Intisar Abioto | |
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Born | 1986 (age 37–38) |
Education | |
Known for | Artist and storyteller |
Intisar Abioto (born 1986) is an artist and storyteller currently living and working in Portland Oregon. Working within and between the forms of dance, photography, collaboration, prose, and poetry, Abioto explores the meaning of time, space, and belonging within the construction of who, where, and what composes the African diaspora. [1] Abioto has travelled across North America, Europe, and Africa to tell stories of personal identity and collective belonging. Her work interprets the tradition of Africans who can fly [2] into contemporary and local landscapes, highlighting the fluidity of migration across national and natural boundaries. [3] With the five women artists in her family, she is a cofounder of Studio Abiotto. [4]
Born in Memphis, Tennessee, Abioto moved to Portland, Oregon as a young adult with her family. Herself and four sisters infused this new home base with the creativity intuitive to their home town community and upbringing. She completed undergraduate studies at Spelman College and Wesleyan University. [3]
From 2007 to 2009 Abioto travelled 200,000 miles around the world with her sisters, documenting oral histories of about the stories and dreams of young people, especially people of color. [4] This project was based on Virginia Hamilton's book The People Could Fly. [5] [6]
In 2013 [7] Abioto started The Black Portlanders, a tumblr blog that has since expanded from the digital platform into gallery installations. Originally the project began as a way to expand the stories of who belongs in Portland, while honoring the multiple displacements that have disproportionally affected African Americans in Portland from Vanport to contemporary urban reinvestment strategies. [8] By capturing the full spectrum of identity and belonging within the urban landscape of Portland, the project offers a counter-narrative to press branding Portland as "the whitest city in America". [9]
Herself a member of the African Diaspora, The Black Portlanders uses photography to tell stories of transnational migration of African peoples to Portland from a perspective that is at once personal and transcendent. In 2015, Abioto expanded the project to include rural experiences by partnering with the National Urban League Portland chapter to illustrate a reissue of the State of Black Oregon, a report documenting economic inequities faced by African American communities across the state with an emphasis on resulting migration shifts. [10] This social justice tool kit was enhanced by Abioto's creative vision, which honors the history of migration from the Southern United States to the Pacific Northwest. The project includes multiple images of each person she photographs, allowing the complexity of each person's natural expressions to unfold from the lenses of camera, the artist's eye, and the viewer's retina. [1]
Abioto's work has been featured in galleries internationally such as Portland Art Museum, Portland State University's Littman Gallery, and University of Oregon's defunct Portland-based gallery White Box. [11] In 2019, she exhibited and performed with nine Oregon-based Black artists against the inner expanse of the Oregon State Capitol building in Salem as a part of the Governor's Office solo exhibition. [4]
Portland is the most populous city in the U.S. state of Oregon, located in the Pacific Northwest region. Situated in the northwestern area of the state at the confluence of the Willamette and Columbia rivers, it is the county seat of Multnomah County, Oregon's most populous county. As of 2020, Portland's population was 652,503, making it the 26th-most populous city in the United States, the sixth-most populous on the West Coast, and the second-most populous in the Pacific Northwest, after Seattle. Approximately 2.5 million people live in the Portland metropolitan area, making it the 25th-most populous in the United States. About half of Oregon's population resides within the Portland metro area.
The Pearl District is an area of Portland, Oregon, formerly occupied by warehouses, light industry and railroad classification yards and now noted for its art galleries, upscale businesses and residences. The area has been undergoing significant urban renewal since the mid-1980s when it was reclassified as mixed use from industrial, including the arrival of artists, the removal of a viaduct and construction of the Portland Streetcar. It now consists of industrial building conversion to offices, high-rise condominiums and warehouse-to-loft conversions.
The Oregon Zoo, originally the Portland Zoo and later the Washington Park Zoo, is a zoo located in Washington Park, Portland, Oregon, approximately 2 miles (3.2 km) southwest of downtown Portland. Founded in 1888, it is the oldest zoo west of the Mississippi River.
The South Waterfront is a high-rise district under construction on former brownfield industrial land in the South Portland neighborhood south of downtown Portland, Oregon, U.S. It is one of the largest urban redevelopment projects in the United States. It is connected to downtown Portland by the Portland Streetcar and MAX Orange Line, and to the Oregon Health & Science University (OHSU) main campus atop Marquam Hill by the Portland Aerial Tram, as well as roads to Interstate 5 and Oregon Route 43.
William Arthur Hilliard was an American journalist. He was editor of The Oregonian, the major daily newspaper in Portland, Oregon, from 1987 to 1994 and was that newspaper's first African-American editor. He was also president of the American Society of Newspaper Editors in 1993–94.
Ida B. Wells-Barnett High School (IBWHS), formerly known as Wilson High School, is a public high school in Portland, Oregon, United States. Its attendance boundary includes most of Southwest Portland, including the neighborhoods of Hillsdale, Multnomah, Hayhurst, Bridlemile, Maplewood, and South Waterfront.
In the context of the 20th-century history of the United States, the Second Great Migration was the migration of more than 5 million African Americans from the South to the Northeast, Midwest and West. It began in 1940, through World War II, and lasted until 1970. It was much larger and of a different character than the first Great Migration (1916–1940), where the migrants were mainly rural farmers from the South and only came to the Northeast and Midwest.
The Museum of Contemporary Craft (1937-2016) in Portland, Oregon was the oldest continuously-running craft institution on the west coast of the United States until its closure in 2016. The museum's mission was "to enliven and expand the understanding of craft and the museum experience." It was known as one of the few centers in the United States to focus on the relationships between art and craft, programming robust shows exploring a wide variety of artists, materials and techniques.
Margaret Louise Carter is an American politician who was a Democratic member of the Oregon Legislative Assembly from 1985 to 1999 and 2001 to 2009 and was the first black woman elected to the state's legislature. She served in the Oregon House of Representatives until 1999, and then in the Oregon State Senate from 2001 to 2009. She served as President Pro Tempore of the Senate, Vice Chair for Ways and Means, and as a member of both the Health and Human Services and Oregon State Hospital Patient Care committees. She announced her resignation from the Senate effective August 31, 2009, and took a post as Deputy Director for Human Services Programs at the Oregon Department of Human Services. In 2015, she was reportedly considering a return to the senate.
The Oregon Jewish Museum and Center for Holocaust Education is the largest museum dedicated to the documented and visual history of the Jews of Oregon, United States. The Museum is dedicated to the preservation, research, and exhibition of art, archival materials, and artifacts of the Jews and Judaism in Oregon.
Vera Katz, also known as Mayor, Vera Katz, is an outdoor bronze sculpture depicting Vera Katz created by American artist Bill Bane. Unveiled in 2006, it is located along the Eastbank Esplanade in Portland, Oregon. Katz, a former mayor of the city between 1993 and 2005, supported arts and culture during her tenure and established Oregon's Percent for Art program. She was also instrumental in developing the Eastbank Esplanade, which is named after her. The sculpture has received a mostly positive reception and has inspired people to adorn it with clothing, flowers and makeup.
The history of racism in Oregon began before the territory even became a U.S. state. The topic of race was heavily discussed during the convention where the Oregon Constitution was written in 1857. In 1859, Oregon became the only state to enter the Union with a black exclusion law, although there were many other states that had tried before, especially in the Midwest. The Willamette Valley was notorious for hosting white supremacist hate groups. Discrimination and segregation were common occurrences against people of Indigenous, African, Mexican, Hawaiian, and Asian descent.
The Theodore Roosevelt Memorial is a lost monument and sculpture commemorating the 26th president of the United States, Theodore Roosevelt, as well as veterans of the Spanish–American War. It was originally installed in Portland's Battleship Oregon Park. Designed by American artist Oliver L. Barrett, the 18-foot (5.5 m) memorial was erected in 1939, but disappeared in 1942 after being relocated temporarily during the construction of Harbor Drive. It featured a geometric tufa statue depicting a man not resembling Roosevelt, as well as a smaller realistic sculpture of him. The monument initially received a generally unfavorable reception, but was considered one of Barrett's best-known artworks.
The Mayo House is a historical house built by Martin Nicholas Mayo in the 1890s. It was built in Portland, Oregon's Eliot neighborhood. It is notable for being relocated in 1912, 1930, and 2019 to avoid demolition in order to make room for new construction projects. The house utilizes the Queen Anne architecture style. The relocation of the house in 2019 will see the house repurposed by local artist Cleo Davis as a site for local art and history to be archived and made available for the public. This new archive will be used to show the history of African-Americans in the local area of Portland. In order to reduce the cost of the relocation, the Portland City Council waived $40,000 in fees. The house was relocated in late January 2019.
The Urban League of Portland is a service, civil rights, and advocacy organization for African Americans in the Pacific Northwest region. Today, the League is a non-profit, community-based organization committed to providing opportunities and support services for education, employment, health, economic security, and quality of life.
“Racing to Change" is an exhibition organized by the Oregon Black Pioneers that uses a variety of media to highlight the lives and activism of Black Oregonians during the 1960s and 1970s. The exhibition first opened in 2018, in partnership with the Oregon Historical Society, under the name "Racing to Change: Oregon's Civil Rights Years." In 2019, Oregon Black Pioneers partnered with the University of Oregon Museum of Natural and Cultural History (MNCH) and expanded the content to include stories from Lane County, Oregon. The expanded exhibit, "Racing to Change: Oregon's Civil Rights Years—The Eugene Story" opened at the MNCH in October 2019. Incorporating videos, photographs, and documents, the exhibitions became available to viewers online after the 2020 closing of the physical locations.
The East Portland Community Center is a community center in Mill Park, Portland, Oregon, United States.
According to the City of Portland, "In all categories, the Eastside is more racially diverse than the Westside. Hispanics are most concentrated in North Portland at nearly 15% of the population. NE Portland has the highest concentration of African Americans at 30%. The concentration of Asians in Portland are mostly within NE, SE, and outer East Portland, with a percent population of 11%, 10%, and 9% respectively. Whites are the most common race group citywide."
African Americans in Oregon or Black Oregonians are residents of the state of Oregon who are of African American ancestry. In 2017, there were an estimated 91,000 African Americans in Oregon.
Flawless Shade is the stage name of Tajh Jordan, an American drag queen and make-up artist based in Portland, Oregon. A former Miss Gay Oregon, Flawless Shade has been featured in campaigns by Adidas, GLAAD, and Top Level Design. Jordan competed under their real name on the subscription-based streaming service WOW Presents Plus's competition series Painted with Raven.