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| None of the Above | ||||
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| Studio album by | ||||
| Released | April 2000 | |||
| Recorded | Jan 1999 – Feb 2000 | |||
| Genre | Art rock | |||
| Length | 44:32 | |||
| Label | Fie! | |||
| Producer | Peter Hammill | |||
| Peter Hammill chronology | ||||
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None of the Above is the 26th studio album by Peter Hammill, released on his Fie! label in 2000.
Hammill recorded None of the Above in his home studio, Terra Incognita, between January 1999 and February 2000, playing, producing and arranging nearly all instruments and singing nearly all voices. Some contributions were made by Stuart Gordon (violin, viola) on three tracks and Manny Elias (drums, percussion) on one track. Peter Hammill's daughters Holly and Beatrice Hammill sing backing soprano voices on two tracks. The instrumentation is dominated by guitars (more as a "colour-wash", as Hammill wrote in his newsletter), keyboards and some strings.
The long recording time is due to Hammill's parallel work on a remastered 4-CD compilation of Van der Graaf Generator called The Box.
The title of the album is the English phrase "None of the above", meaning none of the other choices are appropriate. The expression can be seen here as a metaphor for "people in earthy and/or earthly circumstances", [1] i.e. as the opposite to heavenly conditions.
The mood of the album is calm and melancholic. A typical song is "Naming the Rose", a chamber music-like arrangement for lead vocals, keyboards (in Hammond organ sound), violas and background choirs. It is about a gardener who names his last creation – a damask rose – after his wife who died on the very day the best blossom opened. The rose breeder fertilizes the seeds of the variety with the ashes of his wife. Thus the couple that had no children both live on in the new rose.
The first seven tracks all have the same topic as "Naming the Rose": people coming to an end of a phase in their life, in very different circumstances. But the eighth song ("Astart") says: every end can be a new start. In his newsletter from April 2000, [1] Hammill comments:
This song doesn't hold out the possibility of changing one's past or even one's present; but it does propose that one should embrace both and go forward in expectation....
The cover shows a serious-looking Hammill photographed by Dinu and the back cover – again alluding to the title of the album – a section of the star-spangled sky.
The booklet was designed by Paul Ridout. Each double page shows a washed-out photo presenting a staircase or a ladder ending nowhere or against a bricked entrance or upon an empty floor with black garbage bags lying around. Only the last double page for the song "Astart" shows busy people on an elevator rolling into some kind of shop scene.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
The music press did not take much notice of None of the Above. In allmusic.com Simon Cantlon gave 3 out of 5 stars for "poignant musical snapshots" and "atmosphere" but found "points on this release when things become a bit too monotonous". [2] With 3 out of 5 stars the same rating is given on the fan site Progarchives. [3]
All songs written by Peter Hammill.
All tracks are played and sung by Peter Hammill with the following contributions:
Peter Joseph Andrew Hammill is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer-songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards.
Out of Water is the 17th studio album by Peter Hammill, originally released on Enigma Records in 1990 and subsequently re-released on Hammill's own Fie! label. Hammill himself considers this album to be a turning point from his mid-eighties style.
Skin is the 14th studio album by Peter Hammill, originally released on vinyl on Foundry Records in 1986 and later re-released on CD on Virgin Records. It was also released on CD by DaTE.
Incoherence is the 30th studio album by Peter Hammill, released on his Fie! label in March 2004. Incoherence is a concept album about language, containing 14 tracks with soft transitions between them. The album was produced and played by Hammill himself, with contributions from Stuart Gordon on violin and David Jackson on flute and saxophones. Incoherence is recognized by critics as ambitious and one of Hammill's major works.
Roaring Forties is the 21st studio album by Peter Hammill, released on his own Fie! label in 1994. It, and the following album, X My Heart, are Hammill's most recent albums that primarily contain an organic, full-band rock style. While there are occasional tracks on later albums in this style, Hammill's principal mode has moved since this album towards a more intimate, chamber-music style. The Roaring Forties is a name given, especially by sailors, to the latitudes between 40°S and 50°S, so called because of the boisterous and prevailing westerly winds.
The Fall of the House of Usher is an opera by Peter Hammill (music) and Chris Judge Smith (libretto). It is based on the 1839 short story of the same name by Edgar Allan Poe.
The Love Songs is an album by Peter Hammill, originally released on Charisma Records in 1984.
In a Foreign Town is the 16th studio album by the English singer-songwriter Peter Hammill. It was originally released in 1988 on Enigma Records, and was subsequently reissued on Hammill's own Fie! label.
The Noise is the 20th studio album by the English singer and songwriter Peter Hammill. It was released in March 1993.
Singularity is the 31st studio album by Peter Hammill, released on his own Fie! Records label in December 2006.
Clutch is the 29th studio album by Peter Hammill, released on his Fie! label in 2002. Clutch contains nine tracks played exclusively on acoustic guitar with accompaniments on saxophones and other instruments. The album was produced and played by Hammill himself, with contributions from Stuart Gordon on violin and David Jackson on flute and saxes. In the liner notes he states that even though the instrumentation is mostly acoustic, it is not a "folk" album. As usual a lot of the songs deal with dark subject matter and his vocals are quite intense in places. The liner notes say "the palette is restricted but the canvas is broad".
X My Heart is the 22nd studio album by Peter Hammill, originally released on Hammill's own Fie! Records in 1996. It is the last of Hammill's albums to date performed in what might be described as a full band style; the later albums have been more solo and intimate in style.
What, Now? is the 27th studio album by singer-songwriter Peter Hammill, released on his Fie! label in June 2001. According to the booklet it was "recorded, mixed and mastered at Terra Incognita, Bath between, oh, sometime in the late XXth Century and 11:23 (GMT) March 23rd 2001." It was produced by Peter Hammill.
This is the 25th studio album by Peter Hammill, released on his Fie! label in 1998. There is a large variety in the compositions, ranging from the minimalism of the final song, "The Light Continent", to the rough, almost Nadir-like sound of "Always is Next", the complex "Unrehearsed" and the ballad "Since the Kids". Peter Hammill performed the song "Unrehearsed" live many times. "Nightman" can be heard on the live-album Veracious (2006).
Thin Air is British singer-songwriter Peter Hammill's 32nd solo album, released on his own Fie! Records label in June 2009. It was additionally made available as digital download through Burning Shed Records.
Everyone You Hold is the 24th studio album by Peter Hammill, released in 1997.
Consequences is British singer-songwriter Peter Hammill's 33rd solo album, released on his own Fie! Records label in April 2012. As on his previous release, Thin Air, Hammill played all instruments, wrote all the songs and produced the album.
Otherworld is a collaborative album by English singer Peter Hammill and American guitarist Gary Lucas. It was released in February 2014 by Esoteric Recordings.
Past Go: Collected is an album by Peter Hammill, originally released on Fie! Records in 1996.
...All That Might Have Been... is British singer-songwriter Peter Hammill's 34th solo album, released on his own Fie! Records in November 2014. Similarly to 2004's Incoherence, on the standard edition of the album there is only one epic, multi-part song. The special edition box contains two additional discs with bonus material.
