Into the Straight | |
---|---|
Directed by | T. O. McCreadie |
Written by | Zelma Roberts |
Produced by | T. O. McCreadie Alec McCreadie (executive) |
Starring | Charles Tingwell Muriel Steinbeck |
Cinematography | Harry Malcolm |
Edited by | Alex Ezard Jack Gardiner |
Music by | Wilbur Sampson |
Production company | Embassy Pictures |
Distributed by | Universal Pictures |
Release date |
|
Running time | 82 minutes |
Country | Australia |
Language | English |
Into the Straight is a 1949 Australian horse racing melodrama directed by T. O. McCreadie. [2]
The Curzons, an Australian horse racing family, are visited by an English horse trainer, Hugh Duncan, and his playboy son, Paul. Both men fall for June Curzon. However, after she is crippled in an accident Paul loses interest, and she realises she loves Hugh.
With Hugh's encouragement, June writes a piano concerto and learns to walk again. Her brother, the weak Sam Curzon, steals money from his father to pay gambling debts and allows Paul to take the blame. However, a horse secretly trained by Paul wins the Melbourne Cup.
Charles Tingwell also worked as a trainee to Alex Ezard. [3]
Shooting began in June 1948, on location in Scone, New South Wales, and at the studio of Commonwealth Film Laboratories in Sydney. [4] The Victoria Racing Club allowed a re-creation of the Melbourne Cup to be shot at Flemington Racecourse [5] and scenes were also filmed at Randwick Racecourse. [6] Several jockeys made cameos in the film, including Jack Purtell and George Moore. [7]
The film featured a piano concerto which took up several minutes of screen time.
The film was well received in Perth but only had a short run in Sydney and Melbourne. [8]
The Sun Herald said the film "compares not unfavourably with many of the B-grade quickies successfully produced as cheap supporting films by Monogram and Pine-Thomas" and declared it "sticks pretty firmly to the story line and does not allow itself to be side-tracked and unbalanced by all sorts of amateurish irrelevancies" although "there is a very long patch in the middle where the producers seem to forget that they are making a racing film." [9]
The Newcastle Sun wrote "the script is faulty, but the main trouble is that too many thincs have been attempted. A pleasing feature, however, is the photography." [10]
The Bulletin declared, "In the parlance of that sport [horse racing], it could be said that while it would need a pretty hefty “sting” to make it a winner, it does, atHhe same time, run a fairly honest race under a big handicap and gives supporters a middling-fair run for their money." [11]
Variety called it "unsuited for the US" but felt it "might find a spot or two in the British provinces... Stud farm scenes are fine. Cast is adequate." [12]
Filmink later wrote "Steinbeck was the biggest name in the cast at the time, but it isn’t much of a role… and in hindsight that was a mistake. The filmmakers would have been better off building the movie around Steinbeck – either have her play the role of her daughter... or made her character the center of the action. But then, Australian cinema has traditionally demonstrated a poor understanding how best to exploit potential stars." [13]
Charles William Tingwell AM, known professionally as Bud Tingwell or Charles 'Bud' Tingwell, was an Australian film, television, theatre and radio actor. One of the veterans of Australian film, he acted in his first motion picture in 1946 and went on to appear in more than 100 films and numerous TV programs in both the United Kingdom and Australia.
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Forty Thousand Horsemen is a 1940 Australian war film directed by Charles Chauvel. The film tells the story of the Australian Light Horse which operated in the desert at the Sinai and Palestine campaign during World War I. It follows the adventures of three rowdy heroes in fighting and romance. The film culminates at the Battle of Beersheba which is reputedly "the last successful cavalry charge in history". The film was clearly a propaganda weapon, to aid in recruitment and lift the pride of Australians at home during World War II. It was one of the most successful Australian movies of its day. It was later remade in 1987 as The Lighthorsemen.
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Wherever She Goes is a 1951 Australian feature film that tells the early part of the life story of pianist Eileen Joyce. Directed by Michael Gordon, it stars Suzanne Parrett, Eileen Joyce, Nigel Lovell and Muriel Steinbeck.
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Muriel Myee Steinbeck was an Australian actress who worked extensively in radio, theatre, television and film. She is best known for her film performance portraying the wife of aviator Sir Charles Kingsford Smith in Smithy (1946) and for playing the lead role in Autumn Affair (1958–59), Australia's first television soap opera.
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