Intercontinental | ||||
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Studio album by | ||||
Released | 1970 | |||
Recorded | June 8–10, 1970 | |||
Studio | Tonstudio, Villingen-Schwenningen, Germany | |||
Genre | Jazz | |||
Length | 47:17 | |||
Label | MPS | |||
Producer | Hans Georg Brunner-Schwer | |||
Joe Pass chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Intercontinental is an album by jazz guitarist Joe Pass that was released in 1970. [1] The album is a collection of mainly swing and Latin jazz standards with the exception of the country/pop hit "Ode to Billie Joe". It features drummer Kenny Clare and bassist Eberhard Weber. This album is notable as a rare example of Eberhard Weber playing straight ahead bass on covers of standards.
Billie Joe Armstrong is an American musician, singer and songwriter who is the lead vocalist, guitarist, and primary songwriter of the rock band Green Day, which he co-founded with Mike Dirnt in 1987. He is also a guitarist and vocalist for the punk rock band Pinhead Gunpowder, and provides lead vocals for Green Day's side projects Foxboro Hot Tubs, The Network, The Longshot and The Coverups. Armstrong has been considered by critics as one of the greatest punk rock guitarists of all time.
The Best Is Yet to Come is a 1982 studio album by the American jazz singer Ella Fitzgerald, accompanied by a studio orchestra arranged and conducted by Nelson Riddle.
Fine and Mellow is an album by Ella Fitzgerald, recorded in early 1974 but not released until 1979. The album won the Grammy Award for Best Jazz Vocal Album in 1980, Fitzgerald's second win in four years.
Kenny Burrell & John Coltrane is a studio album of music performed by jazz musicians Kenny Burrell and John Coltrane. It was released on the New Jazz label in April 1963. The recording was made on March 7, 1958. It was reissued in 1967 on New Jazz's parent label Prestige, with a different cover and retitled The Kenny Burrell Quintet With John Coltrane.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, released by Blue Note Records in 1963. Besides Henderson, the musicians for the album were trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The album's tracks were all written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: "Recorda Me" by Henderson and "Blue Bossa" by Dorham. All the musicians but Tyner are credited are on the album's front cover; Tyner is listed simply as "etc.", because he was signed to the rival Impulse! Records label.
Ode to Billie Joe is the debut studio album by American singer-songwriter Bobbie Gentry. It was released on August 21, 1967, by Capitol Records.
Songs for Distingué Lovers is an album by jazz singer Billie Holiday, released in 1958 on Verve Records. It was originally available in both mono and stereo. It was recorded at Capitol Studios in Los Angeles from January 3 to January 9, 1957, and produced by Norman Granz.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
The Paris Concert is a 1978 live album by Oscar Peterson accompanied by bassist Niels-Henning Ørsted Pedersen and guitarist Joe Pass.
Tetragon is the seventh album by jazz saxophonist Joe Henderson, and his second to be released on the Milestone label. It was recorded on September 27, 1967 and May 16, 1968 and features performances by Henderson with two different quartets, both with bassist Ron Carter, one with pianist Don Friedman and drummer Jack DeJohnette, the other with pianist Kenny Barron and drummer Louis Hayes. The Allmusic review by Scott Yanow states that "Highlights of this album include the title track, "I've Got You Under My Skin" and "Invitation."".
Motions and Emotions is a 1969 studio album by pianist Oscar Peterson, arranged by Claus Ogerman.
Lady Sings the Blues is an album by American jazz vocalist Billie Holiday released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.
The Arrival of Kenny Dorham is a jazz studio album by Kenny Dorham, recorded and release in 1960. Initially released by Jaro Records, it would be reissued on the Xanadu label in 1975 as The Kenny Dorham Memorial Album with a different artwork.
This Is New is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.
'Round Midnight is an album by guitarist Kenny Burrell recorded in 1972 and released on the Fantasy label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Ellington Is Forever Volume Two is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1977 it was rereleased on CD in 1994.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
The Max Roach 4 Plays Charlie Parker is an album by American jazz drummer Max Roach featuring tracks associated with Charlie Parker recorded in late 1957 and 1958 and released on the EmArcy label. It is also the first album to feature Roach playing without a piano.
Piccolo is a 1977 release by the Ron Carter Quartet. The quartet consists of Ron Carter on piccolo bass, Kenny Barron on piano, Buster Williams on double bass, and Ben Riley on drums. The album was recorded live at Sweet Basil in New York City on March 25–26, 1977. Piccolo is considered one of Ron Carter's best albums from the late 1970s due to its excellent recording, live-club feel, and exquisite musicianship. After being brought together by Carter and playing in his quartet for a few years, Barron, Williams, and Riley went on to form Sphere with Charlie Rouse.