Like Rays | ||||
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Studio album by | ||||
Released | 1998 | |||
Recorded | June 1996 | |||
Studio | Stephonia Studios, Concord, Massachusetts | |||
Genre | Jazz | |||
Length | 60:59 | |||
Label | Knitting Factory | |||
Producer | Joe Morris | |||
Joe Morris chronology | ||||
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Ken Vandermark chronology | ||||
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Like Rays is an album by American jazz guitarist Joe Morris with reedist Ken Vandermark, who played clarinet and bass clarinet, and German pianist Hans Poppel. It was recorded in 1996 and released on the Knitting Factory label. [1]
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | [2] |
The Penguin Guide to Jazz notes that "Vandermark is a very impressive player, with a wide range of sonorities on his clarinets. Some of this pieces are dominates by him, to a degree that suggest the alphabetical listing of performers is no more than that and that this could usefully be reviewed as Ken's record." [2]
In his review for JazzTimes Duck Baker states "There are moments of subtle understatement as well as bursting intensity, and it all flows along with the collective intent that characterizes free music (or any kind of jazz) when it's really happening." [3]
Ken Vandermark is an American composer, saxophonist, and clarinetist.
Calling All Mothers is an album by American jazz group the NRG Ensemble, their first after the death of bandleader, and multi-instrumentalist Hal Russell, which was recorded in 1993 and released on the Quinnah label.
Deep Telling is an album by American jazz guitarist Joe Morris with the DKV Trio recorded in 1998 and released on Okka Disk. The DKV Trio is a band composed of drummer Hamid Drake, bassist Kent Kessler, and saxophonist Ken Vandermark. The whole quartet plays together only on three collective improvisations, on the other five tracks the musicians split off into a variety of duo and trio lineups.
Solid Action is an album by the American jazz reedist Ken Vandermark, recorded in 1994 and released on Platypus. It was the second record by the Vandermark Quartet, which includes bassist Kent Kessler, drummer Michael Zerang and multi-instrumentalist Daniel Scanlan replacing former guitarist Todd Colburn.
Utility Hitter is an album by American jazz reedist Ken Vandermark, which was recorded in 1995 and released on the Quinnah label. He leads the Barrage Double Trio, composed of one bass-drums-reeds trio from Boston and other from Chicago. The whole band plays six Vandermark compositions, the remaining five tracks are short improvisations: one for each of the trios and three duos.
Blow Horn is an album by FJF, a quartet formed by Swedish saxophonist Mats Gustafsson and American reedist Ken Vandermark with the Chicago's NRG Ensemble rhythm section of bassist Kent Kessler and drummer Steve Hunt. It was recorded in 1995 and released on Okka Disk.
A Meeting in Chicago is an album by trumpeter/saxophonist Joe McPhee, reedist Ken Vandermark and bassist Kent Kessler, which was released in 1997 on Eighth Day Music and reissued the following year with new artwork by Okka Disk. The album documents trio, duo and solo improvisations recorded all in a single take with no rehearsal, before playing their first concert later that night at The Empty Bottle. Vandermark cites McPhee’s solo recording Tenor as a major influence.
Real Time is an album by American jazz reedist Ken Vandermark, which was released in 1997 on Eighth Day Music and reissued in 2000 with new artwork by Atavistic. He leads the quartet Steam with pianist Jim Baker, bassist Kent Kessler and drummer Tim Mulvenna. The band was formed in part to dip into the repertoire of the post-changes jazz tradition, playing live covers of tunes by Anthony Braxton, Sun Ra, Ornette Coleman and Eric Dolphy. On their debut, the group chose exclusively to deal with its own pieces: six by Vandermark and three by Baker.
Single Piece Flow is an album by American jazz reedist Ken Vandermark, which was recorded in 1996 and released on Atavistic. It was the debut of the Vandermark 5, which features Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.
Target or Flag is an album by the American jazz reedist Ken Vandermark, recorded in 1997 and released on Atavistic. It was the second recording of the Vandermark 5, which includes Mars Williams on reeds, Jeb Bishop on trombone and guitar, Kent Kessler on bass and Tim Mulvenna on drums.
Stumble is the second album by the AALY Trio + Ken Vandermark, which was recorded live at Chicago's Unity Temple in 1998 and released on Wobbly Rail, a short-lived imprint started by Merge Records/Superchunk principal Mac McCaughan. AALY Trio is a Swedish free jazz band led by saxophonist Mats Gustafsson. Originally just a guest, Vandermark became a full member of the group.
Straight Lines is an album by the American jazz reedist Ken Vandermark, recorded in 1998 and released on Atavistic. The Joe Harriott Project, a pianoless quartet with four members of the Vandermark 5, plays the music of the Jamaican saxophonist Joe Harriott, transcribed and arranged by Vandermark. Three tunes are from the album Free Form and four from Abstract.
Simpatico is an album by American jazz reedist Ken Vandermark, which was recorded in 1998 and released on Atavistic. It was the third recording of the Vandermark 5, the first with Dave Rempis replacing former saxophonist Mars Williams.
Live at the Glenn Miller Café is the third album by the AALY Trio + Ken Vandermark, which was recorded in Stockholm in 1999 and released on Wobbly Rail, a short-lived imprint started by Merge Records/Superchunk principal Mac McCaughan. AALY Trio is a Swedish free jazz band led by saxophonist Mats Gustafsson. Originally just a guest, Vandermark became a full member of the group.
Design in Time is an album by American jazz reedist Ken Vandermark, which was recorded in 1999 and released on Delmark. It was the debut recording by the Sound in Action Trio, which features two drummers: former Sun Ra percussionist Robert Barry and frequent Vandermark collaborator Tim Mulvenna. Most of the tunes are classics written by Ornette Coleman, Thelonious Monk, Sun Ra, Don Cherry and Albert Ayler.
Rebus is an album by American jazz guitarist Joe Morris with reedist Ken Vandermark, who played tenor sax, and drummer Luther Gray. It was recorded in 2006 and released on the Portuguese Clean Feed label. Morris and Vandermark have recorded before on Like Rays, a trio date with pianist Hans Poppel. Morris also joined Vandermark's DKV Trio on Deep Telling.
Soul Search is an album by American jazz guitarist Joe Morris featuring a duo with violinist Mat Maneri, which was recorded in 1999 and released on the AUM Fidelity label.
This Is My House is an album by American jazz group the NRG Ensemble, their second with saxophonist Ken Vandermark in place of the bandleader and multi-instrumentalist Hal Russell, which was recorded in 1995 and released on Delmark.
Budd Johnson and the Four Brass Giants is an album by saxophonist Budd Johnson which was recorded in 1960 and released on the Riverside label.
Tenderly is an album by the saxophonist and composer Joe Maneri, recorded in 1993 and released on the HatOLOGY label in 1999.