Indore gharana is one of the vocal gharanas of Indian classical music. It was founded by Amir Khan, [1] who studied the styles of Abdul Wahid Khan, Aman Ali Khan, Rajab Ali Khan and Abdul Karim Khan and amalgamated their style. [2] [3]
Amir Khan grew up in Indore, India but he did not like the factionalism inherent in the gharana tradition. In an interview to Akashvani, Indore, he said:
In fact I want only one gharana in classical music, which should be termed as Hindustani Music, and it should have different departments. These are gharanas. If the main thing is kept in this form, then our mutual recriminations with respect to music will be reduced. Many separate styles were formed out of one style of a gharana, as in the case of languages. Many languages came out of one language, similarly styles and gharanas were formed in music. Nowadays, I am singing in the name of "Indore gharana". [4]
Performances in the Indore gharana are noted by the vilambit tempo in the style of Abdul Wahid Khan, and the taans reminiscent of Rajab Ali Khan. The merukhand structure is similar to that practiced by Aman Ali Khan of the Bhendibazaar gharana. The khayal gayaki in the 'Indore gharana' retains the slow development and restraint from frills as in the dhrupad. Mohan Nadkarni says of Amir Khan's music that whereas Bade Ghulam Ali Khan's music was extroverted and exuberant, Amir Khan's music was an introverted, dignified 'darbar' style [5]
Amir Khan's conviction about the importance of poetry in khyal compositions (he used to compose under the pen name, Sur Rang), has also marked the singing of the 'Indore gharana'.
Characteristics of the Indore gharana include:
After Amir Khan's death in a car accident in Kolkata in 1974, the "Indore gharana" has become a powerful stream in modern Hindustani music. Direct disciples of Amir Khan included Pandith Amarnath, Shankar Lal Mishra, Kankana Banerjee, Purvi Mukherjee, and others. However, a number of influential musicians including Sultan Khan (sarangi player) have developed their music under 'Indore gharana' influence.
Khyal or Khayal is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity than intellectual rigour.
Thumri is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations.
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education.
Ustad Amir Khan was one of the greatest and most influential Indian vocalists in the Hindustani classical tradition. He was the founder of the Indore gharana.
In Hindustani music, a gharānā is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style.
Kirana gharana is one of the Indian classical khyal gharanas, and is concerned foremost with perfect intonation of notes (swara).
The Mewati gharana is a musical apprenticeship tribe of Hindustani classical music. Known for being Pandit Jasraj's musical lineage, the gharana was founded by brothers Utd. Ghagge Nazir Khan and Utd. Wahid Khan (beenkar) of Indore in the late 19th century at the Holkar Court. Members of this gharana have had an active influence in Indian cinema for over half a century.
Ustad Rashid Khan is an Indian classical musician in the Hindustani music tradition. He belongs to the Rampur-Sahaswan gharana, and is the great-grandson of gharana founder Inayat Hussain Khan. He is married to Soma Khan.
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The Maihar Gharana or Maihar-Senia Gharana is a gharana or school of Hindustani classical music, a style of Indian classical music originating in the northern parts of the Indian subcontinent. The school was formed by Allaudin Khan in the princely state of Maihar, now in the central Indian state of Madhya Pradesh, and hence the name. Allauddin Khan learnt music from Vina player Wazir Khan, an exponent of the Senia gharana. The Maihar gharana is therefore sometimes referred to as the Maihar-Senia gharana.
The Gwalior Gharana is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605).
Ustad Abdul Wahid Khan (1871–1949) was an Indian subcontinental singer from the Kirana gharana. He died in 1949 in Saharanpur, India.
The Bhendibazaar gharana is one of the vocal gharanas of Indian classical music, which originated in Bhendi Bazaar area of Mumbai in 1890.
Pandit Amarnath (1924–1996) was an Indian Classical Vocalist and composer. He composed music for the film Garam Coat in 1955. He should not be confused with the very popular composer of the same name, Amarnath, who was very active in Lahore and Mumbai film industry in 1940s and died around 1947.
Ustad Rajab Ali Khan was an Indian classical vocalist and poet.
Merukhand is an improvisational style in Hindustani classical music involving permutations of a fixed set of swaras or notes broken up in various ways, while retaining the proper emphasis on various notes as required by the raga.
Kankana Banerjee is an Indian Classical singer who trained under the tutelage of Indian classical vocalist Ustad Amir Khan in Lucknow. She has received several accolades and awards for her contribution to Hindustani classical music, including the State Government of Andhra Pradesh felicitation "Andhra Ratna Award " presented by Mother Teresa in 1987.
Acharya Chinmoy Lahiri was an Indian vocalist from Bengal in the Hindustani classical tradition. He is known for the Khayal form of singing, as well as for his popular renditions of Dhrupad, Thumri and Tappa, along with Bengali Raga-pradhan songs.
Wahid Khan, more commonly known as Wahid Khan Beenkar or Indorewale Wahid Khan, was an Indian classical rudra veena player and, along with his younger brother Ghagge Nazir Khan, founded the Mewati gharana, later popularized by Pandit Jasraj and Rais Khan.
Vinayak Ramchandra Athavale, better known as V. R. Athavale or Vi. Ra. Athavale, was a Hindustani classical vocalist and one of the foremost Hindustani classical musicologists of the 20th Century, alongside Vamanrao Deshpande and Sharadchandra Arolkar. He composed using the pen name "Naad Piya". He is known for his critique of traditional ideas and modern aesthetics. He was trained primarily by Vinayakrao Patwardhan and Vilayat Hussain Khan and is considered a representative of Gwalior and Agra traditions.