Invisible Weave | ||||
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Live album by | ||||
Released | 1997 | |||
Recorded | January 10, 1997 | |||
Venue | Knitting Factory, New York City | |||
Genre | Jazz | |||
Length | 75:56 | |||
Label | No More | |||
Producer | Alan Schneider | |||
Joe Morris chronology | ||||
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Invisible Weave is an album by American jazz guitarist Joe Morris featuring a duo performance with bassist William Parker, which was recorded live at the Knitting Factory in 1997 and released on No More, a label founded by producer Alan Schneider. [1]
The JazzTimes review by Bret Primack states "Morris can play with a bluesy swagger, or, as out as an Albert Ayler picnic. A charter member of the Boston Improviser's Group, his sense of freedom manifests itself musically in stark, abstract ways." [2] In Jazziz Steve Hoffje wrote "The music is deceptively dense and intricate... This collaboration yields an introverted album, but listeners who burrow into its dense sound will find many bright epiphanies". [3]
William Parker is an American free jazz double bassist, multi-instrumentalist, poet, and composer. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and DownBeat has called him "one of the most adventurous and prolific bandleaders in jazz".
Matthew Shipp is an American pianist, composer, and bandleader.
Roy Anthony Hargrove was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and in 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, “I’ve been around all kinds of musicians, and if a cat can play, a cat can play. If it’s gospel, funk, R&B, jazz or hip-hop, if it’s something that gets in your ear and it’s good, that’s what matters.”
AUM Fidelity is an independent record label in New York City primarily devoted to avant-garde jazz artists such as William Parker, Matthew Shipp, and David S. Ware. It has also released recordings by improvisational rock band Shrimp Boat and exclusively distributes the CaseQuarter and Riti labels. It was founded in 1997 by former Homestead Records label manager Steven Joerg.
Chris Kelsey is an American-born jazz saxophonist, composer, music critic, and novelist. His music draws on bebop, free jazz, free improvisation, funk, and fusion, and is augmented by elements of non-tonal, contemporary classical music. His fiction is inspired by such crime writers as Raymond Chandler, Jim Thompson, and Dashiell Hammett. As a musician, Kelsey has worked almost exclusively as a leader of his own ensembles, usually trios and quartets. From the late 1980s his principal instrument has been soprano saxophone, though in recent years he has recorded and performed on tenor and alto, as well. Kelsey has recorded nearly twenty albums under his own name, many for the C.I.M.P. label. With rare exceptions, he has recorded and performed his own original compositions. His first novel, Where the Hurt Is, was published in 2018 by Black Rose Writing. As a critic, he has written for leading jazz publications and web sites, including Jazziz, JazzTimes, Cadence, AllMusic, and Jazz.com.
Gerald Cleaver is a jazz drummer from Detroit, Michigan.
In Florescence is an album by the pianist Cecil Taylor, released in 1990 via A&M Records. It was recorded in New York City on June 8, 1989, and contains performances by Taylor, Gregg Bendian and William Parker. It was Taylor's first major label recording in more than 10 years.
Bird Songs is the 22nd album by Joe Lovano released via the Blue Note label in 2011. The album features Esperanza Spalding, James Weidman, Otis Brown III, and Francisco Mela performing songs mostly written or performed by the jazz musician Charlie Parker.
Illuminate is an album by a quartet co-led by jazz guitarist Joe Morris and alto saxophonist Rob Brown, which was recorded in 1993 and released on Leo Lab, a sublabel of Leo Records. Rehearsing and recording this album was the first time the quartet worked together as a band, although Morris played with Brown before on Youniverse and the trio without Morris recorded High Wire.
Elsewhere is an album by American jazz guitarist Joe Morris which was recorded in 1996 and released on Homestead. The Joe Morris Ensemble features pianist Matthew Shipp's regular trio with bassist William Parker and drummer Whit Dickey. Morris and Shipp played together once with violinist Mat Maneri in Boston four or five years before.
Sunrise in the Tone World is an album by American jazz double bassist William Parker, which was recorded live in 1995 and released on the AUM Fidelity label.
Double Sunrise Over Neptune is a live album by American jazz musician and composer William Parker, which was recorded in 2007 and originally released on the AUM Fidelity label. Though best known as a bassist, Parker on this album plays various ethnic double reed instruments and the African stringed instrument doussn'gouni.
Eloping with the Sun is an album by William Parker, Joe Morris & Hamid Drake which was recorded in 2001 and released in a limited edition on Morris' Riti label.
Shakti is an album by saxophonist David S. Ware which was recorded in 2008 and released on the AUM Fidelity label. This was the first album Ware recorded after the breakup of the quartet that had been his main band for over 20 years.
Right Hemisphere is the eponymous album by the free jazz collective quartet consisting of Rob Brown on alto sax, Matthew Shipp on piano, Joe Morris on bass and Whit Dickey on drums. It was recorded in 2006 and released on the French RogueArt label. Right Hemisphere has been in existence since 1984 when Shipp and Brown first arrived in New York. The group originally had as its drummer Frank Bambara and shortly after Dickey replaced him. The trio was joined by bassist William Parker and their first recording Points appeared in 1990 under Shipp's leadership.
Altitude is an album by American jazz guitarist Joe Morris which was recorded live in 2011 and released on the AUM Fidelity label. It documents the first time performance by Morris, bassist William Parker and drummer Gerald Cleaver as a trio during a two-week of dates curated at John Zorn's club The Stone by label owner Steven Joerg. For the second set, excerpted in the final two cuts of the album, Parker played sintir, the Moroccan bass lute, instead of upright bass. All the tracks are collective and completely improvised.
High Definition is an album by American jazz musician Joe Morris which was recorded in 2007 and released on the Swiss hatOLOGY label. Morris plays double bass instead of guitar. It was the debut recording by his Bass Quartet featuring trumpeter Taylor Ho Bynum, saxophonist Allan Chase and drummer Luther Gray. Chase played previously with the rhythm section composed of Morris and Gray on pianist Steve Lantner's quartet.
Dust is an album by guitarist Ben Monder which was recorded in 1996 and first released on the Arabesque label the following year. It was rereleased on Sunnyside Records in 2006.
Rendezvous is a collaborative studio album by American jazz singer Cassandra Wilson and jazz pianist Jacky Terrasson. The album was released on 23 September 1997 by Blue Note label. The album includes mostly jazz and pop standards with one track written by Terrasson. The album's title derives from an obscure Herbie Hancock's ballad.
Dedication is an album by pianist Steve Kuhn which was recorded in 1997 and released on the Reservoir label.