Incoherence | ||||
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Studio album by | ||||
Released | March 2004 | |||
Recorded | March - December 2003 | |||
Genre | Art rock | |||
Length | 41:38 | |||
Label | Fie! | |||
Producer | Peter Hammill | |||
Peter Hammill chronology | ||||
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Incoherence is the 30th studio album by Peter Hammill, released on his Fie! label in March 2004. Incoherence is a concept album about language, containing 14 tracks with soft transitions between them. The album was produced and played by Hammill himself, with contributions from Stuart Gordon on violin and David Jackson on flute and saxophones. Incoherence is recognized by critics as ambitious and one of Hammill's major works.
Incoherence is Hammill's fourth (either with Van der Graaf Generator or solo) long piece of music with continuous transitions between sections which can be identified as single songs. At 41 minutes, however, it is twice as long as the earlier examples, "A Plague of Lighthouse Keepers" (1971 with Van der Graaf Generator), "Flight" (1980) and "A Headlong Stretch" (1994).
Musically, the 14 sections vary widely from calm, harmonic songs to difficult and highly demanding sections, tied together by Hammill's unusual voice, a focus on keyboards and the concept of the album: language.
Incoherence was produced in Hammill's studio Terra Incognita in Wiltshire between March and September 2003. Hammill completed the mixing of the album just two days before he suffered a heart attack in December 2003.
The instrumentation of Incoherence is complex and symphonic, but never overdone and leaving some rather simple musical structures, mainly in the beginning and the end. Beneath keyboards in classical as well as in processed forms, Hammill used guitars, backing vocals and some overdubs by the violins of Stuart Gordon and the saxophones of David Jackson. This kind of instrumentation was Hammill's main form of producing since the 1990s, but this time with an even higher level of complexity and without the use of drums.
In Incoherence Hammill discusses the contradictions and shortcomings of language, given that "our capacities for communication and comprehension define us both socially and personally". In multi-levelled ways, the words of this album describe the "incoherent" use and the impossibilities of words. It has been argued that Peter Hammill referenced the infamous Iraq speech of Tony Blair. [1]
The cover, designed by Paul Ridout, shows corroded and burnt surfaces with lines of text. Folded out, the booklet contains a tower built with the lines of the songs of Incoherence, a reference to the Tower of Babel.
Review scores | |
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Source | Rating |
Allmusic | [2] |
Critics received Incoherence favourably, speaking of a "major work, challenging pop's conventional limits yet again" (The Independent), [1] being "Hammill's most ambitious undertaking since 'Flight', and representing a high mark in the man's artistic creativity" (Allmusic). [3] It was also pointed out that Incoherence "demands absorption throughout time and repeated listens" (Maelstrom). [4]
All songs written by Peter Hammill. Hammill himself refers to the album as "a continuous 41 minute + piece". [5]
Peter Joseph Andrew Hammill is an English singer-songwriter. He is a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer/songwriter, he also plays guitar and piano and acts as a record producer for his own recordings and occasionally for other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
Patience is the 13th studio album by Peter Hammill. It was released in August 1983 on Naive Records, a label founded by Gordian Troeller, the former manager of Hammill's band Van der Graaf Generator. It was remastered in 1991 and released on Fie! Records. It was the second album to feature the collective known as the K Group — Hammill, Guy Evans, John Ellis, and Nic Potter
Vital: Van der Graaf Live is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome (1977), and featured the same line-up plus newcomer cellist/keyboardist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
Out of Water is the 17th studio album by Peter Hammill, originally released on Enigma Records in 1990 and subsequently re-released on Hammill's own Fie! label. Hammill himself considers this album to be a turning point from his mid-eighties style.
A Black Box is the ninth studio album by Peter Hammill, originally released on S-Type Records in August 1980.
Roaring Forties is the 21st studio album by Peter Hammill, released on his own Fie! label in 1994. It, and the following album, X My Heart, are Hammill's most recent albums that primarily contain an organic, full-band rock style. While there are occasional tracks on later albums in this style, Hammill's principal mode has moved since this album towards a more intimate, chamber-music style. The Roaring Forties is a name given, especially by sailors, to the latitudes between 40°S and 50°S, so called because of the boisterous and prevailing westerly winds.
Present is the ninth studio album by British progressive rock band Van der Graaf Generator, released in 2005. It was the band's first studio album since The Quiet Zone/The Pleasure Dome in 1977, and the first with the 'classic' line-up since World Record in 1976. The Charisma Records label was reactivated for its release, as well as a reissue series of Van der Graaf Generator's back catalog and Peter Hammill's solo releases from 1972-86.
The Fall of the House of Usher is an opera by Peter Hammill (music) and Chris Judge Smith (libretto). It is based on the 1839 short story of the same name by Edgar Allan Poe.
Chameleon in the Shadow of the Night is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and other ex-members of Van der Graaf Generator perform on the album.
Fool's Mate is the debut solo album by Peter Hammill of progressive rock band Van der Graaf Generator. The title is both a chess and tarot reference. It was produced by Trident Studios' in-house producer John Anthony. The album was recorded in 1971, in the midst of one of Van der Graaf Generator's most prolific periods. Hammill used the album to record a backlog of songs which were much shorter and simpler than his Van der Graaf Generator material, and declared on the original album sleeve: "This isn't intended to be any kind of statement of my present musical position, but at the same time, it is an album which involves a great deal of me, the person, basically a return to the roots."
Fireships is the 19th studio album by English singer and songwriter Peter Hammill. Originally released in 1992, it was the first release on Hammill's own Fie! Records label. It was reissued in remastered form in 2006.
The Noise is the 20th studio album by the English singer and songwriter Peter Hammill.
Real Time: Royal Festival Hall, London, 06.05.05 is a live album by Van der Graaf Generator, released in 2007 on Fie! Records. It contains the entire recording of the group's reunion concert at the Royal Festival Hall in London, England on 6 May 2005. The album includes at least one song from every album released between 1970-1976, plus their 2005 reunion album Present. Nothing is included from 1969's Aerosol Grey Machine and The Quiet Zone/The Pleasure Dome, released in 1977 after Hugh Banton and David Jackson left the group. The album also contains "(In the) Black Room", a song performed live by Van der Graaf Generator in 1972 ; following the band's August 1972 breakup, it was released on Peter Hammill's 1973 solo album Chameleon in the Shadow of the Night, with Banton, Evans and Jackson all performing on the track.
None of the Above is the 26th studio album by Peter Hammill, released on his Fie! label in 2000.
Clutch is the 29th studio album by Peter Hammill, released on his Fie! label in 2002. Clutch contains nine tracks played exclusively on acoustic guitar with accompaniments on saxophones and other instruments. The album was produced and played by Hammill himself, with contributions from Stuart Gordon on violin and David Jackson on flute and saxes. In the liner notes he states that even though the instrumentation is mostly acoustic, it is not a "folk" album. As usual a lot of the songs deal with dark subject matter and his vocals are quite intense in places. The liner notes say "the palette is restricted but the canvas is broad".
X My Heart is the 22nd studio album by Peter Hammill, originally released on Hammill's own Fie! Records in 1996. It is the last of Hammill's albums to date performed in what might be described as a full band style; the later albums have been more solo and intimate in style.
The Union Chapel Concert is a live album by Guy Evans and Peter Hammill, recorded in the Union Chapel in London, 3 November 1996, and released as a double CD in March 1997. The album is noteworthy because it is the first time the four ex-members of Van der Graaf Generator, Hammill, Evans, Hugh Banton and David Jackson, played together in front of a paying audience since the band had broken up in 1978. The subtitle on the front of the album reads: "featuring a one song, one-off reformation of Van der Graaf Generator." David Jackson and Hugh Banton were unannounced guests and played a Soundbeam-medley and a Samuel Barber Adagio for strings on the church organ respectively. All songs that evening were played in varying line-ups. Only "Lemmings" was played by Hammill, Evans, Banton and Jackson.
What, Now? is the 27th studio album by singer-songwriter Peter Hammill, released on his Fie! label in June 2001. According to the booklet it was "recorded, mixed and mastered at Terra Incognita, Bath between, oh, sometime in the late XXth Century and 11:23 (GMT) March 23rd 2001." It was produced by Peter Hammill.
This is the 25th studio album by Peter Hammill, released on his Fie! label in 1998. There is a large variety in the compositions, ranging from the minimalism of the final song, "The Light Continent", to the rough, almost Nadir-like sound of "Always is Next", the complex "Unrehearsed" and the ballad "Since the Kids". Peter Hammill performed the song "Unrehearsed" live many times. "Nightman" can be heard on the live-album Veracious (2006).
Everyone You Hold is the 24th studio album by Peter Hammill, released in 1997.