"In the House of Suddhoo" is a short story by Rudyard Kipling. The story was published in the Civil and Military Gazette on April 30, 1886 under the title "Section 420, I.P.C." (Indian Penal Code). [1] (Section 420 of the Indian Penal Code of 1860 lays down that anyone who cheats and dishonestly induces a person to hand over any valuable property shall be punished with imprisonment and a fine.) [1] Its first appearance in book form was in the first Indian edition of Plain Tales from the Hills in 1888. It was the third of the stories that appear in that collection to be written [2]
"In the House of Suddhoo", therefore, is a story about deception. There are several layers of uncertainty in it. Suddhoo is a "very, very old" man who lets rooms in his house. The inhabitants are: on the ground floor, Bhagwan Dass, the grocer, and a man who claims to be a seal-cutter, together with their households; on the upper floor, Janoo (and formerly Azizun, who has now married and left), "Ladies of the City, and theirs was an ancient and more or less honourable profession" (that is, prostitutes). Here is one layer of questionable honesty - although Kipling is at pains to show Janoo as honest and intelligent. The narrator is in favour with Suddhoo, because he, a Sahib or Briton has got a job for one of Suddhoo's cousins. "Suddhoo says that God will make me a Lieutenant-Governor one of these days. [Another layer of dishonesty - or humour?] I daresay his prophecy will come true. [Again]"
Suddhoo is very fond of his son, who lives at Peshawar, some 400 miles away. The young man contracts pleurisy. The seal-cutter, who understands the telegraph as Suddhoo cannot, has a friend in Peshawar who sends him the details before letters arrive. Suddhoo is worried at his son's health and invites the narrator to discuss it - specifically the prohibition on jadoo, or magic, by the Raj. The narrator reassures him that white magic is permitted, and that the officials of the Raj practise it themselves - Kipling adds, with more humour, "(If the Financial Statement [roughly, the Budget of the government of India] isn't magic, I don't know what is)". Suddhoo admits that he has paid much money for the 'clean sorcery' of the seal-cutter, who gets accurate reports "more quickly than the lightning can fly".
So they approach Suddhoo's house, hearing noises from the seal-cutter's window. They climb the darkened stairs, to Janoo's room, where there is more space. Then the magician enters, stripped to the waist, and puts on a most impressive performance, face white and eyes rolled back. The narrator recognises the fire-eating and the ventriloquism, and realises that, however impressive - and frightening - the performance is, it is a fraud, as Janoo says in her own language hearing him twice claim a very precise fee. (It is, of course, the central fraud in the tale.) She is upset that Suddhoo is spending all his money, some of which she had counted on acquiring (by "wheedling", which may be accounted as another form of deception).
Kipling summarises the narrator's problems: he has aided and abetted the seal-cutter in obtaining money under false pretences, so is guilty under British law; he cannot tackle the seal-cutter, as the latter will poison Janoo; and he fears that Janoo will poison the seal-cutter anyway. making him (the narrator) guilty as accessory to the act.
So deception is manifold.
"The Man Who Would Be King" (1888) is a story by Rudyard Kipling about two British adventurers in British India who become kings of Kafiristan, a remote part of Afghanistan. The story was first published in The Phantom 'Rickshaw and Other Tales (1888); it also appeared in Wee Willie Winkie and Other Child Stories (1895) and numerous later editions of that collection. It has been adapted for other media a number of times.
"Shooting an Elephant" is an essay by British writer George Orwell, first published in the literary magazine New Writing in late 1936 and broadcast by the BBC Home Service on 12 October 1948.
Stalky & Co. is a novel by Rudyard Kipling about adolescent boys at a British boarding school. It is a collection of school stories whose three juvenile protagonists display a know-it-all, cynical outlook on patriotism and authority. It was first published in 1899 after the stories had appeared in magazines during the previous two years. It is set at a school dubbed "the College" or "the Coll.", which is based on the actual United Services College that Kipling attended as a boy.
Shree 420 is a 1955 Indian Hindi comedy-drama film directed and produced by Raj Kapoor from a story written by Khwaja Ahmad Abbas whose use of Shree with the negative connotations of 420 caused controversy. The film stars Nargis, Nadira, and Kapoor. The number 420 refers to Section 420 of the Indian Penal Code, which prescribes the punishment for the offence of fraud; hence, "Mr. 420" is a derogatory term for a fraud. The film centers on Raj Kapoor, a poor but educated orphan who comes to Bombay with dreams of success. Kapoor's character is influenced by Charlie Chaplin's "little tramp", much like Kapoor's character in his 1951 Awaara. The music was composed by the team of Shankar Jaikishan, and the lyrics were penned by Shailendra and Hasrat Jaipuri.
The Gruffalo is a British children's picture book by author Julia Donaldson and illustrated by Axel Scheffler. It tells the story of a mouse taking a walk in the woods and deceiving different predators, including the Gruffalo. The Gruffalo was first published in 1999 in the United Kingdom by Macmillan Children's Books. It is about 700 words long and is written in rhyming couplets featuring repetitive verse. It is an example of a trickster story and was inspired by a Chinese folk tale called "The Fox that Borrows the Terror of a Tiger". The Gruffalo has sold over 13.5 million copies and has won several prizes for children's literature including the Nestlé Smarties Book Prize.
Charles Robin Allen was a British freelance writer and popular historian from London. His British parents were both born in India.
Plain Tales from the Hills is the first collection of short stories by Rudyard Kipling. Out of its 40 stories, "eight-and-twenty", according to Kipling's Preface, were initially published in the Civil and Military Gazette in Lahore, Punjab, British India between November 1886 and June 1887. "The remaining tales are, more or less, new."
Yaadgar is a 1984 Indian Hindi-language film directed by Dasari Narayana Rao, starring Kamal Haasan, Poonam Dhillon and Sanjeev Kumar. The film featured lyrics penned by Indivar and Anjaan, music by Bappi Lahiri.
Puck of Pook's Hill is a fantasy book by Rudyard Kipling, published in 1906, containing a series of short stories set in different periods of English history. It can count both as historical fantasy – since some of the stories told of the past have clear magical elements, and as contemporary fantasy – since it depicts a magical being active and practising his magic in the England of the early 1900s when the book was written.
Bhai Ram Singh (1858–1916) was one of pre-partition Punjab's foremost architects, dominating the scene for nearly two decades from the 1890s. Amongst his works is the Durbar Room, Osborne House, on the Isle of Wight, England; Lahore Museum and Governor's House in Simla.
"Miss Youghal's Sais" is a short story in Rudyard Kipling's collection Plain Tales from the Hills (1888). It is the first appearance in book form of the fictional character Strickland.
In Black and White is a collection of eight short stories by Rudyard Kipling which was first published in a booklet of 108 pages as no. 3 of A H Wheeler & Co.’s Indian Railway Library in 1888. It was subsequently published in a book along with nos 1 and 2, Soldiers Three (1888) and The Story of the Gadsbys, as Soldiers Three (1899). The characters about whom the stories are concerned are native Indians, rather than the British for writing about whom Kipling may be better known; four of the stories are narrated by the Indians, and four by an observant wise English journalist. The stories are:
"False Dawn" is a short story by Rudyard Kipling. It was first published in the first Indian edition of Plain Tales from the Hills in 1888, and in subsequent editions of that collection.
"Lispeth" is a short story by Rudyard Kipling. It was first published in the Civil and Military Gazette on 29 November 1886; its first appearance in book form was in the first Indian edition of Plain Tales from the Hills in 1888, and it later appeared in subsequent editions of that collection. The tale is an interesting example of Kipling's attitudes to different races and cultures, which is less simple than many accounts of his beliefs allow.
"Thrown Away" is a short story by British author Rudyard Kipling. It was published in the first Indian edition of Plain Tales from the Hills (1888), and in subsequent editions of that collection.
"Yoked with an Unbeliever" is a short story by Rudyard Kipling. It was first published in the Civil and Military Gazette on December 7, 1886, and in book form in the first Indian edition of Plain Tales from the Hills in 1888. It also appears in subsequent editions of that collection.
"His Chance in Life" is a short story by Rudyard Kipling. It was first published in the first Indian edition of Plain Tales from the Hills (1888), and in subsequent editions of that collection. The story is illuminating about Kipling's attitudes to race, which are less cut-and-dried than is often thought. Kipling is interesting, if not very detailed, on people of mixed race and the snobberies involved.
"The Conversion of Aurelian McGoggin" is a short story by Rudyard Kipling. It was first published in the Civil and Military Gazette on April 28, 1887, and first in book form in the first Indian edition of Plain Tales from the Hills in 1888, and in subsequent editions of that collection.
"A Germ-Destroyer" is a short story by Rudyard Kipling. It was first published in the Civil and Military Gazette on May 17, 1887, in the first Indian edition of Plain Tales from the Hills in 1888, and in subsequent editions of that collection. The story is one of Kipling's essays into farcical humour – with his frequent sardonic glances at the oddities of the way that the world works: here, the administrative world of the British Raj. He tells of the new Viceroy who has arrived with a Private Secretary called Wonder, who is trying to run the Indian Empire.