Indriati Iskak | |
---|---|
Born | Indriati Gerald Bernardina 9 June 1942 |
Nationality | Indonesian |
Occupations |
|
Spouse | Makki Perdanakusuma (m. 1962;died 2014) |
Children | 3 |
Relatives | Halim Perdanakusuma (brother in-law) |
Indriati Gerald Bernardina (born 9 June 1942), also known by her stage name Indriati Iskak and after marriage as Indri Makki, is an Indonesian actress turned psychologist and marketer. She entered the Indonesian film industry and soared to popularity with Usmar Ismail's commercially successful Tiga Dara (1957). She appeared in eight further films and established her own girl group before retiring from cinema in 1963. She graduated from the University of Indonesia with a degree in psychology in 1968, and has taught the subject at the Jakarta Art Institute . For twenty-six years she worked with Unilever, and since 1994 she has been a marketing consultant with Makki Makki.
Indriati Iskak was born Indriati Gerald Bernardina was born on 9 June 1942, at Santa Melania Hospital, in Tambaksari, Surabaya. She is the daughter of Robert Maria "Bob" Iskak, [1] an educator who transitioned to film in 1952, when he became the director of Penjelendup (Smuggler). [2]
Indriati made her feature film debut in Usmar Ismail's Tiga Dara (Three Maidens, 1956), starring alongside Chitra Dewi and Mieke Wijaya. She portrayed Nenny, the youngest of three sisters raised by their grandmother after their mother's death. [3] The film was a massive popular success, and Indriati, who was praised for having a more naturalistic acting style than her stage-trained fellow actors, achieved the greatest popularity among her co-stars. [4]
The following year Indriati appeared in another of Ismail's films, Sengketa (Conflict, 1957). She again played the daughter in a family fraught with difficulties. [5] After this film, Indriati completed two productions with Djuprihadi's Stupa Film, both under the direction of Wim Umboh: Djuara Sepatu Roda (Roller Skating Champion, 1958) and Tiga Mawar (Three Roses, 1959). [6] With Rima Melati, Gaby Mambo , and Baby Huwae, she formed a girl group named the Baby Dolls in 1959. [1]
Indriati continued acting through 1963, [1] when she made her last film, Daun Emas (Golden Leaves). It was directed by her father and co-starred her brother Boy. [7] Indriati's popularity during the 1950s and 1960s has been credited with leading Indonesian film directors to seek out Indo-looking actresses for their films, and thus precipitating the careers of film stars such as Lydia Kandou, Meriam Bellina, and Tamara Bleszynski. [8] Advertising for Perfini's Asrama Dara (Dormitory for Girls; 1958) touted its young star Suzzanna, an Indo girl from Bogor, as the next Indriati Iskak. [9]
After Daun Emas, Indriati retired from acting and went to university, completing a degree in psychology at the University of Indonesia in 1968. [1] After some time working at the Indonesian Air Force's psychological counselling bureau, in the 1970s she began working at Unilever. [1] She stayed with the company for twenty-six years, at first handling market research before moving on to marketing management and advertising. Towards the end of her time with Unilever, she oversaw the computerisation of the company's Indonesia branch. [10] In the mid-1970s Indriati also taught psychology at the Jakarta Art Institute , [1] and for fifteen years she was on the board of the Strada system of Catholic schools. [10]
Indriati married an Indonesian Air Force officer, [11] Makki Perdanakusuma, who was the younger brother of Halim Perdanakusuma, on 15 May 1962. They remained married until Perdanakusuma's death in July 2014. [12] As of 2016 [update] , Indriati is a branding consultant with Makki Makki, having worked there since 1994. Her daughter Sania and son Sakti also work for the company. [10]
During her six-year film career, Indriati appeared in nine films. [1] [13]
Suzzanna Martha Frederika van Osch was an Indonesian actress. Known as the "Queen of Indonesian horror", she is well-known in particular in Indonesia for portraying spirits, witches, and other supernatural beings. She was crowned the best female antagonist in Indonesian film industry along with Ruth Pelupessy and Mieke Wijaya.
Fifi Young was an Indonesian actress of mixed French and Chinese descent who acted in at least 86 films over her 34-year career.
Kedok Ketawa is a 1940 action film from the Dutch East Indies. Union Films' first production, it was directed by Jo An Djan. Starring Basoeki Resobowo, Fatimah, and Oedjang, the film follows a young couple who fight off criminals with the help of a masked man.
Bengawan Solo is a now-lost 1949 film from what is now Indonesia. Directed by Jo An Djan, it starred Sofia WD, Rd Mochtar, and Mohamad Mochtar.
Hadidjah was an Indonesian film actress best known for partnership with Moh Mochtar in seven films released by Java Industrial Film between 1939 and 1941. She was the mother of Citra Award-winning musician Idris Sardi.
Mohamad Mochtar, usually credited as Moh Mochtar, was an Indonesian film actor active from 1939 until his death in 1981.
Tjioeng Wanara is a 1941 film from the Dutch East Indies directed and produced by Jo Eng Sek. Starring R Sukran, Elly Joenara and AB Djoenaedi, it featured more than 500 people in supporting roles. The film follows a young prince named Tjioeng Wanara who must reclaim his throne from the cruel King of Galuh; it is adapted from the Sundanese legend of the same name.
Elly Joenara was an Indonesian film actress who later became a producer. She was the wife of producer Djamaluddin Malik.
Anastasya Soerip was an Indonesian singer and actress.
Rara Patma Dewi Tjitrohadiseikusumo, best known under her stage name Chitra Dewi, was an Indonesian actress and director. She was noted for her roles in Usmar Ismail's films of the 1950s, appearing in films such as Tamu Agung, Tiga Dara, and Pedjuang, although she remained active in cinema until 1993 and won a Citra Award for Best Supporting Actress at the 1979 Indonesian Film Festival for Gara-gara Isteri Muda. Dewi also had a brief stint film directing in 1971, making her one of only six Indonesian women to direct a film before 1998.
Waldemar Caerel Hunter, best known by his stage name S. Waldy, was an Indonesian stage and film actor.
Raden Soekarno, better known as Rendra Karno, was an Indonesian actor. Born in Kutoarjo, Central Java, Soekarno entered the film industry in 1941, making his debut appearance in Union Films' Soeara Berbisa. Over the next forty years he appeared in more than fifty films. He was also involved in the theatre during the Japanese occupation of the Dutch East Indies and the Indonesian National Revolution. For his role in 1962's Bajangan di Waktu Fadjar, he was named best supporting actor at the 1963 Asian Film Festival in Tokyo.
Netty Herawaty was an Indonesian actress who made more than fifty films between 1949 and 1986.
Tiga Dara is a 1957 Indonesian musical drama film starring Chitra Dewi, Mieke Wijaya, and Indriati Iskak. Directed by Usmar Ismail for Perfini, the film follows three sisters who live with their father and grandmother. When the eldest sister, Nunung, shows no interest in marrying, her family tries unsuccessfully to find a husband for her. Nunung initially rejects the advances of a young man named Toto, who instead dates her younger sister. However, when he becomes jealous and travels from Jakarta to Bandung to profess his love, she agrees to marry him.
Marjolein Tambayong, better known by her stage name Rima Melati or by her nickname Lientje, was an Indonesian actress, model, and singer. She appeared in close to one hundred feature films, including works by Wim Umboh, Sjumandjaja, and Teguh Karya. She received multiple awards, including a PWI Award for Best Actress for Noda Tak Berampun, a Citra Award for Best Leading Actress for Intan Berduri, and five nominations for the Citra Award for Best Supporting Actress.
Aminah Tjendrakasih was an Indonesian actress best known for her appearance as Lela in the television series Si Doel Anak Sekolahan. Beginning her career in her teenage years, Cendrakasih had her first starring role in 1955's Ibu dan Putri. She soared to popularity after taking a role in Serampang 12 along with Nun Zairina in 1956. Cendrakasih acted in more than a hundred feature films; in 2012 and 2013 she received Lifetime Achievement Awards from the Bandung Film Festival and the Indonesian Movie Awards.
Abdul Hamid Arief was an Indonesian actor who appeared in more than 120 films. Born in Batavia, Dutch East Indies, he started his acting career in theatre before migrating to film with 1948's Anggrek Bulan. His first starring role, and the one from which he first gained recognition, was as the title character in Pangeran Hamid. Over subsequent decades he was a productive film actor, often appearing in four or five films a year. He also acted in various television series.
Baby Constance Irene Theresia Huwae was a Dutch-born Indonesian actress, model, and singer. Born in Rotterdam, she had moved to Indonesia by the 1950s and taken up modelling. She entered the film industry in 1958, and gained popularity following the success of Asrama Dara. Over the next several years she acted in a further five films and established a girl group, the Baby Dolls. However, after she married in 1960, Huwae focused on modelling. In the 1970s she worked as a fortune teller.
Belenggu Masjarakat is a 1953 Indonesian drama film directed by D. Suradjio and Lie Gie San, and starring Amran S. Mouna, Mimi Mariani, Lies Permana Lestari, Wahid Chan, and S. Bono. This film marks the screen debuts of Lestari.