In the Shadow of No Towers | |
---|---|
Publication information | |
Publisher | Viking Adult |
Format | Comic strip Board book |
Publication date | 2002–2004 |
Creative team | |
Created by | Art Spiegelman |
Collected editions | |
In the Shadow of No Towers | ISBN 0-670-91541-6 |
In the Shadow of No Towers is a 2004 work of comics by American cartoonist Art Spiegelman. It is about Spiegelman's reaction to the September 11 attacks on the World Trade Center in 2001. It was originally serialized as a comic strip in the German newspaper Die Zeit from 2002 until 2004, and was collected as an oversized board book in 2004 with early American comic strips as supplementary material.
In 2011, Mode Records released a 5.1 multichannel DVD recording (Mode 236) of Spiegelman's book, including some of his text and artwork in the booklet, with music by Marco Cappelli, and narration by John Turturro and Enzo Salomone.
The book evolved from Spiegelman's experiences during the September 11 terrorist attacks. Spiegelman has said that the book was a way to reclaim himself from the post-traumatic stress disorder he suffered after the attacks.
It also has many references to Spiegelman's Maus comics, for example one in which Art said that the smoke in Manhattan smelled just like Vladek said the smoke in the concentration camps smelled. Also he often turns himself into a mouse on the fly.
It was published by the German newspaper Die Zeit after Spiegelman was unable to secure publication in any major American outlet. In Britain, excerpts were published in The Independent . The comic was serialised in full in the London Review of Books from March-September 2003. A segment also appeared in 2004 as part of the Actus Tragicus comics album Dead Herring Comics .
In 2004, the series of ten strips and a supplement of reprints of turn-of-the-20th-century comic strips such as The Katzenjammer Kids and The Yellow Kid were collected and published together as a book by Viking Books. In the Shadow of No Towers was selected by The New York Times as one of the 100 Notable Books of 2004. [1]
In the Shadow of No Towers is the inspiration for a symphony by Mohammed Fairouz. [2]
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
The Silver Age of Comic Books was a period of artistic advancement and widespread commercial success in mainstream American comic books, predominantly those featuring the superhero archetype. Following the Golden Age of Comic Books, the Silver Age is considered to cover the period from 1956 to 1970, and was succeeded by the Bronze Age.
A graphic novel is a long-form work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
Itzhak Avraham ben Zeev Spiegelman, professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.
Maus, often published as Maus: A Survivor's Tale, is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a Polish Jew and Holocaust survivor. The work employs postmodern techniques, and represents Jews as mice and other Germans and Poles as cats and pigs respectively. Critics have classified Maus as memoir, biography, history, fiction, autobiography, or a mix of genres. In 1992 it became the first graphic novel to win a Pulitzer Prize.
Manuel Rodriguez, better known as Spain or Spain Rodriguez, was an American underground cartoonist who created the character Trashman. His experiences on the road with the motorcycle club, the Road Vultures M.C., provided inspiration for his work, as did his left-wing politics. Strongly influenced by 1950s EC Comics illustrator Wally Wood, Spain pushed Wood's sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood's female characters.
Justin Considine Green was an American cartoonist who is known as the "father of autobiographical comics." A key figure and pioneer in the 1970s generation of underground comics artists, he is best known for his 1972 comic book Binky Brown Meets the Holy Virgin Mary.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Peter Sanderson Jr. is an American comic book critic and historian.
Franklin Robbins was an American comic book and comic strip artist and writer, as well as a prominent painter whose work appeared in museums including the Whitney Museum of American Art, where one of his paintings was featured in the 1955 Whitney Annual Exhibition of American Painting.
Françoise Mouly is a French-born American designer, editor and publisher. She is best known as co-founder, co-editor, and publisher of the comics and graphics magazine Raw (1980–1991), as the publisher of Raw Books and Toon Books, and since 1993 as the art editor of The New Yorker. Mouly is married to cartoonist Art Spiegelman, and is the mother of writer Nadja Spiegelman.
Bob Powell was an American comic book artist known for his work during the 1930–1940s Golden Age of comic books, including on the features "Sheena, Queen of the Jungle" and "Mr. Mystic". He received a belated credit in 1999 for co-writing the debut of the popular feature "Blackhawk". Powell also did the pencil art for the bubble gum trading card series Mars Attacks. He officially changed his name to S. Robert Powell in 1943.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Arie Kaplan is an American writer and comedian. He is the author of the book Masters of the Comic Book Universe Revealed!, and a writer for Mad magazine. He lives in New York City.
"Husbands and Knives" is the seventh episode of the nineteenth season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on November 18, 2007. It features guest appearances from Alan Moore, Art Spiegelman, and Dan Clowes as themselves and Jack Black as Milo. It was written by Matt Selman and directed by Nancy Kruse. The title is a reference to the Woody Allen film Husbands and Wives.
The Kin-der-Kids and Wee Willie Winkie's World were early newspaper comics by painter Lyonel Feininger and published by the Chicago Sunday Tribune during 1906–07.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
Breakdowns is a collected volume of underground comic strips by American cartoonist Art Spiegelman. The book is made up of strips dating to before Spiegelman started planning his graphic novel Maus, but includes the strip "Maus" which presaged the graphic novel, and "Prisoner on the Hell Planet" which is reproduced in Maus. The original edition of 1977 is subtitled From Maus to Now; the expanded 2008 edition is subtitled Portrait of the Artist as a Young %@&*!.
The history of American comics began in the 19th century in mass print media, in the era of sensationalist journalism, where newspaper comics served as further entertainment for mass readership. In the 20th century, comics became an autonomous art medium and an integral part of American culture.
Comics Feature was an American magazine of news, criticism, and commentary pertaining to comic books, comic strips, and animation. Published by New Media Publishing, it produced 57 issues between 1980 and 1987.
{{cite book}}
: |work=
ignored (help)