directed by George Roy Hill from a screenplay written by Isobel Lennart, based on Tennessee Williams' 1960 play of the same name. The film stars Tony Franciosa, Jane Fonda, Jim Hutton and Lois Nettleton.
Joy House is a 1964 French mystery–thriller film starring Jane Fonda, Alain Delon and Lola Albright. It is based on the 1954 novel of the same name by Day Keene.
The Young Lovers is a 1964 black-and-white American romantic drama film. It was released by Metro-Goldwyn-Mayer in November 1964. The sole directorial effort of its producer, Samuel Goldwyn Jr., it stars Peter Fonda and Sharon Hugueny, with second leads Nick Adams and Deborah Walley. Scripted by George Garrett from a 1955 novel by Julian Halevy, the film was shot in September–October 1963 and released a year later.