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Ingolf Huhn (born in 1955) is a German opera manager and theatre director.
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Ingolf Huhn (born in 1955) is a German opera manager and theatre director.
Born in Magdeburg, after the Abitur Huhn studied opera direction in Berlin, musicology in Leipzig and theology. Afterwards he was a master student at the Academy of Arts with Ruth Berghaus. He then worked for ten years as an opera director at the Meiningen Court Theatre. During this period he was also a frequent guest director at the Graz Opera in Styria/Austria. From 1998 to 2003 Huhn worked as the artistic director of the Mittelächsisches Theater in Freiberg and Döbeln. From 2003 to 2008 he held the position of General Director of the Theater Plauen-Zwickau .
On 1 January 2010 Huhn succeeded Hans-Hermann Krug as managing director of the Eduard-von-Winterstein-Theater in Annaberg-Buchholz.
Dieter Dorn is a German theatre director, also for the opera, the manager of the Münchner Kammerspiele from 1983 to 2001 and now manager of the Bavarian Staatsschauspiel.
Opernhaus Dortmund is the opera house of Dortmund, Germany, operated by the Theater Dortmund organisation. A new opera house opened in 1966, replacing an earlier facility which opened in 1904 and was destroyed during World War I. It was built on the former site of the Old Synagogue, which was demolished by the Nazi local government in the 1930s.
Claudia Garde is a German film director and screenwriter. She has worked for the German TV-series Stubbe – Von Fall zu Fall, Doktor Martin, Flemming or the series Tatort.
Das Gesicht im Spiegel is an opera in 16 scenes by Jörg Widmann, with a libretto in German by Roland Schimmelpfennig. The opera is about the emotional consequences and ethical issues of human cloning. The opera was premiered at the Cuvilliés Theatre in Munich on 17 July 2003, conducted by Peter Rundel.
Matthias von Stegmann is a German actor, voice-over speaker and writer, author and stage director for theatre and especially opera who works internationally. He wrote dialogue and directed it for German versions of American series such The Simpsons. In opera, he has focused on the work of Richard Wagner. He staged a version of his Der Ring des Nibelungen for children, first in Tokyo, then in German at the Vienna State Opera and in Zurich. He staged in 2012 Tristan und Isolde in Minden, and in 2013 the first performance of Rienzi at the Bayreuth Festival.
Günter Krämer is a German stage director, especially for opera, and a theatre manager who has staged internationally.
Egon Voss is a German musicologist, who is particularly known for his contributions to Richard Wagner research.
Christoph Sramek is a German music historian and music critic.
Werner Wolf was a German musicologist and music critic. The acknowledged Wagner researcher was co-editor of Sämtlicher Briefe of the composer from 1967 to 1979. He also presented several opera performances. In 1981 he was appointed professor at the Leipzig University.
Sigrid Neef is a German musicologist and theatre scholar, focused on Russian and Soviet opera. She has been a dramaturge of the director Ruth Berghaus at the Deutsche Staatsoper Berlin for decades.
Joachim Kaiser was a German music, literature and theatre critic. From 1959 he worked as a senior editor in the feuilleton of the Süddeutsche Zeitung; from 1977 to 1996 he was professor of history of music at the State University of Music and Performing Arts Stuttgart.
Helmut Neuhaus is a German historian who specialises on the Early modern period. From 1989 to 2009 he held the Chair of Modern History I at the University of Erlangen–Nuremberg.
Reinhard Schau was a German opera director and lecturer.
Klaus Harnisch is a German director, dramaturg and cultural manager.
Kirsten Harms is a German theatre director and manager.
Günther Hofmann was a German operatic bass-baritone, opera manager and director.
Joachim Herz was a German Opera director and manager. He learned at the Komische Oper Berlin as an assistant to Walter Felsenstein. His major stations were the Leipzig Opera where he opened the new house with Wagner's Die Meistersinger von Nürnberg, Komische Oper and Semperoper in Dresden, where he opened the restored house with Weber's Der Freischütz in 1985. He staged many world premieres, and worked internationally. Herz was the first director to apply Felsenstein's concepts to Wagner's Der Ring des Nibelungen, staged in Leipzig from 1973 to 1976.
Michael Hampe was a German theatre and opera director, general manager (Intendant) and actor. He developed from acting and directing plays at German and Swiss theatres including the Bern Theatre, to focus on directing opera and managing opera houses, first at the Mannheim National Theatre, then the Cologne Opera from 1975. He was professor at the Hochschule für Musik und Tanz Köln since 1977. Hampe was influential for both the Salzburg Festival and, after the reunification of Germany, the Dresden Music Festival for which he commissioned and directed world premieres. He directed at international opera houses and festivals, including productions recorded for television, film and DVD.
Ernst Huhn (1894–1964) was a German architect who first rebuilt and later designed cinemas, theatres and inns, including the Schauspielhaus Bad Godesberg, Germany's first new theatre after the Second World War
Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.
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